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Air

Air

Air D

Air D

Air Bwv1068

Another America: Air

Air And Dances

Sculpting the Air : for Ensemble

Kol Nidrei Op.47

Max Bruch's Kol Nidrei Op. 47 for Viola and Piano.

Geistliche Gesange(8) Op.138 Gk

Max Reger's 8 Geistliche Gesänge Op.138 arranged for SATB choir.

The Lark in the Clear Air

Danny Boy - Meditation on Londonderry Air

Danny Boy - Meditation on Londonderry Air

Danny Boy: Meditation on Londonderry Air

Air with Variations The Harmonious Blacksmith

Der Einsiedler/Hermit Op.144a

Max Reger's Der Einsiedler/Hermit Op.144a composed for SATB choir and Piano accompaniment.

Psalm 100 Op.106

Max Reger's Der 100. Psalm op. 106 composed for mixed choir, Organ and Orchestra.

Concerto No.1 in G minor Op.26

Max Bruch's Concerto No.1 In G Minor Op.26 for Violin with Piano accompaniment.

Concert 01 G Op.26

Max Bruch's Concerto No.1 In G Minor Op.26 composed for Violin solo with Piano accompaniment.

They will rise

Commissioned by the Dean and Chapter of Westminster and first performed at a service on 10th July 2018 to commemorate the centenary of the Royal Air Force by the Choir of Westminster Abbey with Peter Holder (organ), conducted by James O’Donnell.

Requiem Op.144B

Max Reger's 1915 Requiem is a late Romantic setting of Friedrich Hebbel's poem 'Requiem' for alto or baritone solo, chorus andorchestra. It is Reger's last completed work for chorus and orchestra, dedicated in the autograph as Dem Andenken der im Kriege 1914/15 gefallenen deutschen Helden (To thememory of the German heroes who fell in the 1914/15 War).

Sonatas For Piano Volume 1

The present edition sets out to establish a reliable text that brings out Mozarts performing style by drawing on all the relevant sources, foremost among which are the earleist printed editions and the composers autograph scores. Valuable help inthis direction was provided by earlier Urtext editions, especially the one by Max Pauer and Martin Frey, on whose findings the present editors have based their work. Contents: K279, 280, 281, 282, 283, 284, 309, 310, 311, 330

Concerto For Piano And Orchestra No.1 In C Op.15

The Concerto For Piano And Orchestra No.1 In C Op.15 is the first of Beethoven’s famous piano concertos and, being one of his earlier works, reflects a youthful and passionate composer, demonstrating his own virtuosicpianistic skills and understanding of the instrument.This version of the score has been edited, with an orchestral reduction for accompanying piano, by Max Pauer and includes Beethoven’s original cadenzas. The orchestralsetting of the second piano will enable the pupil studying the solo part, to follow the orchestra and complete their part.