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Rondo Capriccioso Op.14

Ullrich Scheideler has edited one of Mendelssohn’s most important and beautiful piano works, comparing it again with the sources. Henle Publishers is now issuing it in a revised edition with his comprehensive commentary. The sparkling bravura piecewas called an “Etude” in the first version of 1828. Two years later Mendelssohn wanted to present the work to the young piano virtuoso Delphine von Schauroth, whom he was courting at the time. He reworked it under the new title “Rondo capriccioso”,making it even more brilliant and adding a “moving introductory adagio” (thus described in a letter to Fanny). In this form, the work still presents all good pianists with a rewarding challenge.

SEK 149.00

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Sonata No. 1 F Major

The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello’s name are to the present day firmly established in the cello repertoire. Although Marcello’s authorship is not undisputed by this time, the composer had already specialised in sacred works the musical beauty of the sonatas is all the more captivating. This four-movement F major Sonata offers all cellists well-versed in the first four positions a good introduction to the classical literature and to reading tenor clef. In this Urtext edition, the figured continuo part is additionally furnished with an easy-to-play keyboard realisation by Wolfgang Kostujak. The enclosed solo part provides fingerings and bowing marks for the cellist and thus the optimal provisions for a class recital!

SEK 155.00

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Sonata For Violin And Piano : Op. 82

Edward Elgar spent the summer of 1918 in the countryside. In August he received reports of the approaching end of the First World War, and this good news so inspired him that he was able to finish an initial draft of his great Violin Sonata in barely four weeks. Writing about it in his diary, he notated laconically: “Wrote some music”. His wife Alice was more enthusiastic: “E. writing wonderful new music, different from anything else of his”. This magnificent music is now available in a Henle Urtext edition by the British violinist and Elgar expert Rupert Marshall-Luck. He has examined and evaluated the many sources according to all the rules of Urtext editing –the sketches, drafts, autograph fair copies, proofs and first edition.

SEK 377.00

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32 Variation Works WoO 64, 70, 77

The compositions united here provide a good overview of the diversity of the variation genre in Beethoven’s early piano works – and present such moderate technical demands that even advanced beginners might try their hand at them. Beethoven found the models for these variations in popular song collections (WoO 64 on a Swiss song), contemporary opera performances (WoO 70 on “Nel cor più non mi sento” by Giovanni Paisiello), and his own compositions (WoO 77 on a theme from the finale of Piano Sonata op. 22). The revised musical text of the Henle Urtext edition, with its extensive preface and commentary section, was prepared on the basis of the Critical Report in the BeethovenComplete Edition and is published as a stand-alone edition from “Variations for Piano I/II” (HN 1267 and 1269). Ian Fountain provided the fingerings. The compositions united here provide a good overview of the diversity of the variation genre in Beethoven’s early piano works – and present such moderate technical demands that even advanced beginners might try their hand at them. Beethoven found the models for these variations in popular song collections (WoO 64 on a Swiss song), contemporary opera performances (WoO 70 on “Nel cor più non mi sento” by Giovanni Paisiello), and his own compositions (WoO 77 on a theme from the finale of Piano Sonata op. 22). The revised musical text of the Henle Urtext edition, with its extensive preface and commentary section, was prepared on the basis of the Critical Report in the BeethovenComplete Edition and is published as a stand-alone edition from “Variations for Piano I/II” (HN 1267 and 1269). Ian Fountain provided the fingerings.

SEK 133.00

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Frédéric Chopin: Scherzo In B Minor Op. 20

The Scherzo In B Minor , one of Chopin ’s most radical compositions, leaves very few listeners untouched. The main part, which is wild and full of brutal dissonances, frames an intimate Trio in which Chopin transcribes a Polish song for the Piano with a magic touch. According to legend, the work was composed at the end of 1830 in Vienna, when Chopin had just left his homeland for good. The November uprising had broken out in Warsaw, and the composer alternated between wanting to revolt against fate and feeling inconsolably homesick. The revised edition of the Scherzo In B Minor is available as a single edition in Henle Urtext for the first time – the Scherzi 2–4 are to follow, finally rounded off by the revised complete volume.

SEK 155.00

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Lieder von der Mur-Insel : Songs from the Mur-Island, Little Pieces for Piano

The Serbian composer, conductor and university lecturer Marko Taj evi , who died in 1984, was one of the leading personalities in Yugoslavian musical life after 1945. His works are typically conceived for piano, and many inspired by the folk music of his nation. This also includes the 13 pieces of this volume, which skillfully transpose the traditional songs from the region between the rivers Drau and Mur in northern Croatia, and transform them into delightful little pieces.

SEK 208.00

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Impromptu In E Flat D.899

At the end of his short life, Franz Schubert impressively illustrated, in his collections of “Impromptus” and “Moments musicaux”, how lyrical-songlike form could be rendered on the piano. Nothing can be added to these perfectly fashioned masterworks. Thus in the E flat major Impromptu op. 90 no. 2 the player using our Urtext edition can abandon himself/herself to a perpetuum mobile of scurrying eighth-note triplets and at the same time delight in the piece’s very demanding playing technique and sound-world.

SEK 128.00

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6 Sonatas For Piano And Violin op. 10 : 6 Sonatas for Piano and Violin op. 10 (b)

Weber composed an incredible array of compositions in his rather short but at the same time tireless life. Many of them have still to be discovered. The Six Violin Sonatas op. 10 (b), composed in Darmstadt in 1810, are most certainly amongst them. The individual movements are rather short and also not particularly difficult technically. The music is, on the other hand, all the more compelling, which is partly due to the various integrated dance forms: “Carattere Espagnuolo” and “Air Polonais” in Sonata No. 2, “Air Russe” in No. 3, “Siciliano” in No. 5 and a “Polacca” in No. 6.

SEK 377.00

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6 Sonaten

“Gallant” and “sensitive” by no means implies boring and old-fashioned. Proof of this is given by Franz (František) Benda, the Bohemian Paganini of the 18th Century. Not only was his life extremely colourful and successful, but also his musical compositions that were primarily for the violin. They are great examples of his compositional ability and mastery of the violin. Our highly praised Urtext edition with six selected sonatas from the master’s different creative periods including four first publications will provide a rich experience for all those violinists who are prepared to step off the usual beaten track. Your efforts will be rewarded!

SEK 494.00

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Complete Piano Sonatas Volume III w/o fg pb. : Edition without fingering

The revision of the three-volume edition of Haydn’s piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in pure” Urtext, free from added fingering suggestions, will now also find these in the Henle catalogue. Volume III offers the crowning achievement of Haydn’s sonata-writing with these late works, including famous works such as the stormy Sonata in e minor Hob. XVI:34 and the grand” Sonata in E-flat major Hob. XVI:52. Superbly laid-out settings for the piano are combined here with great musical expressivity, which is why these sonatas remain firmly anchored in concert life to this day.

SEK 399.00

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Frederic Chopin: Mazurkas

Next to the polonaises and the waltzes, the mazurkas are the third dance form which Chopin cultivated in his music. They constitute the largest of these three groups, boasting nearly 60 pieces. Chopin made use of the mazurka genre from his childhood until the last years of his life. They testify not only to Chopin’s love for his native Poland, but also to the depth of the composer’s feeling for the mentality of his people. He took inspiration from the various types of mazurka found in different regions of Poland, but sublimated them into absolute music of the greatest elegance, refined harmonies and rhythmic power.

SEK 522.00

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Johannes Brahms: Clarinet Sonatas Op.120

In the later years of his life, in the 1890s, Johannes Brahms was inspired by the clarinettist Richard Mühlfeld to compose Trio Op.114, Quintet Op.115 and the Sonatas Op.120 – three gems in the Clarinet chamber music repertoire. Brahms also provided a part for Viola as an alternative to the Clarinet. The revision of this Henle Urtext edition of the Viola version of Op.120 is based on the musical text of the New Brahms Complete Edition and in many respects contains significant improvements: the original autograph was consulted for the first time, the newly set Piano score now contains the Viola part, and Viola players can benefit from fingerings and bowings by Tabea Zimmermann in the solo part.

SEK 345.00

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Complete Piano Sonatas Volume III cb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume III offers the crowning achievement of Haydn’s sonata-writing with these late works, including famous works such as the stormy Sonata in e minor Hob. XVI:34 and the grand” Sonata in E-flat major Hob. XVI:52. Superbly laid-out settings for the piano are combined here with great musical expressivity,which is why these sonatas remain firmly anchored in concert life to this day.

SEK 600.00

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Complete Piano Sonatas Volume III pb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume III offers the crowning achievement of Haydn’s sonata-writing with these late works, including famous works such as the stormy Sonata in e minor Hob. XVI:34 and the grand” Sonata in E-flat major Hob. XVI:52. Superbly laid-out settings for the piano are combined here with great musical expressivity,which is why these sonatas remain firmly anchored in concert life to this day.

SEK 399.00

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Le Festin d?Ésope op. 39 no. 12 : Le Festin d?Ésope op. 39 no. 12

Charles Valentin Alkan’s cycle of variations Le Festin d’Ésope derives from his monumental series of etudes op. 39, the 12 Études dans tous les Tons Mineurs, and forms the culmination of that work. Now G. Henle Publishers presents, for the first time in an Urtext edition, what is by far the most well-known piano composition by this French pianist and composer notorious for the extreme virtuosity of his works. Because no autograph manuscripts survive, the first edition from 1857 is the sole source. The premier Alkan scholar Wolfgang Rathert gives details about the life and œuvre of the composer in his preface, while fingerings are provided by the Italian keyboardvirtuoso Vincenzo Maltempo, who has recorded numerous works by Alkan. By popular demand, this composer may also now finally assume his place in the Henle Urtext catalogue!

SEK 208.00

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Kinderszenen op. 15

“As far as the Scenes from Childhood are concerned, I owe them one of the liveliest pleasures of my life.” These words were uttered by none other than Franz Liszt. In the evenings he often enjoyed playing part of them, not only for his little daughter Blandine-Rachel but also for his own pleasure. Even today, the “Scenes from Childhood” still raise the question as to whether they were written for children or adults. Schumann himself described them as being the reminiscences of an older person for older people, but did not deny that “several children’s heads were in his mind when composing them”. Ernst Herttrich has revised our well-loved edition, incorporating the latestscholarly findings. In the appendix he also takes a stand on the metronome markings which were taken over from an early print.

SEK 128.00

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The Symphonies - Beethoven

Beethoven’s nine symphonies, composed over a period of around 25 years between 1799 and 1824, were already regarded as his musical legacy soon after his death. The composer explores the entire spectrum of the genre, finding in each work new solutions for the fundamental problem of how to find the right balance between motivic unity and distinctive characters for each movement. What proved pioneering was how he made the symphony a prolific vehicle for developing musical ideas, ranging from the heroic, the sublime, or the emotions of country life, culminating in the appeal to fraternity in the choral finale to the Ninth. Now Beethoven’s symphonies are available in nine handystudy editions, based on the musical text of reference from the Beethoven Complete Edition and collected in a practical slipcase. A wonderful gift for every devotee of the great Viennese master, at an attractive price!

SEK 1146.00

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Horn Concerto No. 2 in E flat major

As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in Eb major, around sixty years after his first concerto for horn. This sublimely beautiful late work, which gives no indication of the oppressive circumstances of Strauss’ poor health and the Second World War, was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss’ death that the concerto appeared in print in London, making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor, Hans Pizka, former principal horn of the BavarianState Opera in Munich, learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances, the especially playable piano reduction by Johannes Umbreit is a great help. As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in Eb major, around sixty years after his first concerto for horn. This sublimely beautiful late work, which gives no indication of the oppressive circumstances of Strauss’ poor health and the Second World War, was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss’ death that the concerto appeared in print in London, making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor, Hans Pizka, former principal horn of the BavarianState Opera in Munich, learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances, the especially playable piano reduction by Johannes Umbreit is a great help.

SEK 308.00

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Thanatopsis op. 4 für Frauenstimme und Klavier : Thanatopsis op. 4 for female voice and pian

It is a great pleasure to present, with Thanatopsis, maestro Kissin’s opus 4, an expressive setting of the ground-breaking poem from the quill of William Cullen Bryant. Published in in the form known today in 1821, it is an earlyexample of American romantic poetry of the 19th century. Bryant is today reckoned among the group of “Fireside Poets” or “Schoolroom Poets”, names that allude to the places where their poems were usually recited. His poems firstand foremost Thanatopsis (“A Consideration of Death”) as his most famous are rooted in the English tradition, but at the same time show Bryant’s openness to a genuine American language and lifeworld. Evgeny Kissin’s setting is alarge vocal scene intensely informed by recitative, which congenially allows the prevailing mood of the text to resound. Our edition additionally includes German and French translations of the poem and an informative afterwordabout Bryant’s life and work and the genesis of Thanatopsis.

SEK 245.00

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