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All-Night Vigil: 12. The Great Doxology

Twelve Canticles: No. 11. Farewell- No. 12. Amen

The Other Voices of the Trumpet : Revelation 8:12

Setting Sail : 12 Songs on Poems by Emily Dickinson Texts

Letters from Saint Paul : Hebrews 12:1, 2- Romans 8:35, 7, 8, 9

Songs of Gouvy, Volume 1 : 40 poèmes de Pierre de Ronsard, 12 poèmes de La Pleïade

Beloved, Let Us Love One Another

Written for the Choir of the Church of the Advent in Boston, Massachusetts (Dr. Edith Ho, director), this piece was composed for the wedding of John Sterling Lambert and Susan Tighlman Bisson at the Advent on October 12, 2002. The bride and groom are both singers who have worked closely with the composer, and the composer and choir offered this short work, drawing on various wedding and musical texts, as a gift to the couple during the wedding liturgy.

The Nymph's Reply to the Shepherd

The text is Sir Walter Raleigh's response to The Passionate Shepherd by Christopher Marlowe. The two poems are worlds apart in philosophical viewpoints. The Passionate Shepherd is all about promises, promises, and more promises of constant daily joys in the sharing of love, almost to the point of frenzy. In contrast, The Nymph’s Reply to the Shepherd is serene and philosophically realistic, yet it seems to yearn for the idealism of the shepherd’s promises. The music is written in both a lighthearted and frenzied manner so as to deliver on the moods of the text. Duration: 3:12 Flute part included.

Vier ernste Gesänge : Four viceious Songs

What does a chorus do after they perform the Alto Rhapsody? Answer: Four Serious Songs. This arrangement includes the original piano accompaniment by Brahms. Includes Brahms's original German text and a singable English translation by Paul England (alt). Duration: 18:20 Contents: 1. Denn es gehet dem Menschen (One thing befalleth the beasts) Ecclesiastes 3:19-22 2. Ich wandte mich und sahe (So I returned and did consider) Ecclesiastes 4:1-3 3. O Tod, wie bitter bist du (O death, how bitter art thou) Ecclesiastes 41 4. Wenn ich mit Menschen und mit Engelszungen redete (Though I speak with the tongues of men, and of the angels) I Corinthians 13:1-3, 12-13What does a chorus do after they perform the Alto Rhapsody? Answer: Four Serious Songs. This arrangement includes the original piano accompaniment by Brahms. Includes Brahms's original German text and a singable English translation by Paul England (alt). Duration: 18:20 Contents: 1. Denn es gehet dem Menschen (One thing befalleth the beasts) Ecclesiastes 3:19-22 2. Ich wandte mich und sahe (So I returned and did consider) Ecclesiastes 4:1-3 3. O Tod, wie bitter bist du (O death, how bitter art thou) Ecclesiastes 41 4. Wenn ich mit Menschen und mit Engelszungen redete (Though I speak with the tongues of men, and of the angels) I Corinthians 13:1-3, 12-13

Psalm 90

Composed at the request of Lincoln Center to serve as a unifying element of the twelve concerts of the White Lights Festival’s “Psalms Experience,” featuring the Tallis Scholars, The Norwegian Soloist Choir, The Netherlands Chamber Choir, and The Choir of Trinity Wall Street. I intentionally wrote a hymn that felt reminiscent of the grand hymns of Edwardian England, choosing a melodic contour and harmonic language that pulls at the heart strings. Having discovered this wonderful alternate versified version of Psalm 90 (the usual being “O God, our help in ages past) by Robert Burns, it made an obvious choice to accompany the entire Psalter, as it depicts the minusculenature of humanity’s cycles of life in comparison to that of God. This arrangement would work well for almost any function that comments on our fleeting life-span, whether a funeral, wedding, baccalaureate, or commencement service. —Julian Wachner Duration: 3:12 Composed at the request of Lincoln Center to serve as a unifying element of the twelve concerts of the White Lights Festival’s “Psalms Experience,” featuring the Tallis Scholars, The Norwegian Soloist Choir, The Netherlands Chamber Choir, and The Choir of Trinity Wall Street. I intentionally wrote a hymn that felt reminiscent of the grand hymns of Edwardian England, choosing a melodic contour and harmonic language that pulls at the heart strings. Having discovered this wonderful alternate versified version of Psalm 90 (the usual being “O God, our help in ages past) by Robert Burns, it made an obvious choice to accompany the entire Psalter, as it depicts the minusculenature of humanity’s cycles of life in comparison to that of God. This arrangement would work well for almost any function that comments on our fleeting life-span, whether a funeral, wedding, baccalaureate, or commencement service. —Julian Wachner Duration: 3:12