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David Ludwig: The New Colossus

David Ludwig: The New Colossus

Written for conductor Judith Clurman, David Ludwig sets the poem found on The Statue of Liberty in a moving and passionate style. The sentiment of welcome that poet Lazarus - herself an immigrant - conveys is sensitive and at the same time powerful and David has skilfully captured this emotion. Beginning in a sombre, chant-like unison, it opens to harmony at the most famous line "I lift my lamp, beside the Golden Door" repeating this line in a crescendo to the end. It was performed at the 2013 Inauguration Prayer Service at St. John's Church in Washington, D.C.

SEK 65.00
1

Giovanni De Palestrina: Magnificat

Giovanni De Palestrina: Magnificat

Jameson Marvin, through his work with Harvard and Radcliffe, has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat by Palestrina has been edited by Dr. Marvin to accommodate modern notation, clefs and measure lines. He also maintains rhythmic groupings enabling the singers to move beyond the tyranny of the bar line and bring a beautiful and authentic performance to the stage.

SEK 73.00
1

John Adams: Grand Pianola Music (Full Score)

John Adams: Grand Pianola Music (Full Score)

This work 3 Amplified Women's Voices, 2 Pianos, Percussion, Wind and Brass was premiered by the San Fransico Symphony in February 1982. Grand Pianola Music recalls the music of Charles Ives in its creative synthesis of various musical styles. The listener is greeted with a wide spectrum of sonic allusions, ranging from band marches to gospel tunes, from Beethoven's sonatas to melodramatic movie-hall stylings. The result is a work that walks the line between sincerity and irony.

SEK 980.00
1

Irene Rogers: First Duet Book For Little Jacks And Jills

Irene Rogers: First Duet Book For Little Jacks And Jills

An ideal first duet book when two young people are learning together. This progressive book begins with extremely simple hands-separately pieces for both parts and move on to pieces where quite a lot of ledger-line reading is required. Especially planned for children of pre-school or elementary level and is suitable for class sight-reading and is ideal preparation for further Pianoforte study. The attractive and varied music and easy arrangements will inspire and give confidence to beginners.

SEK 127.00
1

Shawn Crouch: The Light Of Common Day

Shawn Crouch: The Light Of Common Day

Shawn Crouch 's The Light Of Common Day for SATB choir with Piano accompaniment. This beautiful choral work features a text excerpted from the poignant and insightful Wordsworth poem. Composer Shawn Crouch has crafted music that flows as if one long line or brushstroke of continuous sound. The Light Of Common Day was commissioned by Tom Cunningham and the Manhattan Choral Ensemble and is dedicated to Kathleen Lockwood. The piece has been recorded by Seraphic Fire on their album Reincarnation: A Century of American Choral Music.

SEK 70.00
1

Dominick DiOrio: Ding, Dong, Bell (Vocal Score)

Dominick DiOrio: Ding, Dong, Bell (Vocal Score)

Commissioned by Earl Rivers and the CCM Chamber Choir with a text chosen to celebrate the 400th anniversary of William Shakespeare's death. Composer DiOrio has chosen Bass Clarinet, Violin and Vibraphone to accompany while using a liberal dose of tenor solo alternating with the chorus to mirror the alternating representation of the original text. The chorus takes on many emotional frames, depicting the colours and shapes inherent in each line of the poetry. This music is “high” but never “serious”, just like Shakespeare himself.

SEK 73.00
1

Giovanni Gabrieli: Hodie Christus Natus Est

Giovanni Gabrieli: Hodie Christus Natus Est

A fabulous example of Giovanni Gabrieli?s multi-choir music in which he extends the notion of rhythm and expands tonal colours to create the pulse of the music. In Hodie Christus Natus Est he establishes a remarkable rhythmic counterpoint akin to the swallowing up of rhythms as they mingle and are lost. Note that this is a rather complex piece that will require skilled and disciplined performers to follow their own independent line. This is an ideal choice of material to be used for general festivals or as a rejoiceful Christmas song. This fantastic piece is set for a Double Chorus of Mixed Voices with an Organ accompaniment.

SEK 73.00
1

Avner Dorman: Memory Games (For Violin And Piano)

Avner Dorman: Memory Games (For Violin And Piano)

For Piano and Violin. Composed for Hilary Hahn, Avner Dorman 's inspiration for Memory Games is the classic 1980’s memory game ‘Simon.’ The original game has four colored buttons, each with a distinct sound and a light bulb behind it. The machine illuminates and sounds a string of notes at random; the players have to repeat the patterns. Several rounds of Simon are played throughout Memory Games , so to speak, making it resemble a Passacaglia (or variations on a bass line). ' Avner Dorman’s labyrinthine Memory Games , based on the memory game Simon...offered gorgeous and palatable social and historical commentary .' -- Erica Zora Wrightson, Los Angeles Times

SEK 196.00
1

Lili Boulanger: Quatre Chants Pour Voix Et Piano

Lili Boulanger: Quatre Chants Pour Voix Et Piano

Lili Boulanger was the sister of the famous music teacher Nadia Boulanger. She was a composer for the last 10 years of her tragically short life - she died at 25. Her music is generally beautiful, delicately coloured, and touching, standing in the main line of French music exemplified by Faure, albeit somewhat tinged with the influence of Debussy's Impressionism.These four Songs are settings of texts by de Calone and Maeterlinck among others, with an English version by Jane May. The first song, Dans l'immense tristesse speaks of a mother's grief on the death of a child. Attente (Expectation) is about the anticipation of love, Reflets is gentle and reflective yet tinged with fear which breaks out towards the end, whereas Le Retour (The Return) deals with the return of Ulysses to Ithaca.

SEK 196.00
1

Lili Boulanger: Trois Morceaux Pour Piano

Lili Boulanger: Trois Morceaux Pour Piano

Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught Aaron Copland, Elliott Carter and Philip Glass amongst others. She was a composer for the last 10 years of her tragically short life - she died at 25 - and her music stands in the main line of French music exemplified by Faure, somewhat tinged with the influence of Debussy's Impressionism. It is generally beautiful, delicately coloured, and touching. These 'Three Pieces For Piano' display her very personal musical signature. The first piece, D'un Vieux Jardin (Of an Old Garden) conjures up mystery and nostalgia. 'D'un Jardin Clair (Of a Clear/Bright Garden) has more movement and is bathed in light. The Cortege is more lively without being fast. Shifting rhythmic accents, tricky runs and contrasting dynamics make this an exciting piece.

SEK 157.00
1

Johannes Brahms: Variations On A Theme Of Haydn For Piano

Johannes Brahms: Variations On A Theme Of Haydn For Piano

In writing this excellent set of variations on a theme for Orchestra, Brahms actually got it a bit wrong. The theme (an old tune named the 'Saint Anthony Chorale') is not really by Haydn, but was used by him. Whatever its parentage, this march-like tune, dignified but with a twinkle in its eye, is an outstanding basis for variations. After the opening statement of the theme, there are nine variations, easily distinguished by the listener, who will be amused and impressed by the variety of techniques Brahms uses to give each one its own special mood - whether romantic, brisk or very lively! The last section gets more passionate as Brahms uses the original theme as a bass line and works out mini-variations over it. At the end, the original theme comes back in a grand statement. This is a Piano arrangement of the orchestral work.

SEK 147.00
1

Come Ye Blessed Incidential Solos

Come Ye Blessed Incidential Solos

John Prindle Scott 's Come, Ye Blessed , arranged by Carl Deis for SATB choir with Organ accompaniment. John Prindle Scott was an American singer, Vocal tutor and composer. Born in New York in 1877, he studied at Oberlin College, Ohio, between 1896-1900. He moved back to New York city before 1908 and later became a voice teacher in Saginaw, Michigan. According to an article in the Syracuse American, " He had established a considerable reputation in concert work when he was forced by increasing deafness to turn to composition for musical expression ." Prindle Scott composed about 60 published songs between 1910 and 1930, including several prominent sacred works which have remained in the repertoire. Come, Ye Blessed takes its text from the Gospel of Matthew. It was first published by G. Schirmer in 1917. Alan J. Ord, author of Singer's Repertoire, described the piece as being a good choice for bass voices, calling it " ardent, with a flowing line ".

SEK 63.00
1

Lili Boulanger: Deux Morceaux Pour Violin Et Piano

Lili Boulanger: Deux Morceaux Pour Violin Et Piano

Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught Aaron Copland, Elliott Carter and Philip Glass amongst others. She was a composer for the last 10 years of her tragically short life - she died at 25 - and her music stands in the main line of French music exemplified by Faure, somewhat tinged with the influence of Debussy's Impressionism. It is generally beautiful, delicately coloured, and touching. These challenging 'Two Pieces for Violin and Piano' exemplify these qualities. The Nocturne begins sparsely, with bare octave figures wound about with a theme built from a repetitive rise-and-fall figure. As the texture become thicker the violin becomes more virtuosic and begins to climb. There is no harmonic resolution until the final ppp note in the top register, which is answered by an low octave from the piano. The Cortege is more lively without being fast. Shifting rhythmic accents, tricky runs and contrasting dynamics make this an exciting piece.

SEK 226.00
1

Schirmr Opera Anth Dicton Bass Bk/Cd

Schirmr Opera Anth Dicton Bass Bk/Cd

Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations. With these book/CD packages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version the coach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coaches adapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each aria and word for word translations. The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelman for German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50481101 Arias for Bass.

SEK 286.00
1

Niles John Jacob I Wonder As I Wander Full Score (Krogstad Bob) Score

Niles John Jacob I Wonder As I Wander Full Score (Krogstad Bob) Score

John Jacob Niles ' I Wonder As I Wander , arranged for Concert Band. This Christian folk hymn was inspired by a song heard by Niles at a fundraising meeting for evangelicals which he attended in Murphy, North Carolina. Niles wrote of the moment he first heard the tune: ' A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievable dirty and ragged, and she, too, was unwashed. Her ash-blond hair hung down in long skeins.... But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song ". Niles requested that the girl repeat the fragment seven times, paying her a quarter per performance, and left with ' three lines of verse, a garbled fragment of melodic material—and a magnificent idea '. He completed his composition on October 4, 1933 and I Wonder As I Wander was first performed on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina. This beautifully flowing arrangement by Bob Krogstad conjures up an atmosphere of wistful contemplation.

SEK 127.00
1

Claude Debussy: Petite Suite For One Piano, Four Hands

Claude Debussy: Petite Suite For One Piano, Four Hands

Debussy 'Petite Suite' arranged for one piano, four hands. Edited by Weekley and Arganbright. A French composer of piano music, opera, cantatas, ballets, and orchestral and chamber works. His most notable pieces are "Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun)" (1894) and "Nocturnes" (1899). Inspired often by pictorial subjects (Monet's water impressions became "reflections in the water" for piano) and by the elusive and unnameable in nature (footsteps in the snow, still leaves, and the hypnotic, overwhelming sensations of his rare visits to the French coastline), Debussy's music develops chords, melodies, and orchestration that are connected more by a single surreal observation than by an overriding logic. For example, one note is similar to another in a distantly related, enharmonic chord, but this brief tie is enough to follow, or a single gesture will soon evolve, spreading outward in all directions until a whole orchestral piece is made from a single falling line ('Afternoon of a Faun'; 'Jeux'). Not bad for a kid born over his parents' china shop, who loved Lassus and Palestrina as much as ragtime and Javanese music. Blue Gene Tyranny

SEK 147.00
1

Schirmr Opera Anth Diction Bar Bk/Cd

Schirmr Opera Anth Diction Bar Bk/Cd

Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations.  With these book/audio packages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version the coach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coaches adapt the R in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each aria and word for word translations.  The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelman for German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. The audio is accessible online for download or streaming. Companion to 50481100 Arias for Baritone.

SEK 286.00
1

Schirmr Opera Anth Diction Ten Bk/Cd

Schirmr Opera Anth Diction Ten Bk/Cd

Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations.  With these book/audio packages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version the coach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coaches adapt the R in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each aria and word for word translations.  The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelman for German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. The audio is accessible online for download or streaming. Companion to 50481099 Arias for Tenor.

SEK 286.00
1