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Chamber Music for/ Kammermusik für Violoncelli 8 : for 4 violoncellos

Chamber Music for/ Kammermusik für Violoncelli 8 : for 4 violoncellos

Chamber Music for Violoncellos Volume 8 contains four-part pieces, begins with the theme of the slow movement of Haydn's Kaiser' quartet (the melody of the Austrian imperial anthem) and two of the variations on that theme. Slav music is represented by Tchaikovsky's Orthodox chorale, the Russian Folksong by Ljadov, originally performed on four cellos, and Dvo ák's Walzer. The last-mentioned piece is technically demanding. The final work is a Serenade by the 19th-century cellist and composer Georg Goltermann.

SEK 365.00
1

Sonatas for Recorder and Continuo : für Blockflöte und Basso continuo

Sonatas for Recorder and Continuo : für Blockflöte und Basso continuo

An ABRSM syllabus title, 2014-21, Grade 8. The composer of the Baroque era and perhaps of the whole history of music who knew most about the recorder was Georg Philipp Telemann. His sonatas recorder belong to the basic repertory of each professional and pretentious amateur player of the instrument. The complete edition of his sonatas is still missing and the quality of the available editions of the various pieces is definitely uneven. It is thus a pioneering work to publish Telemann's complete sonata output in the EMB Urtext series.

SEK 289.00
1

Chamber Music for/ Kammermusik für Violoncelli 9 : for 4 violoncellos

Chamber Music for/ Kammermusik für Violoncelli 9 : for 4 violoncellos

Volume 9 in the series includes two works by Georg Goltermann (1824-1898) written for four cellos. The first work in the volume is the well-known Ständchen by Schubert, and the last is a transcription for four cellos of the equally popular Humoresque by Dvo ák. Since parts III and IV are easy, if the members of the ensemble are of equal ability it is possible in the repeated sections for an exchange of parts to take place between I and III, and between II and IV.

SEK 229.00
1

Einige Sätze aus den Sudelbüchern G.C.Lichtenbergs : Op. 37a, Für Sopran und Kontrabass

Einige Sätze aus den Sudelbüchern G.C.Lichtenbergs : Op. 37a, Für Sopran und Kontrabass

The polymath, naturalist and aesthetician Georg Christoph Lichtenberg (1742-1799) is an interesting figure of 18th-century German cultural history. Yet his most important work, his collection of aphorisms, only appeared posthumously. It embraces almost all the themes that concerned the thinkers of the era, often with a satirical tone. Kurtág selected texts from these volumes for his work, which in its original version (op. 37, 1996) was indeed a musical aphorism collection freely assembled by the performer - this version was withdrawn. However, the final form, composed in 1999, cannot be disjoined. It is a unified composition, although the material for the vocal scoreremained almost unchanged.

SEK 279.00
1