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Hybrides 10 Klavierstücke : 10 Klavierstücke

Chamber Music for/ Kammermusik für Violoncelli 10 : for 4 violoncellos

Volume 10 in the series contains works by Haydn, Mozart, Beethoven, Dvo ák and Schubert, arranged for cello quartet. Beethoven's Largo appassionato and the Slavonic dance by Dvo ák demand a higher level of instrumental skill. The Minuetto alla Zingarese by Haydn, the two Mozart chorales (Zwei deutsche Kir-chenlieder) and the four-cello version of Schubert's Death and the Maiden are easier to play. The first part and occasionally the second require facility in the higher positions, the lower parts are just as important and do not merely accompany the melody.

10 Canons

Variazioni Op. 10

Freie Bearbeitungen 10

10 ungarische Volkslieder

Fantaisie op. 10

10 leichte Tänze

Freie Bearbeitungen 10

10 leichte Klavierstücke

Zwei Bilder op. 10

'Composed in 1910, Bartók's 'Two Pictures' for orchestra, too, draws on Debussy and folk music. Indeed, the title itself is a reference to Debussy's famous piano cycle, 'Images'. The two movements, 'In Full Flower' and 'Village Dance' represent two Bartókian movement types. The first one is the delicate and intimate music of nature. Debussy's influence is most tangible here. The second movement, 'Village Dance' is only related to the previous movement through its tonal system. It is, rather, a sort of 'bone and muscle' music that belongs to the barbaro type of movements, and as such, consists of possibly the simplest elements. Long sections consist of the continual repetitionof a primitive motif. The work was first performed three years after its completion, on 25 February 1913, by the Budapest Philhamonic Orchestra, under the baton of István Kerner.' (HCD 32505 Bartók New Series Vol. 5, Virág Büky)

Horatii Carmen II.10

Zwei Bilder Op. 10

This edition of Bartók s Two Pictures was arranged for two pianos by Zoltán Kocsis (1952 - 2016). Not only was he a phenomenal pianist, but he is also remembered as a musical polymath whose genius embraced the activities of a composer, conductor, editor, instrumentalist and arranger. As an arranger, he added some 150 works to the symphonic, chamber, song and piano repertoires.

10 Bagatellen Op 51

Discussions : für 10 Instrumente

Balladen op. 10, No

Etüden No. 10 Etude

Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition, yet their extent is far smaller and they cost much less than the larger volumes of the full set. Liszt Separate Editions provide the same quality as the complete edition, while also fully meeting practical requirements.

Klaviersonaten in Einzelausgaben (Weiner) op. 10 : op. 10 Nr. 2, F-Dur

Klaviersonaten in Einzelausgaben op.10.No.1 op. 1 : op. 10 Nr. 1, c-Moll

Melodie - Elegie op. 10, No.5

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Brandenburgisches Konzert No. 1 MC 10

Jatekok - Games - Spiele 10 : Tagebucheintragungen, persönliche Botschaften

The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, at it came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well. Tenth volume is divided into two parts: In the first half, earlier, hitherto unpublished pieces line up from Suite, written in 1943, to the 1980s, providing insight into the development of Kurtág's musical language. The second half includes pieces composed between 2002 and 2011. The movements, often aphorismic in their briefness, hide associations with various aspects of European music history. Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, and beloved family members - and thereby to all music-loving people. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.

Zwölf kleine Stücke

Nos. 1-4 are to be played a semitone lower, nos 5, 6, 9, 10, 11, 12 a semitone higher (on the black keys).

Consolations, Grand solo de concert and Other Work : Suppl. 10

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor.

10 canzoni a 4 : Tastenmusik aus dem 16. und 17. Jahrhundert

Ottavio Bariola was a famous Milanese organist in the late 16th century. Only a relatively small number of his works is known to survive, among them a collection of ricercares and canzonas. The present edition offers a selection of ten pieces of the latter collection. In agreement with their genre the compositions are strictly polyphonic in structure. In this edition the works are included in a four-part setting with consistent part-writing. Due to their volume and grade of difficulty the pieces are not meant for concert hall performance in the first place but for enriching the repertoire of church organists and lovers of early music.