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Roberto Sierra: Concierto Evocativo For Horn And String Orchestra (Horn/Piano)

Roberto Sierra: Concierto Evocativo For Horn And String Orchestra (Horn/Piano)

Puerto Rican/American composer Roberto Sierra wrote the 'Concierto Evocativo for Horn and String Orchestra' in 1990, and it was first performed by the Espoo City Symphony Orchestra in Finland. The Miluwalkee Times writes of this piece: '...shows great imagination and artistry....Without relying on the colors and textures of percussion, wind, or brass instruments and featuring a solo instrument not usually counted among the 'evocative,' Sierra fashions music that is packed with energy and interest.'

SEK 350.00
1

Arr. Emily Crocker: Two English Ayres (SA)

Arr. Emily Crocker: Two English Ayres (SA)

Two songs originally found in the collection Reliquary of English Song, have been edited and arranged to make a wonderful short set for young singers. The first, You Gentlemen of England is a tune dating to the time of Elizabeth I (1533-1603) and is vigorous and lively. The second is The British Grenadiers , a traditional marching song which will allow your young singers a chance to engage themselves physically and sing with the natural energy all directors are trying to harness.

SEK 65.00
1

Arr. Emily Crocker: Two English Ayres (TB)

Arr. Emily Crocker: Two English Ayres (TB)

Two songs originally found in the collection Reliquary of English Song, have been edited and arranged to make a wonderful short set for young singers. The first, You Gentlemen of England is a tune dating to the time of Elizabeth I (1533-1603) and is vigorous and lively. The second is The British Grenadiers , a traditional marching song which will allow your young singers a chance to engage themselves physically and sing with the natural energy all directors are trying to harness.

SEK 65.00
1

Stephen Heller: L'Avalanche No.2

Stephen Heller: L'Avalanche No.2

Work for Piano Solo by Romantic composer Stephen Heller. He was born in Hungary but made his career as a teacher and composer in Paris where he settled in 1838. He composed a signficant amount of music for the piano, most notably a number of studies that have tended to overshadow his reputation in other genres and remain most popular today. These studies include pieces of all kinds; variations, character pieces, operatic transcriptions and fantasies. L?Avalanche is perhaps the best known of these seeming to characterise the rapid energy of the cascading snow and macabre beauty of an avalanche.

SEK 86.00
1

Burns Patrick A Perfect Trip Score Only Full Score

Burns Patrick A Perfect Trip Score Only Full Score

Patrick J. Burns ' Perfect Trip for Orchestra. Perfect Trip derives its title from the horse racing term which refers to the flawless performance of the winning steed. It was written for the 20th Anniversary Concert of the Ridgewood Concert Band (New Jersey) at the request of the band's founding director, Chris Wilhjelm. The piece itself lasts not much longer than a typical one-mile race and depicts the events from the observer's perspective: the initial burst of energy at the starting gate and ensuing excitement approaching the first turn, the suspense as the race develops along the far stretch, and the increasing drama as the pack rounds the final turn and heads down the stretch for the big finish.

SEK 127.00
1

J.S. Bach: Two Part Inventions

J.S. Bach: Two Part Inventions

A collection of beautifully elegant Two-Part Inventions for the Piano student and teacher. These inventions were composed by Bach as a teaching method for his son Wilhelm Friedemann, and exhibit the melodic energy and flawless formal construction that are the hallmarks of Bach at his best. The pieces offer an ideal opportunity to develop articulation, rhythm, fingering, phrasing, ornamentation and a singing melodic tone, and are essential repertoire for every serious Pianist.The Schirmer Performance Editions not only offer authoritative presentations of great music, they are also packed with interpretative suggestions, permanent fingering as well as an insightful historical and artistic commentary. An innovative tutorial series that provokes discussion as well as music.

SEK 186.00
1

Avner Dorman: Mandolin Concerto - Piano Reduction

Avner Dorman: Mandolin Concerto - Piano Reduction

For Mandolin and Piano. Written for Avi Avital, this concerto explores the diverse sonic and expressive possibilities of the Mandolin. The concerto’s main conflicts are between sound and silence and between motion and stasis, in particular using the Mandolin’s most basic technique – the tremolo, which is the rapid repetition of notes. The tremolo embodies both motion and stasis. The rapid movement provides momentum, while the pitches stay the same. The concerto can be divided into three main sections that are played attacca: 1. A slow meditative movement with occasional dynamic outbursts; 2. A fast dance like movement that accumulates energy leading to a culmination at its end; 3. Recapitulation: delving deeper into the pure melody and an underlying heartbeat of the opening movement.

SEK 325.00
1

Patrick J. Burns: Perfect Trip

Patrick J. Burns: Perfect Trip

Perfect Trip derives its title from the horse racing term which refers to the flawless performance of a winning steed. It was written for the 20th anniversary concert of the Ridgewood Concert Band in New Jersey at the request of the band's founding director, Dr. C. Christian Wilhjelm. The piece itself lasts not much more than a typical one mile horse race and depicts the event from the observer's perspective: the initial burst of energy at the starting gate and the ensuing excitement approaching the first turn, the suspense as the race develops along the far stretch, and the increasing drama as the pack rounds the final turn and heads down the stretch for the big finish. Recorded by the Ridgewood Concert Band, Christian Wilhjelm, conductor. (Grade 4)

SEK 781.00
1

Gilbert And Sullivan: Iolanthe (Vocal Score)

Gilbert And Sullivan: Iolanthe (Vocal Score)

'Iolanthe' premiered on November 25, 1882 simultaneously at the Savoy Theater in London and the Standard Theater, New York. The wit of Gilbert's dialogue and sparkle of his lyrics is matched only by the energy of Sullivan's setting, imbued with his sense of both Mendelssohnian grace and Victorian popular song. In two acts, 'Iolanthe' presents the convergence of the world of Fairies with that of Humans when Strephon interacts with members of Parliament. It focuses on contemporary issues by drawing comparisons between the worlds - both Peers and Peris (the Fairy Kingdom) live 'on credit' and are indebted to others for their existence, since Peris owe their life on Earth to ancient myths, while Peers are in a position of financial privilege because of ancient laws. This is is the Schirmer edition of the Vocal Score, edited by Bryceson Treharne and contains all the dialogue plus a synposis.

SEK 286.00
1

Stephen Albert: Flower Of The Mountain (Soprano/Piano)

Stephen Albert: Flower Of The Mountain (Soprano/Piano)

In the words of Stephen Ledbetter:'Flower of the Mountain sets...words of Molly Bloom (drawn) from the close of Joyce's Ulysses. Molly is a middle-aged woman, lying awake in bed next to her sleeping husband, Leopold. Her long monologue, a seemingly random melange of ideas in a stream of consciousness, moves back and forth between her boorish lover Boylan and her aging husband. As she begins to drift off to sleep, she recalls the day 16 years earlier when Leopold asked her to marry him.' '...The wonderful directness of (his) setting eliminates any need for extensive analysis, except to note that the work grows in intensity, archlike, as the fragmentary images circling Molly's somnolent mind build to a climax of energy and activity, returning at the end to the gentle lulling of the opening -- Molly's final, quiet thoughts as she drops off to sleep.' This is the Vocal score for the singer's ease of practice.

SEK 145.00
1

Stephen Albert: Flower Of The Mountain (Score)

Stephen Albert: Flower Of The Mountain (Score)

In the words of Stephen Ledbetter:'Flower of the Mountain sets...words of Molly Bloom (drawn) from the close of Joyce's Ulysses. Molly is a middle-aged woman, lying awake in bed next to her sleeping husband, Leopold. Her long monologue, a seemingly random melange of ideas in a stream of consciousness, moves back and forth between her boorish lover Boylan and her aging husband. As she begins to drift off to sleep, she recalls the day 16 years earlier when Leopold asked her to marry him.'...The wonderful directness of (his) setting eliminates any need for extensive analysis, except to note that the work grows in intensity, archlike, as the fragmentary images circling Molly's somnolent mind build to a climax of energy and activity, returning at the end to the gentle lulling of the opening -- Molly's final, quiet thoughts as she drops off to sleep.'This is a Study Score of this work.

SEK 411.00
1

John Adams: Shaker Loops For String Orchestra (Score)

John Adams: Shaker Loops For String Orchestra (Score)

Although in its own way an example of 'continuous' music, Shaker Loops differs from most other works of its kind because it sees so much change within a relatively short amount of time. Also it avoids the formal and temporal purity of much 'minimal' music by not adhering to a single unbending tempo throughout, allowing for a freer movement from one level of energy to another.The 'loops' are melodic material assigned to the seven instruments, each of a different length and which, when heard together, result in a constantly shifting play amongst the parts. The four sections, although they meld together evenly, are really quite distinct, each being characterised by a particular style of string playing. The outside movements are devoted to 'shaking' - fast, tightly rhythmicised, motion of the bow across the strings. The 'slews' of Part 2 are slow, languid glissandi heard floating within an almost motionless pool of stationary sound, whereas Part 3 is essentially melodic, with cellos playing long, lyrical lines (also loops) against a background of muted violins.

SEK 583.00
1