Vores kunder ligger øverst på Google

Sechs Sätze für Kammerensemble

First performance: Székesfehérvár, May 16, 1987, by the Orchestra of the Music School of Gy r, conductor Gábor Maros.

77 Performance pieces for soprano recorder

Musica piccola

First performance on the WASBE's 1st World Conference in the Ibsen Hall Skien (Norway) on 12 July 1983. (Hungaroton HCD 31353)

Musica piccola

First performance on the WASBE's 1st World Conference in the Ibsen Hall Skien (Norway) on 12 July 1983. (Hungaroton HCD 31353)

Musica serena per archi

This work composed in 1982 is published now in the Leggiero series. The three-movement little composition is a rewarding performance piece for school and amateur orchestras.

Hommage a R. Schumann op. 15d

For the performance of the work three playing scores are needed. The enclosed parts are incomplete, and serve only to help the page turning. (BMC CD 048)

favourite performance pieces 2 : For Flute and Piano

favourite performance pieces 1 : For Flute and Piano

Ausgewählte Orgelwerke

The performance of these genre pieces requires extremely colourful playing on the organ. The occasional registrations and changes of manual in the manuscripts indicate that Dezs Antalffy-Zsiross stressed even the shortest musical idea, if need be, at the expense of playing with one hand on two manuals. His manner of performance was never metronom-like but shaped with munch agogic which never failed to exert a tremendous effect on his audience.

Saxophone ABC 1

The two volumes of the Saxophone ABC (Vol.2: Z. 14299) are organically related, and together provide beginners with 3-4 years’ worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian.

Saxophone ABC : Piano accompaniment (Mib, Sib)

The two volumes of the Saxophone ABC (Vol.1: Z. 14289) are organically related, and together provide beginners with 3-4 years worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian. The pupil's book is published separately (14299)

Saxophon-ABC 2 : Pupil's book

The two volumes of the Saxophone ABC (Vol.1: Z. 14289) are organically related, and together provide beginners with 3-4 years’ worth of study material: short, easily playable exercises, performance piece excerpts, whole pieces and duets, gradually extending the range of notes and constantly introducing new rhythmic elements. The author has included a piano accompaniment for the majority of the performance pieces, separately for E flat and for B flat instruments. The textual instructions are given in three languages: German, English and Hungarian. The piano accompaniment to this volume is published separetely (14299P).

6 sonate per violoncello e basso continuo

This edition of six sonatas that were written in 1732 appears in the Urtext series with a detailed preface by Árpád Pejtsik. The foreword introduces the reader to the origins of the works and also gives practical performance advice.

Le cygne pour violoncelle (ou viola) et guitare : pour violoncelle (ou viola) et guitare

This is a transcription for cello and guitar of the masterpiece of the French romantic composer which will probably prove to be a rewarding piece for performance for young music pupils. The work appears in the series 'Musica per chitarra'.

7 Ant(hem)s : Hommage à Péter Esterházy

The piece is based on a text written by Péter Esterházy entitled (seven ants) from his book Fancsikó and Pinta. Although this text can be regarded as the literary program of the composition, it is not an obligatory part of its performance.

18 kleine Klavierstücke aus dem Notenbüchlein fü : aus dem Notenbüchlein für Anna Magdalena Bach'

These 18 Little Piano Pieces are a selection from the two manuscript notebooks that Johann Sebastian Bach made as a gift for Anna Magdalena, his second wife. The notebooks include works not only by Bach, but also by other contemporary composers, and these 18 pieces also feature works that can be ascribed to other composers.The current edition is based on the original musical text (urtext), and supplemented with performance indications by Lajos Hernádi. In the use of dynamics and other performance indications the editor has strived for simplicity and stylistic appropriateness. The pieces in this collection can be used as material for the 2nd to 4th years of learning thepiano.

Französische Tänze aus der Renaissance für vier Bl : für vier Blockflöten

These volumes (Z. 14625 and Z. 14640) from János Bali are special publications. Apart from being collections of 16th-century pieces playable at concerts or any other kind of musical occasion, they also serve as basic material for today’s increasingly popular Renaissance dance halls, or balls: the pieces they contain are grouped according to the various types of dance, and supplemented by a description of the most important dance steps, and formulas of ornamentation providing patterns and ideas for use in performance. An ensemble of different-sized recorders/strings is one of the most typical instrumental combinations of the Renaissance, and can successfully evoke the authenticsound and performance practice of the period.

Französische Tänze aus der Renaissance für vier St : für vier Streichinstrumente

These volumes (Z. 14625 and Z. 14640) from János Bali are special publications. Apart from being collections of 16th-century pieces playable at concerts or any other kind of musical occasion, they also serve as basic material for today’s increasingly popular Renaissance dance halls, or balls: the pieces they contain are grouped according to the various types of dance, and supplemented by a description of the most important dance steps, and formulas of ornamentation providing patterns and ideas for use in performance. An ensemble of different-sized recorders/strings is one of the most typical instrumental combinations of the Renaissance, and can successfully evoke the authenticsound and performance practice of the period.

Missa Solennis (Graner Messe) : für SATB-Soli, Gemischten Chor, Orgel und Orchester

Liszt composed the Missa Solennis in 1855 for the consecration of the Basilica in Esztergom. It is usually called the "Graner Messe" after 'Gran', the comtemporary German name Esztergom. The first performance took place there on 31 August 1856. (Hungaroton HCD 11861) Territorial restrictions may apply. Please ask before ordering.

Missa Solennis (Graner Messe) Musicotheka Cl. 4 : für SATB-Soli, Gemischten Chor, Orgel und Orchester

Liszt composed the Missa Solennis in 1855 for the consecration of the Basilica in Esztergom. It is usually called the "Graner Messe" after 'Gran', the comtemporary German name Esztergom. The first performance took place there on 31 August 1856. (Hungaroton HCD 11861) Territorial restrictions may apply. Please ask before ordering.

Missa Coronationalis (Krönungsmesse) Für Soli, G

The Coronation Mass was composed by Liszt for the coronation of King Franz Joseph I and Queen Elisabeth. The first performance of the work took place on June 8, 1867 at the Mathias Church at Buda. Also the composer was present at this occasion. Territorial restrictions may apply. Please ask before ordering.

Fünfzehn leichte Stücke für Kinderstreichorchester

András Soós, who arranged and edited this volume, has selected from the composer's popular harpsichord suites, concerti grossi, operas and his Water Music movements and arias that are relatively simple both technically and in terms of musical expression, and suitable for performance by a junior orchestra. Thus from quite an early age, by interpreting the most demanding musical material students can become familiar with the language of the Baroque style and its mode of performance. The selection includes not only the well known Hornpipe and also a minuet from the Water Music, but also the famous aria from Rinaldo beginning 'Lascia ch'io pianga…'. (Any teacher or student who isinterested can find the source of each piece in the list of contents.)

Missa choralis für gem. Chor und Orgel : für gem. Chor und Orgel

The Coronation Mass was composed by Liszt for the coronation of King Franz Joseph I and Queen Elisabeth. The first performance of the work took place on June 8, 1867 at the Mathias Church at Buda. Also the composer was present at this occasion. Territorial restrictions may apply. Please ask before ordering. (Hungaroton HCD 12747)

In the Forests of the Night for 15 strings (2015)

The work was commissioned by the Budapest Strings and received its first performance on March 21, 2015, where it was conducted by the composer. It is not an orchestral piece per se, but a chamber work for an ensemble of 15 string soloists in which players divide into groups of five and sound at structurally important moments.

Kleine Vortragsstücke I Für Klarinette Und Klavie

Most of the pieces to be found here were not originally written for the clarinet. Their aim is to acquaint students, at he beginning of their studies, with the works of old masters. It is desirable that by gradually mastering the necessary technique, the students should develop the faculty for solo performance. These selected pieces give them initial help.