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Symmetry-Asymmetry : für Flöte, Viola und Harfe

Symmetry-Asymmetry : für Flöte, Viola und Harfe

The title of this piece by Balázs Horváth refers to the interdependence of the musical materials. The first movement explores a complex system of rhythms with different symmetrical and asymmetrical metres. The second movement as specified by Péter Bársony, who commissioned the work, develops a special relationship with Debussy?s Sonata: it traces the symmetrical and asymmetrical temporal occurrence of the motifs of the Debussy work, as a sort of concrete formal analysis.

SEK 360.00
1

Müller-Schubert: Der Leiermann für 2 Sinusgenera

Müller-Schubert: Der Leiermann für 2 Sinusgenera

The piece was written in 2003, commissioned by the Budapest Spring Festival. The process of the work follows the line of the composer’s personal interpretation of the original poem. In this song the original dark, grim ending appears as a sort of cathartic dénouement. The theme is love versus mortality. The work is a kind of wholly composed song written in the 21st century: its form derives basically from the text. The narrator begins the story in Sprechgesang and in the final lines of the poem tries to sing in a normal singing voice. This acoustic line is followed by the merging of the sinus tones into the clarinet parts. Thus, basically, a peculiar change of toneintroduced for dramatic purposes constitutes the essence of the song. First performance: March 2003.

SEK 256.00
1

lines, words, letters... to poems by Parti Nagy fo

lines, words, letters... to poems by Parti Nagy fo

This composition written in 2002 has five movements (I: a sort of canon, II: interlude 1, III: (hexameter), IV: interlude 2, V: false copy ). Three of the songs composed to verses by Lajos Parti Nagy examine the structure of the texts. The musical structure in the first song is based on a canon that develops from rotating the lines, in the third song it is based on the rhythms created by splitting words and syllables, in the fifth song it is based on the series of sound effects resulting from completely mixing up the individual letters and sounds. The rigorously structured movements consist of short dramatic episodes, each presenting an unusual life situation (interlude 1,interlude 2). The work, commissioned by Judit Rajk, had its premiere in 2006 in Budapest (Palace of Arts, Festival Theatre).

SEK 305.00
1

Zwei Bilder op. 10

Zwei Bilder op. 10

'Composed in 1910, Bartók's 'Two Pictures' for orchestra, too, draws on Debussy and folk music. Indeed, the title itself is a reference to Debussy's famous piano cycle, 'Images'. The two movements, 'In Full Flower' and 'Village Dance' represent two Bartókian movement types. The first one is the delicate and intimate music of nature. Debussy's influence is most tangible here. The second movement, 'Village Dance' is only related to the previous movement through its tonal system. It is, rather, a sort of 'bone and muscle' music that belongs to the barbaro type of movements, and as such, consists of possibly the simplest elements. Long sections consist of the continual repetitionof a primitive motif. The work was first performed three years after its completion, on 25 February 1913, by the Budapest Philhamonic Orchestra, under the baton of István Kerner.' (HCD 32505 Bartók New Series Vol. 5, Virág Büky)

SEK 127.00
1