Vores kunder ligger øverst på Google

Trio Sonata Canon Perpetuos : aus dem Musikalischen Opfer

Bach’s Trio Sonata for flute, violin and basso continuo from the Musical Offering is probably the pre-eminent trio sonata in music history. When Bach met King Frederick the Great in Potsdam in 1747, the sovereign presented the composer with the celebrated “Royal Theme”, composed by himself. It underpins the entire Musical Offering, which also contains several fugues and canons as well as the Trio Sonata. The Canon perpetuus that follows the Trio can also be played by a trio. The term “perpetuus” here means that the performers themselves are to determine when the canon ends.

Klaviertrio Nr. 2 c-moll Opus 66 : Piano Trio no. 2 in c minor op. 66

After the great success of his first Piano Trio in d minor op. 49, some five years passed before Mendelssohn set to work on a new composition for this formation. But then the c-minor Trio came into being in a relatively shortperiod in March/April 1845 and was published around a year later. Much more sombre in character than the sibling work, this second trio is also considered much more difficult in terms of technique (above all in the piano part).Thus, it has always stood somewhat in the shadow of the earlier trio. However, chamber music aficionados generally regard it as the more mature and challenging work in terms of compositional technique. The trio, taken from thevolume Mendelssohn · Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.

Klaviertrio Nr. 1 d-moll Opus 49 : Piano Trio no. 1 in d minor op. 49

Mendelssohn is considered a self-critical composer, who repeatedly reworked a number of his pieces until he deemed them worthy to be published. The path to his first Piano Trio was particularly rocky: only after several attemptswas he able to complete it in the summer of 1839: it appeared in 1840 after further revisions. This perfectionism paid off, for Mendelssohn’s d minor Trio was immediately received with enthusiasm. Robert Schumann wrote: “It is themaster trio of the present day, like those of Beethoven in Bb and D and that of Franz Schubert in Eb were in their time: a very beautiful composition which after years will still delight grandchildren and great-grandchildren.”Which was to prove true: even today, it numbers among the most popular works in the trio repertoire in general. The trio, taken from the volume Mendelssohn · Piano Trios HN 957, is now available from Henle for the first time alsoas a practical single edition.

Three Movements For Piano Trio : Fragments K. 442

Mozart often began work on a composition only to put it aside, unfinished. Some of these fragments contain wonderful music, as is proved by these three Piano trio fragments. Mozart composed them at different times as individual movements, though the posthumous first edition brought them together as a supposedly new and unknown Piano trio by the composer, and on this basis they were given the number “442” in Köchel’s catalogue. The first edition used completions by Mozart’s friend Abbé Maximilian Stadler that were stylistically correct but possessed little originality. This Henle Urtext edition offers both these versions andnewly-composed, highly rewarding completions by Robert D. Levin.

Piano Trio Op. 97

For the first time, G. Henle Publishers presents a facsimile edition of the autograph manuscript of the famous “Archduke Trio” op. 97 as a special offering for bibliophiles. The original in Cracow is part of Biblioteka Jagiello ska’s impressive collection of manuscripts of the most significant classical music. Star pianist Mitsuko Uchida has supported this publication with a generous donation – her own personal contribution to the great anniversary year. Julia Ronge, curator of the collection at the Beethoven-Haus in Bonn, outlines the genesis and particularities of the manuscript in a knowledgeable introduction. G. Henle Publishers offers the two-volume edition– the autograph is notated partly in vertical, partly in horizontal format – in a sumptuous decorative box. For the first time, G. Henle Publishers presents a facsimile edition of the autograph manuscript of the famous “Archduke Trio” op. 97 as a special offering for bibliophiles. The original in Cracow is part of Biblioteka Jagiello ska’s impressive collection of manuscripts of the most significant classical music. Star pianist Mitsuko Uchida has supported this publication with a generous donation – her own personal contribution to the great anniversary year. Julia Ronge, curator of the collection at the Beethoven-Haus in Bonn, outlines the genesis and particularities of the manuscript in a knowledgeable introduction. G. Henle Publishers offers the two-volume edition– the autograph is notated partly in vertical, partly in horizontal format – in a sumptuous decorative box.

Phantasiestücke Opus 88 für Klaviertrio : Fantasy Pieces op. 88 for Piano Trio

The Fantasy Pieces op. 88 are Schumann’s first contribution to the genre of the piano trio and date from his very prolific “chamber music year” 1842. However, Schumann needed an unusually long time to give the work its final form:the Fantasy Pieces were released only in the autumn of 1850 after several revisions. The brevity and the modest technical demands of the four charming character pieces make them an ideal entry into the world of Schumann’s chambermusic also for non-professional musicians. The Fantasy Pieces, taken from the volume Schumann · Piano Trios HN 916, are now available from Henle for the first time also as a practical single edition.

Arias, Duet, Trio

The works for solo voice(s) and Orchestra assembled in this volume owe their composition to the most diverse occasions. Some were tailor-made for female singers in Beethoven’s milieu, while with others he was dabbling in the field of Italian opera (under the tutelage of none other than Antonio Salieri). Scarcely any of them made it into print during Beethoven’s lifetime. Aside from canonical works of the repertoire such as “Ah! perfido” op. 65, this volume also contains unknown gems like the scene and aria Beethoven revised multiple times, “No, non turbarti” – “Ma tu tremi, o mio tesoro?”. The study score contains the textof the scholarly Complete Edition. Beethoven specialist Ernst Herttrich additionally provides information about the genesis and exciting variants in the transmission history.

Klaviertrio Opus 6

Since 2019, G. Henle Publishers has been the proud agent for Evgeny Kissin’s compositions, which have reached work number 6 with this Piano Trio composed in 2022. Following piano pieces, a violoncello sonata, a string quartet and vocal works with piano accompaniment, with this Trio Kissin presents us with his contribution to another important classical genre. The technically demanding three-movement composition was written against the backdrop of the war in Ukraine. In dramatic, gripping musical language Kissin describes here the horrors of the battlefield, but also gives moving expression to the hope for an early peace. The trio, which he has already performed on numerous occasions with his musician friends, has thus became his most personal work to date.

Horn Trio In E Flat Major Op. 40 : Clarinet Trio In A Minor Op. 114 - With Critical Report - Series II Volume 7

Alexander Zemlinsky: Clarinet Trios D Minor Op. 3 For Piano, Clarinet (Violin) And Violoncello

Alexander Zemlinsky is mainly known for his operas and orchestral songs with their opulent late Romantic orchestration. His earlier, inspired hit, the Trio For Clarinet Op. 3 , written in 1896, owes a great deal to Zemlinsky ’s first important role model Johannes Brahms as far as inflection and instrumentation are concerned. It was also Brahms who, following its first performance in Vienna, enthusiastically recommended the trio to his publisher Simrock. As the autograph has disappeared, Henle’s edition follows the musical text in the first edition. It underwent careful examination and was cleared of numerous, partly blatant engraver’s errors. Alongside the Piano score, Henle’s edition comprises a part for Clarinet in Bb/A and an authentic alternative part for Violin as well as a Cello part.

Klaviertrio Es-dur op. 100 D 929, Faksimile : Piano Trio E-flat major op. 100 D 929, Faksimile

Quintett Es-Dur Hob.XIV:1

Haydn’s charming and sole piano quintet is for such an unusual combination of instruments - two horns and piano trio - that hardly any musicians are familiar with it. Horn players will get their money’s worth in this very early work by Haydn (ca. 1765), and pianists and string players are also kept busy. Our edition is based on the flawless musical text in the Haydn Complete Edition. We hope that a great many horn players will discover our edition and that the work will finally be able to emerge from the shadows!

Franz Joseph Haydn: Trios Fur Zwei Floten Und Violoncello

London, with its bustling musical scene, always provided Haydn with welcome surroundings at a time when the Flute was extraordinarily popular among English amateurs. The Earl of Abingdon, an accomplished flautist, undoubtedly enjoyed playing these entertaining trios. Abingdon was a member of Haydn ’s circle of acquaintances in London and a composer in his own right: a theme from one of his songs (“The Lady’s Mirror”) served Haydn for a set of variations in the second trio. Neither of the men could have foreseen the huge success that these cheerful and straightforward pieces would enjoy among music-lovers all over the world.

2 Scherzi B flat major and D flat major D 593

It was not his large piano sonatas, but rather his short, characteristic pieces that established Franz Schubert’s fame. Like his art songs, they too are full of spontaneous, lyrical inspiration. The two greatly charming Scherzi, D. 593, presumably composed already in 1817, stand at the threshold of Schubert’s phase of dance compositions for the piano. The first, dance-like, graceful Scherzo is in B-flat major. The second, more emotional Scherzo in D-flat major has a Ländler-like A-flat major trio as its middle section. The preface and critical report provide information on the source situation of this accurate Urtext edition.

Johannes Brahms: Clarinet Sonatas Op.120

In the later years of his life, in the 1890s, Johannes Brahms was inspired by the clarinettist Richard Mühlfeld to compose Trio Op.114, Quintet Op.115 and the Sonatas Op.120 – three gems in the Clarinet chamber music repertoire. Brahms also provided a part for Viola as an alternative to the Clarinet. The revision of this Henle Urtext edition of the Viola version of Op.120 is based on the musical text of the New Brahms Complete Edition and in many respects contains significant improvements: the original autograph was consulted for the first time, the newly set Piano score now contains the Viola part, and Viola players can benefit from fingerings and bowings by Tabea Zimmermann in the solo part.

Frédéric Chopin: Scherzo In B Minor Op. 20

The Scherzo In B Minor , one of Chopin ’s most radical compositions, leaves very few listeners untouched. The main part, which is wild and full of brutal dissonances, frames an intimate Trio in which Chopin transcribes a Polish song for the Piano with a magic touch. According to legend, the work was composed at the end of 1830 in Vienna, when Chopin had just left his homeland for good. The November uprising had broken out in Warsaw, and the composer alternated between wanting to revolt against fate and feeling inconsolably homesick. The revised edition of the Scherzo In B Minor is available as a single edition in Henle Urtext for the first time – the Scherzi 2–4 are to follow, finally rounded off by the revised complete volume.