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Moonlight Sound Design

Moonlight Sound Design

The SATB version of Moonlight Sound Design was commissioned and premiered by the youth choir Kam r conducted by M ris Sirmais in Riga, Latvia in 2012. In USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it. Moonlight Sound Design is here arranged for 3 or 4 Soprano Soli, SSAA Chorus and Hang* but can be performed withPiano or Guitar accompaniment as well. The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Alto section should sing the pitches in bars 5–23 and bars 38–56 with a “didgeridoo” effect. *The Hang (pronunced ha in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.” The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO” shape. The top (“Ding”) side has a center “note” hammered into it, and seven “tone fields” hammered around the center. -Raimonds Tiguls Duration: 4:10 Part of the Lee Nelson Choral Series. The SATB version of Moonlight Sound Design was commissioned and premiered by the youth choir Kam r conducted by M ris Sirmais in Riga, Latvia in 2012. In USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it. Moonlight Sound Design is here arranged for 3 or 4 Soprano Soli, SSAA Chorus and Hang* but can be performed withPiano or Guitar accompaniment as well. The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Alto section should sing the pitches in bars 5–23 and bars 38–56 with a “didgeridoo” effect. *The Hang (pronunced ha in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.” The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO” shape. The top (“Ding”) side has a center “note” hammered into it, and seven “tone fields” hammered around the center. -Raimonds Tiguls Duration: 4:10 Part of the Lee Nelson Choral Series.

SEK 73.00
1

Moonlight Sound Design

Moonlight Sound Design

Moonlight Sound Design was commissioned and premiered by the youth choir Kamer conducted by Märis Sirmais in Riga, Latvia in 2012. In USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father's country house in an attic room, and the night moon shines directly into it. Moonlight Sound Design iscomposed for 3 or 4 Soprano Soli, SATB Chorus and Hang but can be performed with Piano or Guitar accompaniment as well. The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Bass section should sing the octave E-flat in bars 5-23 and bars 38-56 with a didgeridoo effect. =The Hang (pronounced han in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for hand. The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct UFO shape. The top (Ding) side has a center note hammered into it, and seven tone fields hammered around the center. -Raimonds Tiguls Duration: 4:10

SEK 73.00
1

In the Bleak Midwinter Earth Stood Hard as Iron

O Tell Me Where the Dove Has Flown

O Tell Me Where the Dove Has Flown

This haunting folk tune is classified as Type I, which are hymns sung to settings of traditional ballad tunes. This classification was devised by Phillips Barry (1880-1937), who was a pioneering Early American folk hymn specialist and folk tune collector.The tune has many variants. However, chief among them are the traditional Scottish ballads called Lizie Wan, the (Frances James) Child ballad No. 51 and the Child ballad No. 112, The Baffled Knight.Brewer, Maine, was the first New England town where this particular variant was first notated by Phillips Barry. Nevertheless, similar variants were also collected in Vermont and Massachusetts much later by otherfolk tune collectors.The intoxicating full melody of O Tell Me Where the Dove Has Flown is in the Dorian mode. It is repeated five times in this edition, making the design of the entire work strophic in structure. The verse melody in five phrases was first harmonized in 1937 by Annabelle Morris Buchanan (1889-1983). She was another pioneering shape-note specialist who wrote the trailblazing book titled Folk Hymns Of America (J. Fisher & Bro., 1938).Specialists in the art of folk tune arrangements will herein notice that I have been greatly influenced by the classic folk song settings of Ralph Vaughan Williams (1872-1958).The text authorship of the verses is unknown, rendering them as a traditional text. In this setting I have used five of the surviving six ABAB rhymed verses.The complete (slightly altered) text with a different tune is also found in William Walker's The Southern Harmony & Musical Companion (1854 edition), under the title Dove of Peace.This work was first performed in 1965 by the Boston University Marsh Chapel Choir conducted by Dr. Max Miller in a worship service.I hope you enjoy this pensive, yet invigorating secular tune used in a sacred form. -James McCullough (2014)

SEK 70.00
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