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Trio

TRIO

Trio

Trio

Trio für 2 Trompeten und Posaune : für 2 Trompeten und Posaune

This trio follows the classical form: the first movement is a sonata, the second is in ternary form while the third movement is a rondo. The musical texture is polyphonic at a high level of chamber music playing. All three instruments play equal parts both technically and musically. In the first movement the fanfare-like main theme corresponds to the characteristics of the instrument, after which there follows a smooth subsidiary theme. In the recapitulation the melody of the trombone is imitated by the trumpet. The second movement is a lyrical cantilena of broken melody while the third one forms a virtuoso rondo, full of drive. Moderately difficult.

Trio,Vl-Va-Hf

Trio Fl-Marimbaphon-Git

Serenade for String Trio

Duli-Duli Trio Für Klarinetten

6 Trios Fur 2 Floten Und Basso Continuo 2

The present edition of the trio sonatas by Johann Ludwig Krebs (1713-1780) is based on pp. 113-158 of a contemporary copy of the trio sonata collection which is held in the Sächsische Landesbibliothek, Dresden, shelf-mark Mus. 1-Q-1. The common title at the beginning of the first trio reads: Sechs Trio a 2 Flauti e Basso. In spite of the consistent indication of instrument in the source the music material of the second flute part suggests an alternative use of instruments. Apart from the characteristic string turns occurring in some places mention should be made of the range of voice up to g of the first trio sonata if the/in first place and particulary of theconsistently applied double stops of the second melodic instrument in the first movement of piece No. 6. Territorial restrictions may apply. Please ask before ordering.

6 Trios Fur 2 Floten Und Basso Continuo 1

The present edition of the trio sonatas by Johann Ludwig Krebs (1713-1780) is based on pp. 113-158 of a contemporary copy of the trio sonata collection which is held in the Sächsische Landesbibliothek, Dresden, shelf-mark Mus. 1-Q-1. The common title at the beginning of the first trio reads: Sechs Trio a 2 Flauti e Basso. In spite of the consistent indication of instrument in the source the music material of the second flute part suggests an alternative use of instruments. Apart from the characteristic string turns occurring in some places mention should be made of the range of voice up to g of the first trio sonata if the/in first place and particulary of theconsistently applied double stops of the second melodic instrument in the first movement of piece No. 6. Territorial restrictions may apply. Please ask before ordering.

Trio : für Flöte, Gitarre und Violoncello

Trio : für Schlagzeug, Klavier und Violoncello

Trio : für Violine, Viola und Cimbalom

Trio : für Flöte, Violine und Viola

Alteba trio : für Alt-, Tenor- und Bassposaune

Trio für Flöte, Violine und Viola : Taschenpartitur

Trio in sol minore per liuto (chitarra), violino

Trio concertino : für Violine, Violoncello, Klavier und Streichorchester

Kammermusikschule für Streicher III Das klassisch : Das klassische Trio

At first sight, this publication appears to be a collection of pieces, for the technical studies, not too attractive but so characteristic of tutors, are missing. Yet the selection of the works, their order according to the development of ensemble playing and the advice includeed after the foreword and containig proposals for the technical realization of ensemble playing in the case of certain typical pieces – these all make this publication a tutor.The works form a cross-section of a longer period of the history of chamber music and offer an insight into thedifferent methods of composition.

Trio B-Dur für Flote, Viola und Basso Continuo

Trio für die Jugend : für Klavier, Violine und Violoncello

6 Sonate a tre per due violini o flauti traversi e

The present volume in the EMB Urtext series is the first complete practical edition of the set of trio sonatas for two violins or two flutes by the prominent Italian violin player of the late Baroque. The six trio sonatas do not belong to the usual Corellian type but introduce bold novelties with regard to form, harmony and melody alike. The sixth sonata proves to be particularly interesting since each of the solo instruments conducted in canon have their own continuo part.

Zeichen, Spiele und Botschaften für Streichtrio : Spielpartitur

Publication of György Kurtág's string chamber music is a long-awaited event: his chamber music master courses and the recording made by the Orlando Trio have aroused considerable interest in these works worldwide. The first three volumes contain pieces for violin (Z. 14220), for viola (Z. 14221) and for string trio (Z. 14223). As our title - Signs, Games and Messages - suggests, they include compositions of varying length written for different types of occasion: musical 'letters', tributes and playful experiments in instrumental technique.

Zeichen, Spiele und Botschaften für Violine : Solo

Publication of György Kurtág's string chamber music is a long-awaited event: his chamber music master courses and the recording made by the Orlando Trio have aroused considerable interest in these works worldwide. The first three volumes contain pieces for violin (Z. 14220), for viola (Z. 14221) and for string trio (Z. 14223). As our title - Signs, Games and Messages - suggests, they include compositions of varying length written for different types of occasion: musical 'letters', tributes and playful experiments in instrumental technique.