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Life or Death

Nothern Lights - Nordlicht

This collection of character pieces by Swedish, Finnish, Norwegian and Danish composers is a good illustration of the fact that there is plenty to discover in those areas of Europe that more rarely enjoy the limelight. The composers featured in this volume were all famous in their day, and not only participated in European musical life but also helped to shape it: the Norwegian Agathe Backer-Grondahl, for example, was a pupil of Ferenc Liszt and Hans von Bülow, the Swede Ludvig Norman was also an outstanding concert pianist, and Niels Wilhelm Gade was the most important Danish romantic composer, conductor of the Leipzig Gewandhaus Orchestra and a friend of Mendelssohn andSchumann.

Two Sonatas

The edition contains two sonatas originally written for flute and recorder. The trumpet parts of the fine transcriptions are of medium difficulty and provide good opportunity for trumpet players to widen their repertory in the field of early music. An ABRSM syllabus title, 2010-17, Grade 6-7.

Veselá Klavírna Skola Vol 4 : (Slovak-Hungarian edition)

Ágnes Lakos writes the following about her four-volume piano tutor, enlivened with cheerful illustrations by Christina Diederich: „A friendly piano tutor, without dry finger exercises, full of little masterpieces and colourful as a picture book! Piano playing can only be learnt with attractive, good quality works from the very beginning.

Album für die Jugend für Klavier op. 68

Schumann composed Jugendalbum within less than two weeks between August 30th and September 13th, 1848. "I think - he wrote to Reinecke - that the Album will sometimes raise smile on your face. I can't remember the time when I was in such a good musical mood as when I wrote these pieces. It was just flowing towards me."

Lethe - for string orchestra (2014)

The title of the piece refers to Lethe, one of the rivers of Hades, known from Greek mythology. The meaning of the world is 'oblivion': the dead souls were drinking from it in order to forget about their earthly life, whose memories might have poisoned their eternal life. According to tradition, river Lethe also the symbol of time as a dynamically moving, flowing, changing entity.

Melodic Exercises to Changes of Position

The series 'Music lessons - exercises, studies' has 48 volumes, six of which are dedicated to cellists. These add about 300 pieces to the cello étude repertoire. This volume by Natalya Baklanova concentrates mainly on position changing, and among the series' volumes for cellists, only this one contains music with piano accompaniment. Hence the title 'melodic exercises' describing the pieces. Alongside technique, Baklanova's études assist in the practising of good ensemble playing.

113 Etüden - Volume 3

Dotzauer was a trained musician who wrote an opera, symphonies, overtures, a Mass, concertos and chamber music. Of his extensive life-work the abundance of educational compositions has proved to be of lasting value in the first place. The idea to compile and publish a selection from his educational life-work that meets the demands of the time emerged at the end of the 19th century already. Of the several publications of this kind the work by Johannes Klingenberg has turned out to be the most successful.

113 Etüden - Volume 1

Dotzauer was a trained musician who wrote an opera, symphonies, overtures, a Mass, concertos and chamber music. Of his extensive life-work the abundance of educational compositions has proved to be of lasting value in the first place. The idea to compile and publish a selection from his educational life-work that meets the demands of the time emerged at the end of the 19th century already. Of the several publications of this kind the work by Johannes Klingenberg has turned out to be the most successful.

113 Etüden - Volume 4

Dotzauer was a trained musician who wrote an opera, symphonies, overtures, a Mass, concertos and chamber music. Of his extensive life-work the abundance of educational compositions has proved to be of lasting value in the first place. The idea to compile and publish a selection from his educational life-work that meets the demands of the time emerged at the end of the 19th century already. Of the several publications of this kind the work by Johannes Klingenberg has turned out to be the most successful.

113 Etüden - Volume 2

Dotzauer was a trained musician who wrote an opera, symphonies, overtures, a Mass, concertos and chamber music. Of his extensive life-work the abundance of educational compositions has proved to be of lasting value in the first place. The idea to compile and publish a selection from his educational life-work that meets the demands of the time emerged at the end of the 19th century already. Of the several publications of this kind the work by Johannes Klingenberg has turned out to be the most successful.

A magyar nepzene

Kodály summarized the significance of folk music in the preface to the first edition of this publication: ''It is such an integral part of the life of a healthy nation that we find it everywhere: it is present in art, in public education, in the manifestations of social life. It is always a sign of the stagnation of national life when folk music is pushed into the background in some way. One of the most important guidelines for learning about Hungarian folk music today is Kodály's summarical study. In a short summary, it explores the most important features, problems and origins of Hungarian folk music. It describes different genres, types, and occasions for folk songs and folkdance music while also addressing the matter of collecting folk music. The overall usefulness of the study was greatly enhanced by the example library compiled by Lajos Vargyas and first printed within the 1960 edition.

Pataki diákdalok a 18. századból

The musical material for these pieces was taken from the 17th century Kulcsar Melodiarium (Sarospatak, 1770), Novak Melodiarium (Sarospatak) and Patak Melodiarium (1798). Both the Latin and the Hungarian versions of these short character pieces were set to music. The cycle provides a good picture of the lives of the maturing students.The tunes reflect the many bonds that tied 18th century Hungarian music to the European musical culture of the time, while they also show signs of typical Hungarian character.

Chamber Music for/ Kammermusik für Violoncelli 2 : for 4 violoncellos

The first two volumes (EMBZ 14306 and EMBZ 14324) of the edition called Chamber Music for Violoncellos include four violoncello quartets each. The grade of difficulty of the pieces ranges from easy to medium. Their style covers the period from the Renaissance to late Romanticism. Among the works we find familiar pieces and new arrangements alike. In contrast to the majority of similar editions, the added score helps a good grasp of the quartets. The recommended fingering and bowing facilitate rendering the parts according to identical concept.

Chamber Music for/ Kammermusik für Violoncelli 1 : for 4 violoncellos

The first two volumes (EMBZ 14306 and EMBZ 14324) of the edition called Chamber Music for Violoncellos include four violoncello quartets each. The grade of difficulty of the pieces ranges from easy to medium. Their style covers the period from the Renaissance to late Romanticism. Among the works we find familiar pieces and new arrangements alike. In contrast to the majority of similar editions, the added score helps a good grasp of the quartets. The recommended fingering and bowing facilitate rendering the parts according to identical concept.

Chamber Music for/ Kammermusik für Violoncelli 12 : for 4 violoncellos

Volume 12 in the series contains works by great composers, adapted for four cellos. They all share a festive mood. Beethoven's variations on the theme of the British nation anthem 'God save the King' are followed by 'The shepherds' farewell' from Berlioz' oratorio The Childhood of Christ, and three Christmas pieces by Mendelssohn. The excerpt from Wagner's Parsifal - excellently transcribed by Hermann Jacobowsky at the end of the 19th century - is associated with Good Friday, but because of its sacral character its mood harmonizes with that of the preceding pieces.

Hanon - The Virtuoso Pianist

Learning the piano is so widespread these days and good pianists so numerous that mediocrity on the instrument can no longer be accepted. In effect, the piano must be studied for eight or ten years before performance of a harder piece is attempted.Few can spare the years for this. It takes one hour to play the volume in full. Once it has been mastered, it is enough to set aside for it a little time each day and the difficulties will disappear almost like magic. Playing will become asattractive, accurate, fluent and pearly as that of the best performers.

Concertino für Violine und Streichorchester : für Violine und Streichorchester

Pál Járdányi (1920 - 1966) was one of the most distinguished figures in Hungarian music during the years following the Second World War. He was an innovative researcher in the field of folk music, an eminent music critic, and a multifaceted teacher. Throughout a short creative life he pursued his own artistic and political beliefs, founded on the musical ideas of Bartók and Kodály.

Sonatina : per Flauto e Pianoforte

Pál Járdányi (1920 - 1966) was one of the most distinguished figures in Hungarian music during the years following the Second World War. He was an innovative researcher in the field of folk music, an eminent music critic, and a multifaceted teacher. Throughout a short creative life he pursued his own artistic and political beliefs, founded on the musical ideas of Bartók and Kodály.

Sonatine

Pál Járdányi (1920 - 1966) was one of the most distinguished figures in Hungarian music during the years following the Second World War. He was an innovative researcher in the field of folk music, an eminent music critic, and a multifaceted teacher. Throughout a short creative life he pursued his own artistic and political beliefs, founded on the musical ideas of Bartók and Kodály.

Arietta

Pál Járdányi (1920 - 1966) was one of the most distinguished figures in Hungarian music during the years following the Second World War. He was an innovative researcher in the field of folk music, an eminent music critic, and a multifaceted teacher. Throughout a short creative life he pursued his own artistic and political beliefs, founded on the musical ideas of Bartók and Kodály.

Sonatine Nr. 1

Pál Járdányi (1920 - 1966) was one of the most distinguished figures in Hungarian music during the years following the Second World War. He was an innovative researcher in the field of folk music, an eminent music critic, and a multifaceted teacher. Throughout a short creative life he pursued his own artistic and political beliefs, founded on the musical ideas of Bartók and Kodály.

Exorcist for Trombone Quartet : Partitur und Stimmen

The composer wrote this work in 2004 for the Corpus trombone quartet, to whom it is dedicated. The piece consists of a slow and a fast section, both in rondo form. Its musical language makes use of a great many new elements of playing technique, which provide an excellent opportunity for displaying the fantastically virtuosic capabilities of both the new modes of sound production and the performers: they include Wah-muted notes with modulated tone colour, harmonic-glissandi, sequences of buzzing notes sung into the instrument, valve-modulated harmonic glissandi, rapid double- and tripletongued staccatos, and flutter-tongued, lip-trilled and buzzing lip-vibrating notes. Thepurpose: playful, good-humoured music-making, to exorcise evil from our lives.

Cello & Piano 1

The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included, apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina, Mozart: Divertimento, Vivaldi: Concerto) and sets of variations (Beethoven, Tartini) there are many shorter pieces as well, not only the famous minuets by Boccherini, Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann’s Etude-caprice and Jenkinson’s Dance of the sylphids, the lighter kind include Joplin’s Ragtime. This colourful, ampleselection provides a good basis for a music-lover’s library.