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Big Clean Up By The Sun : Pianotales 3

Violoncello Music for Beginners 3

This volume comprises forty-three short compositions by baroque, classical and romantic masters for the third and fourth years of studies up to the fourth position. An ABRSM syllabus title, 2010-16, Grade 5.

Study : for violo solo

The piece, commissioned by Eszter Lázár and the Hungarian Radio, was composed in 1995 on occasion of the 50th anniversary of Béla Bartók’s death. Its world premiere was held on 1 October in the Hungarian Radio, performed by János Fejérvári.The fantasy-like one-movement composition resembles the structure of classical sonatina. Study is an important piece of contemporary viola music and deserves to be a significant part of not only international concert repertoire, but also of academic level music education.This edition has been supported by the Board of Music Publishing of the Hungarian Composers’ Union.

Trompeten Duos für Anfänger

The latest publication by the well-known teacher of wind instruments, Péter Perényi, includes pieces that even absolute beginners on the trumpet can play: the pieces in the first chapter, entitled 'Introduction to chamber music', enable even young trumpeters who can play just one noteon the instrument to discover the pleasure of shared music-making. Rhythm games, European folk tunes, then a wealth of easy performance pieces (from the medieval period, through Beethoven's Ode to Joy right up to the present day) make up the valuable content of this volume.

Aquarium : 11 Piano Pieces

The series of short character pieces represents the living and mineral world of the aquarium. The expressive, frequently grotesque sound effects introduce the students almost unnoticed into the world of up-to-date piano technique in an amusing way.

Jatekok - Games - Spiele 3

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning "to play the piano".Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right fromthe first lessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection.

Jatekok - Games - Spiele 6 : Tagebucheintragungen, persönliche Botschaften

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning "to play the piano".Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right fromthe first lessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection.

Jatekok - Games - Spiele 2

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning "to play the piano".Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right fromthe first lessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection.

Jatekok - Games - Spiele 1

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning "to play the piano".Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right fromthe first lessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection.

Jatekok - Games - Spiele 5 : Tagebucheintragungen, persönliche Botschaften

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning "to play the piano".Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right fromthe first lessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection.

Jatekok - Games - Spiele 4 : zu vier Händen und zwei Klaviere

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning "to play the piano".Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right fromthe first lessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection.

Violin-ABC : Violin tutor for beginners using children's and folksongs from all over the world

Children's songs and folksongs from all over the world make up the bulk of the music material found in the Violin ABC. Added to this are excerpts from the art music of various periods, with special emphasis on Baroque dance movements.

Trio für Horn, Posaune and Tuba : für Horn, Posaune and Tuba

This single movement is divided into several passages which differ in mood and build-up depending on the relation of the players and instruments to each other. First the trombone and the tuba accompany the melody performed on the horn, then all three instruments play a chordal-homophonic texture of identical rhythm.

Training Patterns II Für Blechbläsersextett

Written for brass quintet and sextet this series presents a unique venture. The volumes contain the basis of chamber music for young brass players which lend themselves for teaching purposes as well. The works provide young musicians with the possibility of starting chamber music already as beginners and of getting acquainted at an early phase with the exciting world of instrumental ensemble playing. The composer states the aim of the series in the Preface as follows: 'Through forms easy to survey, clear build-up and last but not least with ideas' provoking' the young musicians to use their own fantasy this series intends to serve as a kind of 'warming up training' to the'Decisive Matches' of professional ensemble playing.' Territorial restrictions may apply. Please ask before ordering.

Training Patterns II Für Blechbläserquintett

Written for brass quintet and sextet this series presents a unique venture. The volumes contain the basis of chamber music for young brass players which lend themselves for teaching purposes as well. The works provide young musicians with the possibility of starting chamber music already as beginners and of getting acquainted at an early phase with the exciting world of instrumental ensemble playing. The composer states the aim of the series in the Preface as follows: 'Through forms easy to survey, clear build-up and last but not least with ideas' provoking' the young musicians to use their own fantasy this series intends to serve as a kind of 'warming up training' to the'Decisive Matches' of professional ensemble playing.' Territorial restrictions may apply. Please ask before ordering.

Training Patterns I Für Blechbläsersextett

Written for brass quintet and sextet this series presents a unique venture. The volumes contain the basis of chamber music for young brass players which lend themselves for teaching purposes as well. The works provide young musicians with the possibility of starting chamber music already as beginners and of getting acquainted at an early phase with the exciting world of instrumental ensemble playing. The composer states the aim of the series in the Preface as follows: 'Through forms easy to survey, clear build-up and last but not least with ideas' provoking' the young musicians to use their own fantasy this series intends to serve as a kind of 'warming up training' to the'Decisive Matches' of professional ensemble playing.' Territorial restrictions may apply. Please ask before ordering.

Training Patterns I Für Blechbläserquintett

Written for brass quintet and sextet this series presents a unique venture. The volumes contain the basis of chamber music for young brass players which lend themselves for teaching purposes as well. The works provide young musicians with the possibility of starting chamber music already as beginners and of getting acquainted at an early phase with the exciting world of instrumental ensemble playing. The composer states the aim of the series in the Preface as follows: 'Through forms easy to survey, clear build-up and last but not least with ideas' provoking' the young musicians to use their own fantasy this series intends to serve as a kind of 'warming up training' to the'Decisive Matches' of professional ensemble playing.' Territorial restrictions may apply. Please ask before ordering.

Five Little Pieces for four Trumpets

The composer is an outstanding authority on brass instruments. In this work too he makes attractive and colourful use of the many sorts of character the trumpet possesses. The opening Fanfare is followed by a lyrical piece, Boating, and then a Dance, in Bulgarian rhythm. In Folk song chorale István Bogár has worked up two Hungarian folk songs. Finally, the series ends with a cheerful, playful piece, Chasing.

Quatrequatuors (21) : for Chamber Ensemble

In his QuatreQuatuors Péter TORNYAI has further developed the twelvenote theme from Ferenc Liszt's Faust Symphony. The piece received 1st Prize in the Chamber Ensemble Category of the New Hungarian Music Forum 2011 competition for composers. Its title refers to the instrumentation and to its temporal form: four quartets of different make-up (and 'joint' or independent percussionist) perform the four movements, played without a break but clearly distinct in their musical material.

Ungarische Variationen - Hungarian Variations : für Violine und Klavier - for Violin and Piano

The five pieces that make up this publication each convey a different character. They can all be played in first position, and they help to improve both performance skills and bowing technique. As the title suggests, the basis of these variations is fundamentally rooted in the style of Hungarian folk music. Owing to the creativity of the composer, these wonderful little pieces embody all of the essential qualities from the world of Hungarian folk music.

Die Entführung aus dem Serail - Ausschnitte für

The editor of the new series introduced under the title "Opera Hits" has come up with a new idea: from operas an orchestra - in this case, a junior or non-professional string orchestra - should have a chance to play not only the overture or the orchestral interludes, but also the vocal numbers (arias, duets, etc.). The popular, well-known opera excerpts transcribed by András Soós should serve as attractive additions to the repertoire and be successful programme items for such ensembles.

Gavotte für drei Violinen und Violoncello : für drei Violinen und Violoncello

This stand-alone dance piece came from the legacy of Zoltán Kodály as a composition written for piano or for four string instruments. Its first edition was published on the centennial of the composer's birth in 1982 under the care of Ferenc Farkas. Gavotte was most likely composed in the 1950s in addition to its neoclassical tone, the strange melody of the bass-which is often dissonant with harmonies-is reminiscent of the practice of instrumental folk dance music. Gavotte is excellent for music school chamber education and can even be performed in an orchestral arrangement.

Arioso für Violoncello (Viola) und Klavier : für Violoncello (Viola) und Klavier

Arioso for cello and piano by Ferenc Farkas (1905-2000) is one of the composer s earliest-known compositions. He wrote the piece in 1926 during his student years, although it was originally intended to be the slow movement of a viola sonata which was never published. Only later did Farkas rework it as a stand-alone work for cello. The composition, like Kodály's Adagio which was published 20 years prior and also written for cello, focuses on the singing melody of the string instrument while simultaneously showing Farkas creative preference for Mediterranean colors and Latin proportion.

Quartets for Clarinets 1 - Beginners : or Other Instruments - oder andere Instrumente

The two volumes contain 69 works and movements altogether, in chronological order: in Volume 1, from the Renaissance to Beethoven, and in Volume 2 from Weber up to the present day. Most of them are transcriptions of instrumental or choral works, the easiest ones can be played after just a few months of clarinet study. The supplementary parts supplied enable the clarinet (or bass clarinet) in the two outer parts to be replaced by a non-transposing instrument: flute, oboe or violin, and bassoon or cello.

Klarinettenquartette für Anfänger für 4 Klarinet

The two volumes contain 69 works and movements altogether, in chronological order: in Volume 1, from the Renaissance to Beethoven, and in Volume 2 from Weber up to the present day. Most of them are transcriptions of instrumental or choral works, the easiest ones can be played after just a few months of clarinet study. The supplementary parts supplied enable the clarinet (or bass clarinet) in the two outer parts to be replaced by a non-transposing instrument: flute, oboe or violin, and bassoon or cello.