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Niels Marthinsen: Snehvides Spejl / Snow White's Mirror (Vocal Score)

Niels Marthinsen: Snehvides Spejl / Snow White's Mirror (Vocal Score)

Snow White's Mirror is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself, either because she kills them, or because they decide they can't stand being around her anymore. But apparently she's o.k. with that... The music is intended for a large audience: it's basically pop music done with all the craftmanship of a classical composer who's equally at home with large scale symphonic form, avantgarde technique, opera singing - and modern pop.

SEK 1432.00
1

Niels Marthinsen/Eva Littauer: Snehvides Spejl / Snow White's Mirror (Libretto)

Niels Marthinsen/Eva Littauer: Snehvides Spejl / Snow White's Mirror (Libretto)

Snow White's Mirror is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself, either because she kills them, or because they decide they can't stand being around her anymore. But apparently she's o.k. with that... The music is intended for a large audience: it's basically pop music done with all the craftmanship of a classical composer who's equally at home with large scale symphonic form, avantgarde technique, opera singing - and modern pop.

SEK 514.00
1

Niels Marthinsen: Snehvides Spejl / Snow White's Mirror (Score)

Niels Marthinsen: Snehvides Spejl / Snow White's Mirror (Score)

Snow White's Mirror is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself, either because she kills them, or because they decide they can't stand being around her anymore. But apparently she's o.k. with that... The music is intended for a large audience: it's basically pop music done with all the craftmanship of a classical composer who's equally at home with large scale symphonic form, avantgarde technique, opera singing - and modern pop.

SEK 3153.00
1

Anders Brødsgaard: Arachne (Score)

Anders Brødsgaard: Arachne (Score)

Programme Note A melodic ?thread? runs through the 14 minute piece, sometimes smooth and unisone, sometimes harmonized or even ?flossed up? into smaller threads. The title might make you think in terms of spiders (lat.: Arachnida) but Arachne is also the name of a weaver in roman mythology who dared to compete with the goddess Minerva in the art of weaving, and was transformed into a spider as punishment (Ovid). The name is also close to that of another mythical female figure, Ariadne, who span her thread to help Theseus find his way out of the labyrinth. Biology and myth weaved together. The title is pure association, though, as it turned up after the piece was finished.

SEK 629.00
1

Anders Brødsgaard: Arachne (Parts)

Anders Brødsgaard: Arachne (Parts)

Programme NoteA melodic ?thread? runs through the 14 minute piece, sometimes smooth and unisone, sometimes harmonized or even ?flossed up? into smaller threads. The title might make you think in terms of spiders (lat.: Arachnida) but Arachne is also the name of a weaver in roman mythology who dared to compete with the goddess Minerva in the art of weaving, and was transformed into a spider as punishment (Ovid). The name is also close to that of another mythical female figure, Ariadne, who span her thread to help Theseus find his way out of the labyrinth. Biology and myth weaved together.The title is pure association, though, as it turned up after the piece was finished.

SEK 629.00
1

Poul Ruders: Sonata No.1 For Piano- Dante Sonata

Poul Ruders: Sonata No.1 For Piano- Dante Sonata

The "Dante-Sonata" was composed in 1970, inspired by two quotations from Dante?s "La Divina Comedia", Inferno, each in its turn forming the program of the two movements. Movement 1: Wandering through Inferno Dante sees all those who during their life on earth were ill-tempered and discontented, and who are now doomed for all eternity to stand in mud up to their necks, fighting each other, tearing and scratching each other?s flesh. Movement 2: Here the doomed wretches recollect life on earth - the blessed sun and the green meadows; but it is too late to repent. Apart from having this connection with "La Divina Comedia" the title: "Dante-Sonata" has a dialectical and music-historical reference, a reference to Franz Liszt?s Dante Sonata, without quoting from it in any way. An elusive "air" of the music of bygone days can be percieved in the second movement, which with its many types of graces is reminiscent of a slow movement of a Baroque dance. "Dante-Sonata" is dedicated to Elisabeth Klein.

SEK 284.00
1

Bent Sørensen: Vokalise

Bent Sørensen: Vokalise

Composer Note: Vokalise is another selection from Under the Sky. Ida?s voice has been taken out of the compact orchestral setting, and is left naked and unaccompanied. Vokalise is one scene earlier in the opera than the Cavatina. Ida enters to where her husband, Magius, is sitting. He wants her dress herself up more, become even more beautiful. Ida wants to feel his love. ?...Do you hear the way I call on you at night-time? Do you hear the way I cry myself to sleep?Do you hear the way I long to feel your skin? I?m burning up with your coldness.I want you, my beloved, I want you to love me.? She is disappointed, and loses the last remnant of love when she finds out that her beauty and adornment are only to be used in a power game between two men. --Bent Sørensen

SEK 150.00
1

Peter Bruun: Solhymne (Player's score)

Peter Bruun: Solhymne (Player's score)

The electronics involved consist of 43 samples (some of which are recordings made bySamuel Stoll, others taken from the internet), and pitch-shifts in the range +12/-12 (i.e.one octave up and one octave down). This all requires a close microphone andfootpedal e.g. Roland FC300 connected to computer. The left control pedal regulatesdownward pitch-shifts, the right control pedal regulates upward pitch-shifts. Samples andMaxMSP-patch are available on request.

SEK 342.00
1