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New Hampshire

New Hampshire is part of the greater region of New England in the north-east of the United States. The introduction to this work is inspired on the nickname of New Hampshire, ‘The Granite State’, which refers to the extensive granite formations and stone quarries. We further explore this beautiful state through Market Square in Portsmouth, the nature park Franconia Notch, and the Kancamagus Highway. The work closes in a grand manner, with a bow to one of the most beautiful of all American states.

New Hampshire

New Hampshire is part of the greater region of New England in the north-east of the United States. The introduction to this work is inspired on the nickname of New Hampshire, ‘The Granite State’, which refers to the extensive granite formations and stone quarries. We further explore this beautiful state through Market Square in Portsmouth, the nature park Franconia Notch, and the Kancamagus Highway. The work closes in a grand manner, with a bow to one of the most beautiful of all American states.

Overture to a New Age

A new era dawns-heralded by solemn brass fanfares. What does the future hold? In his work Overture to a New Age, Jan de Haan expresses on the one hand anticipation, on the other also an awareness that things won’t always be as rosy as theysometimes appear. Ultimately, however, confidence and hope win through, represented by Jan de Haan in a brilliant coda. The new age can begin!

Antonin's New World

Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (‘From the New World’), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo” novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!

Antonin's New World

Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (‘From the New World’), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo” novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!

Antonin's New World

Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (From the New World), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo” novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!

The New Covenant

Throughout The New Covenant the composer seeks to portray through programmatic music the sensitivity, love and understanding of a compassionate Christ and the strength and wisdom of the Son of God who gave Himself to become the new covenant between God and man. This descriptive work creates a word painting by use of fragments from John Newton's beautiful hymn 'How Sweet The Name of Jesus'. An ideal work for any concert but especially for those taking place in Churches or Cathedrals.

Yellow Submarine

Yellow Mountains

In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

Yellow Mountains

In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

Yellow Mountains

In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

Yellow Mountains

In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

Yellow Mountains

In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

Yellow Mountains

In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

Yellow Mountains

Yellow Submarine

Yellow Mountains

Yellow Mountains

In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.

Aladdin Medley : Friend Like Me - A Whole New World - Prince Ali

This Grade 3 arrangement by Hiroki Takahashi allows bands to perform music from the fantastic new live-action version of Disney’s Aladdin, including the ever popular 'Friend Like Me’, 'A Whole New World’ and 'Prince Ali’. This Grade 3 arrangement by Hiroki Takahashi allows bands to perform music from the fantastic new live-action version of Disney’s Aladdin, including the ever popular 'Friend Like Me’, 'A Whole New World’ and 'Prince Ali’.

Aladdin Medley : Friend Like Me - A Whole New World - Prince Ali

This Grade 3 arrangement by Hiroki Takahashi allows bands to perform music from the fantastic new live-action version of Disney’s Aladdin, including the ever popular 'Friend Like Me’, 'A Whole New World’ and 'Prince Ali’. This Grade 3 arrangement by Hiroki Takahashi allows bands to perform music from the fantastic new live-action version of Disney’s Aladdin, including the ever popular 'Friend Like Me’, 'A Whole New World’ and 'Prince Ali’.

New Orleans Funk

Funk is a very rhythmic music style that finds its origin in the 1960s. The American artist James Brown and the New Orleans-based group The Meters are considered the founders of this genre. Funk is characterized by an independentbass line that emphasizes each first beat of the bar (the one), as well as by a rhythmic combination of syncopated melodies and accompaniments with lots of harmonic additions. This style-conscious composition by Peter KleineSchaars contains a healthy blend of the harmonic ingredients as well as the rhythmic challenges of funk music. On the one hand, New Orleans Funk is an educational exercise with the rhythmic cells 9,10, 14, 15 and 16: on the otherhand, it is a funky highlight of your rehearsal or concert!

New Orleans Funk

Funk is a very rhythmic music style that finds its origin in the 1960s. The American artist James Brown and the New Orleans-based group The Meters are considered the founders of this genre. Funk is characterized by an independentbass line that emphasizes each first beat of the bar (the one), as well as by a rhythmic combination of syncopated melodies and accompaniments with lots of harmonic additions. This style-conscious composition by Peter KleineSchaars contains a healthy blend of the harmonic ingredients as well as the rhythmic challenges of funk music. On the one hand, New Orleans Funk is an educational exercise with the rhythmic cells 9,10, 14, 15 and 16: on the otherhand, it is a funky highlight of your rehearsal or concert!

A New Beginning

A New Beginning begins with a beautiful and sensitive chorale shaping the musical ideas. This chorale builds up to a fast and rhythmical setting, creating a vivid and spectacular feel, with lots of percussion. The instrumentation is versatile and colourful, which makes the piece very pleasant to play and work on for each instrumental group within the band. The music slows down again in the finale, but in a maestoso style. This leads onto a dramatic and impressive ending!

A New Beginning

A New Beginning begins with a beautiful and sensitive chorale shaping the musical ideas. This chorale builds up to a fast and rhythmical setting, creating a vivid and spectacular feel, with lots of percussion. The instrumentation is versatile and colourful, which makes the piece very pleasant to play and work on for each instrumental group within the band. The music slows down again in the finale, but in a maestoso style. This leads onto a dramatic and impressive ending!

Nova Bossa : 12 New Bossa Novas

Leslie Searle has composed twelve new bossa novas for this bookfollowing in the tradition of such well-known compositions as the GirlFrom Ipanema, Corcovado and Black Orpheus. The outstanding liverecording on the accompanying CD will ensure that all these pieceswill bring hours of fun.