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Handelian Song

This impressive composition presents two main themes, one of which being based on a melody by Georg Friedrich Händel. Handelian Song is a wonderful piece to play and will give lustre to any occasion.

Lascia ch'io pianga (Let Me Weep) : from the opera Rinaldo van Georg Friedrich Händel

Lascia ch'io pianga (Let Me Weep) : from the opera Rinaldo van Georg Friedrich Händel

Lascia ch'io pianga (Let Me Weep) : from the opera Rinaldo van Georg Friedrich Händel

Let Me Weep (‘Lascia ch’io pianga’) is an aria from Handel’s opera ‘Rinaldo’. According to reports he composed the music for the complete opera in just 14 days, using many melodies from earlier works. The melody of this wonderful aria is known all over the world and this arrangement by Jacob de Haan retains all the passion of the original.

Lascia ch'io pianga (Let Me Weep) : from the opera Rinaldo van Georg Friedrich Händel

Let Me Weep (‘Lascia ch’io pianga’) is an aria from Handel’s opera ‘Rinaldo’. According to reports he composed the music for the complete opera in just 14 days, using many melodies from earlier works. The melody of this wonderful aria is known all over the world and this arrangement by Jacob de Haan retains all the passion of the original.

Lascia ch'io pianga (Let Me Weep) : from the opera Rinaldo van Georg Friedrich Händel

Film music is usually written to match the action in a scenario. Sometimes the opposite is true as is proved by Jacob de Haan’s piece La Storia. Written for creative musicians and audiences, the listener is given the opportunity of making up his own story to fit the music, without even the restriction of composer’s comments.

Lascia ch'io pianga (Let Me Weep) : from the opera Rinaldo van Georg Friedrich Händel

Easy Baroque Suite

Are you giving a Baroque concert? With this suite for a three-part recorder ensemble you really can! Robert van Beringen created this arrangement to be perfect for recorder ensemble—not only in its instrumentation, but also in terms of its level of difficulty. In Easy Baroque Suite you’ll find arrangements of Jeremiah Clarke’s Trumpet Voluntary, a minuet by Johann Krieger and Spring from Vivaldi’s The Four Seasons along with the Hallelujah chorus from Messiah by Georg Friedrich Handel.

Consolation : Wer nur den lieben Gott lässt walten

Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.

I Shall Love But Thee

I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of the composer’s youngest son’s wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)—although no literal quotations have been used. The rather rare combination of soprano and concert band makes this piece a unique addition to the repertoire!

I Shall Love But Thee

I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of the composer’s youngest son’s wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)—although no literal quotations have been used. The rather rare combination of soprano and brass band makes this piece a unique addition to the repertoire!

Consolation : Wer nur den lieben Gott lässt walten

Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.

Consolation : Wer nur den lieben Gott lässt walten

Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.

I Shall Love But Thee

I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of the composer’s youngest son’s wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)—although no literal quotations have been used. The rather rare combination of soprano and fanfare band makes this piece a unique addition to the repertoire!

Consolation : Wer nur den lieben Gott lässt walten

Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.

I Shall Love But Thee

I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of the composer’s youngest son’s wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)—although no literal quotations have been used. The rather rare combination of soprano and fanfare band makes this piece a unique addition to the repertoire!

I Shall Love But Thee

I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of the composer’s youngest son’s wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)—although no literal quotations have been used. The rather rare combination of soprano and concert band makes this piece a unique addition to the repertoire!

I Shall Love But Thee

I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of the composer’s youngest son’s wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)—although no literal quotations have been used. The rather rare combination of soprano and brass band makes this piece a unique addition to the repertoire!

Consolation : Wer nur den lieben Gott lässt walten

Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.

I Shall Love But Thee

I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of the composer’s youngest son’s wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)—although no literal quotations have been used. The rather rare combination of soprano and concert band makes this piece a unique addition to the repertoire!

Consolation : Wer nur den lieben Gott lässt walten

Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer’s original intention - a song of consolation.

Baroque Treasures

This volume contains four wonderful works by lesser known Baroque composers. Like most composers of that era, Georg Muffat, Francesco Durante and Josef Ferdinand Norbert Seeger wrote mostly church music, such as masses, motets and psalms. They are not as famous as their contemporaries Bach, Handel and Vivaldi, but their music is certainly also worthwhile. Roland Kernen has arranged the works in this edition for four-part variable line-up.Part 1 Fl Ob Bb Clar S Sax Tpt Part 2 Fl Bb Clar Eb Clar A Sax Tpt Hrn Part 3 Eb Clar T Sax Bsn Hrn Trom Euph Part 4 Bass Clar Bari Sax Bsn Trom Euph Tuba Cont Bsn

Easy On Me : As performed by Adele

Vill du spela en stor hit i din saxofonkvartett? Perfekt t.ex. till musik- och kulturskolor.Adele återvände triumferande till poplistorna med denna gripande hitsingel "Easy On Me" i oktober 2021 och har sedan dess haft Adeles hit ett mycket stort antal pjäser, vilket placerar henne som en av de största hitmakarna.Nu kan du spela "Easy On Me" i din saxofonkvartett i ett enkelt arrangemang för fyra saxofoner. Det är arrangören Norah Greens som har fått hiten att låta bra för saxofonerna.Perfekt för en föreställning t.ex. på musik/kulturskolan.Innehåller saxofonarrangemang i fyra röster för 1:a alt, 2:a alt, 3:e tenor och 4:e barytonsaxofon.

Real Time Drums 1 (Eng) : Basic Method for Drumset

I Real Time Drums - Basic Method for Drumset (Level 1) använder kompositören Arjen Oosterhout sin mångåriga erfarenhet som lärare och musiker till stor nytta. De nio kapitlen i den här metoden ger nybörjartrummisar alla nödvändiga verktyg för att börja spela populärmusik, inklusive viktig information som notation och de viktiga aspekterna av olika stilar och tekniker. Eleven kommer också att hitta bakgrundsinformation, repetitionsförslag, riktlinjer för variationer och fyllningar och uppmuntran att improvisera. Eftersom varje kapitel är en helhet kan de olika stilarna som rock, shuffle, jazz eller latin studeras och övas individuellt. CD-skivan som medföljer metoden presenterar alla övningar två gånger - en gång att lyssna på och en gång att spela med, så eleven kan omedelbart omsätta allt de har lärt sig i praktiken.