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Symmetry-Asymmetry : für Flöte, Viola und Harfe

Symmetry-Asymmetry : für Flöte, Viola und Harfe

The title of this piece by Balázs Horváth refers to the interdependence of the musical materials. The first movement explores a complex system of rhythms with different symmetrical and asymmetrical metres. The second movement as specified by Péter Bársony, who commissioned the work, develops a special relationship with Debussy?s Sonata: it traces the symmetrical and asymmetrical temporal occurrence of the motifs of the Debussy work, as a sort of concrete formal analysis.

SEK 360.00
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Signs, Games and Messages : Solo and Chamber Works

Signs, Games and Messages : Solo and Chamber Works

Signs, Games and Messages are series for solo instruments and small chamber ensembles. Each of the three notions refers to an essential factor in Kurtág's music. Signs ties in with the composer's period of study in Paris as a young man, when he could not compose, merely put graphic signs on the paper.(Additionally, the word points to inspiration gained from the art of Klee and Michaux.) Games links with his nine-volume series for the piano with that title. Messages conveys the very personal content of these works, in that these short pieces are actually diary notes and missives to musicians and friends important to Kurtág.The collection - like his earlier five series forstringed instruments - does not form a coherent cycle. The pieces can be played individually or in various orders or among pieces from Signs, Games and Messages written for other instruments.

SEK 395.00
1

Signs, Games and Messages : Solo and Chamber Works

Signs, Games and Messages : Solo and Chamber Works

Signs, Games and Messages are series for solo instruments and small chamber ensembles. Each of the three notions refers to an essential factor in Kurtág’s music. Signs ties it with the composer’s period of study in Paris as a young man, when he could not compose, merely put graphic signs on the paper. Games links with his nine-volume series for the piano with that title. Messages conveys the very personal content of these works, in that these short pieces are meant to be diary-entries and missives to musicians and friends important to Kurtág. The collection - like the earlier five series for string instruments - does not form a coherent cycle. The pieces can be played individually or in various orders or mixed with from Signs, Games and Messages written for other instruments.

SEK 459.00
1

Let's Take the Stage! - Rauf auf's Podium! : Easy repertoire pieces for young violinists with CD

Let's Take the Stage! - Rauf auf's Podium! : Easy repertoire pieces for young violinists with CD

It's an unforgettable experience to go on stage for the first time and win applause with your playing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can earn real success: easy arrangements of favorite works by Dowland, Vivaldi, Handel, Bach, Haydn, Mozart, Weber, Schubert, Schumann, Liszt, Anton Rubinstein and Brahms. The CD enclosed with the publication includes recordings of the piano accompaniment for each piece and a full performance by noted Hungarian musicians.

SEK 276.00
1

Adagio for Viola and Piano

Adagio for Viola and Piano

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new separate edition.Adagio for violin and piano: Z. 14911Adagio for viola and piano: Z. 14894Adagio for violoncello and piano: Z. 14895Adagio for double bass and piano: Z. 14896

SEK 137.00
1

Adagio for Violoncello and Piano

Adagio for Violoncello and Piano

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new edition.Adagio for violin and piano: Z. 14911Adagio for viola and piano: Z. 14894Adagio for violoncello and piano: Z. 14895Adagio for double bass and piano: Z. 14896

SEK 147.00
1

Adagio For Violin And Piano

Adagio For Violin And Piano

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new separate edition. Adagio for violin and piano: Z. 14911Adagio for viola and piano: Z. 14894Adagio for violoncello and piano: Z. 14895Adagio for double bass and piano: Z. 14896An ABRSM syllabus title, 2012-15, Grade 8.

SEK 147.00
1

Stabat Mater : for soprano and baritone solo, mixed choir and orchestra

Stabat Mater : for soprano and baritone solo, mixed choir and orchestra

Miklós Kocsár set Jacopone da Todi's Latin hymn to music in 2007. The composition is for soprano, baritone solo, mixed choir and orchestra. The nearly 20-minute-long monothematic work of one movement presents the suffering and reconciliation of Mater Dolorosa with variational technique and colourfully alternating choir and solo textures. Using the score, which includes the vocal parts, Stabat Mater can be performed with not only orchestral but also piano or organ accompaniment.

SEK 107.00
1

Adagio for Double Bass and Piano

Adagio for Double Bass and Piano

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new edition.Adagio for violin and piano: Z. 14911Adagio for viola and piano: Z. 14894Adagio for violoncello and piano: Z. 14895Adagio for double bass and piano: Z. 14896

SEK 177.00
1

Zwei Bilder op. 10

Zwei Bilder op. 10

'Composed in 1910, Bartók's 'Two Pictures' for orchestra, too, draws on Debussy and folk music. Indeed, the title itself is a reference to Debussy's famous piano cycle, 'Images'. The two movements, 'In Full Flower' and 'Village Dance' represent two Bartókian movement types. The first one is the delicate and intimate music of nature. Debussy's influence is most tangible here. The second movement, 'Village Dance' is only related to the previous movement through its tonal system. It is, rather, a sort of 'bone and muscle' music that belongs to the barbaro type of movements, and as such, consists of possibly the simplest elements. Long sections consist of the continual repetitionof a primitive motif. The work was first performed three years after its completion, on 25 February 1913, by the Budapest Philhamonic Orchestra, under the baton of István Kerner.' (HCD 32505 Bartók New Series Vol. 5, Virág Büky)

SEK 127.00
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