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Never Sit Down!

Rain comes down

Wash Me Throughly From My Wickedness

Drop Down, Ye Heavens

Look Down, O Lord

Piping Down the Valleys Wild

The text is William Blake's "Introduction" from Songs of Innocence.The music is distinctively pastoral and playful, with rhythms and textures which evoke the echoes one would hear in the hills and valleys. A substantial piano accompaniment supports the frolicking.

A World Turned Upside Down

Love Came Down at Christmas

Love Came Down at Christmas

Love Came Down at Christmas

Every Night : When the Sun Goes Down

Down Came An Angel : From Appalachian Carols

New Millennium Suite: No. 3. Down by the Riverside

Down to the River to Pray: A Song of Celebration

Jesus Christ, the Apple Tree

The 18th-century poem, Jesus Christ, the Apple Tree, found its way into an American hymnal compiled by Joshua Smith in 1784. Most often classified as a carol. A soprano soloist introduces the simple melody which is then harmonized in verse 2 and passed down to the tenor line in verse 3. Verse 4 finds the melody transposed up a third, then embellished by a soprano descant on the final verse. Duration: 2:00 The 18th-century poem, Jesus Christ, the Apple Tree, found its way into an American hymnal compiled by Joshua Smith in 1784. Most often classified as a carol. A soprano soloist introduces the simple melody which is then harmonized in verse 2 and passed down to the tenor line in verse 3. Verse 4 finds the melody transposed up a third, then embellished by a soprano descant on the final verse. Duration: 2:00

Mass of the Resurrection

The Mass of the Resurrection is based upon three principal themes, namely the Solemn Tone of the Gregorian Te Deum laudamus, the Great Alleluia, and the splendid Easter Sequence Victimæ Paschali laudes. These three Easter themes permeate the Mass thus joining us with those of past centuries who have sung these same melodies to celebrate the resurrection of the Lord Jesus Christ who has trampled down death and won for us the life eternal. Resurrexit Christi! Alleluia! -Robert W. Lehman Duration: 7:00

The Friendly Beasts

“The Friendly Beasts” portrays the animals who have protected Jesus and Mary during the birth. Each animal proudly takes its turn announcing its contribution. The donkey carried Mary “up hill and down.” The dove “cooed” the Child to sleep. At the end of the song, all of the animals reappear in quick succession: donkey, cow, sheep, dove. They recount the gifts they brought to Immanuel. The Clarinet plays a featured role, enhancing the message of the lyrics. For example, the Clarinet associates with each animal, braying as a donkey, warmly mooing as a cow, embellishing as a sheep with “curly horns,” and fluttering upward with trills as a dove in flight. Duration: 4:15“The Friendly Beasts” portrays the animals who have protected Jesus and Mary during the birth. Each animal proudly takes its turn announcing its contribution. The donkey carried Mary “up hill and down.” The dove “cooed” the Child to sleep. At the end of the song, all of the animals reappear in quick succession: donkey, cow, sheep, dove. They recount the gifts they brought to Immanuel. The Clarinet plays a featured role, enhancing the message of the lyrics. For example, the Clarinet associates with each animal, braying as a donkey, warmly mooing as a cow, embellishing as a sheep with “curly horns,” and fluttering upward with trills as a dove in flight. Duration: 4:15

The Friendly Beasts

“The Friendly Beasts” portrays the animals who have protected Jesus and Mary during the birth. Each animal proudly takes its turn announcing its contribution. The donkey carried Mary “up hill and down.” The dove “cooed” the Child to sleep. At the end of the song, all of the animals reappear in quick succession: donkey, cow, sheep, dove. They recount the gifts they brought to Immanuel. The Clarinet plays a featured role, enhancing the message of the lyrics. For example, the Clarinet associates with each animal, braying as a donkey, warmly mooing as a cow, embellishing as a sheep with “curly horns,” and fluttering upward with trills as a dove in flight. Duration: 4:15“The Friendly Beasts” portrays the animals who have protected Jesus and Mary during the birth. Each animal proudly takes its turn announcing its contribution. The donkey carried Mary “up hill and down.” The dove “cooed” the Child to sleep. At the end of the song, all of the animals reappear in quick succession: donkey, cow, sheep, dove. They recount the gifts they brought to Immanuel. The Clarinet plays a featured role, enhancing the message of the lyrics. For example, the Clarinet associates with each animal, braying as a donkey, warmly mooing as a cow, embellishing as a sheep with “curly horns,” and fluttering upward with trills as a dove in flight. Duration: 4:15

Born in Bethlehem

“Born in Bethlehem” is a numbers song, similar to “The Twelve Days of Christmas.” Each group traveling to the Nativity, or associated with Jesus, is presented in ascending numerical order, from one to twelve. [“One for the little bitty Baby…Twelve for the Twelve Apostles”] Once the complete set has been introduced, the numbers are performed in reverse order, in a frantic race (prestissimo) from twelve to one. This is an energetic song! The Clarinet plays a featured role, enhancing the message of the lyrics. For example, the phrase “Children, go where I send thee” is matched by the Clarinet scampering up a scale as children setting forth on a trip. And the next line, “How shall Isend thee?” has the Clarinet/children coming back down the scale, returning home. Duration: 4:15 “Born in Bethlehem” is a numbers song, similar to “The Twelve Days of Christmas.” Each group traveling to the Nativity, or associated with Jesus, is presented in ascending numerical order, from one to twelve. [“One for the little bitty Baby…Twelve for the Twelve Apostles”] Once the complete set has been introduced, the numbers are performed in reverse order, in a frantic race (prestissimo) from twelve to one. This is an energetic song! The Clarinet plays a featured role, enhancing the message of the lyrics. For example, the phrase “Children, go where I send thee” is matched by the Clarinet scampering up a scale as children setting forth on a trip. And the next line, “How shall Isend thee?” has the Clarinet/children coming back down the scale, returning home. Duration: 4:15

Born in Bethlehem

“Born in Bethlehem” is a numbers song, similar to “The Twelve Days of Christmas.” Each group traveling to the Nativity, or associated with Jesus, is presented in ascending numerical order, from one to twelve. [“One for the little bitty Baby…Twelve for the Twelve Apostles”] Once the complete set has been introduced, the numbers are performed in reverse order, in a frantic race (prestissimo) from twelve to one. This is an energetic song! The Clarinet plays a featured role, enhancing the message of the lyrics. For example, the phrase “Children, go where I send thee” is matched by the Clarinet scampering up a scale as children setting forth on a trip. And the next line, “How shall Isend thee?” has the Clarinet/children coming back down the scale, returning home. Duration: 4:15 “Born in Bethlehem” is a numbers song, similar to “The Twelve Days of Christmas.” Each group traveling to the Nativity, or associated with Jesus, is presented in ascending numerical order, from one to twelve. [“One for the little bitty Baby…Twelve for the Twelve Apostles”] Once the complete set has been introduced, the numbers are performed in reverse order, in a frantic race (prestissimo) from twelve to one. This is an energetic song! The Clarinet plays a featured role, enhancing the message of the lyrics. For example, the phrase “Children, go where I send thee” is matched by the Clarinet scampering up a scale as children setting forth on a trip. And the next line, “How shall Isend thee?” has the Clarinet/children coming back down the scale, returning home. Duration: 4:15