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Robert Schumann: Twelve Poems Op. 35, Set Of Songs On Texts By Kerner (High/Medium Voice)

Robert Schumann: Twelve Poems Op. 35, Set Of Songs On Texts By Kerner (High/Medium Voice)

As with the Dichterliebe (HN 549), Frauenliebe und Leben (HN 547) or the song cycles with texts by Heine and Eichendorff (HN 548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann ’s “Liederjahr”. Yet it has a special place: it was composed in the time immediately following Schumann ’s marriage to Clara Wieck. Schumann set a series of poems to music in November, during a “quiet week, which went by with composing and much loving and kissing”, and the cycle was complete by the turn of the year. It contains a great deal of intimate musical innuendos. The first edition of 1841 was soon followed by a second issue, many of the songs were published individually and the “Wanderlied” soon became a core piece in the repertoire. With this edition the songs in Schumann ’s cycle are once again being published together in a single volume.

SEK 287.00
1

Robert Schumann: String Quartets Op. 41 (Study Score)

Robert Schumann: String Quartets Op. 41 (Study Score)

Although Schumann ’s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets Op.41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn’s praise in particular that occasioned Schumann to dedicate the new works to him. The composer wrote to his publisher in an appropriately confident manner: “ Be assured, I have spared no pains in creating something very decent, indeed I sometimes think it is my best ”. As is generally known, today Schumann ’s Opus 41 forms part of the core repertoire for Quartet players.

SEK 335.00
1

Robert Schumann: String Quartets Op.41

Robert Schumann: String Quartets Op.41

Although Schumann ’s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets Op.41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn’s praise in particular that occasioned Schumann to dedicate the new works to him. The composer wrote to his publisher in an appropriately confident manner: “ Be assured, I have spared no pains in creating something very decent, indeed I sometimes think it is my best ”. As is generally known, today Schumann ’s Opus 41 forms part of the core repertoire for quartet players.

SEK 568.00
1

Telemann 12 Fantasias Flt Solo Bk

Telemann 12 Fantasias Flt Solo Bk

**Not for sale outside of the UK and Commonwealth** Georg Philipp Telemann 's 12 Fantasias for solo Flute. Aside from the Partita in A minor by Johann Sebastian Bach (HN457) and the Sonata in A minor by his son Carl Philipp Emanuel (HN555), it was also mainly Telemann ’s 12 Fantasias that enriched the solo Flute repertoire in the first half of the 18th century. Telemann ’s cycle evidently had a great influence on the flautist’s world. The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on. This Henle Urtext edition is based on Telemann ’s print, which has been reproduced as a facsimile in the edition. The Flute expert Rachel Brown has provided a commentary with details regarding performance practice.

SEK 261.00
1

Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Beethoven most likely completed his 6th Symphony in early summer 1808. The work, called “Pastoral Symphony” by the composer himself, was given its first performance along with the 5th Symphony in Vienna in 1808. Both are frequently referred to as sibling works that complement one another. Based on the musical text of the Beethoven Complete Edition and provided with a new preface, this recently made edition represents the latest stage of Beethoven scholarship on this work. Thanks to this study score, the work is now available in a handy format and at an affordable price.

SEK 197.00
1

Gabriel Fauré: Violin Sonata No.2 E Minor Op.108

Gabriel Fauré: Violin Sonata No.2 E Minor Op.108

Fauré ’s 2nd Violin Sonata was written in 1916 in Evian and Paris, the first in a series of chamber music works. It is thus one of Faure ’s late works, characterised by austerity, introspection and the intensity of its expression. It is hard to imagine a greater contrast to the brilliant and ornamental style of the virtuosic 1st Violin Sonata (HN 980), published 40 years earlier. The 2nd Sonata concentrates on the essentials, and on closer contact turns out to be a fascinating composition that harmonically explores the limits of tonality, delving deep into the “Modernism” of the 1920s.

SEK 399.00
1

Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts)

Brahms: Horn Trio E Flat Major Op. 40 (Score/Parts)

This Trio’s unusual scoring for horn, violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms’s biographer Max Kalbeck saw in it a lament for the composer’s mother, recently deceased, to whom he had supposedly played folk songs on the horn in his childhood. There is no doubt that Brahms loved the sound of the natural horn, and bestowed several of his most inspired melodies on the instrument. Horn players justifiably adore this Trio op. 40, and this Henle Urtext edition now offers an optimal basis for studying and performing this masterpiece. This edition follows the musical text of the New Brahms Complete Edition and thus guarantees the greatest fidelity to the sources and reflects the current state of research. The pianist Klaus Schilde has added helpful fingerings to the piano part. Extra parts are also provided for the alternative scoring authorised by Brahms (with viola or cello instead of horn).

SEK 404.00
1

Frédéric Chopin: Scherzo B Flat Minor Op. 31

Frédéric Chopin: Scherzo B Flat Minor Op. 31

Chopin gave the “scherzo” a character all of its own, and his second Scherzo is probably the best known of the four works that he composed in that genre. In contrast to the first Scherzo, which survives only in its first editions, we are fortunate in that manuscript material is also extant for the second. These multitude sources are complemented by printed copies once belonging to Chopin ’s pupils that contain his own annotations, and which have been newly evaluated for this revised Henle Urtext edition. Footnotes provide information on authorised variants, and in addition to the report printed in the edition itself, a detailed critical report is available on the Internet with in-depth information for those keen to know more about the history of the sources.

SEK 155.00
1

Antonín Dvorák: Piano Trio No. 3 In F Minor Op.65

Antonín Dvorák: Piano Trio No. 3 In F Minor Op.65

**Not for sale outside of the UK and Commonwealth.** Dvořák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances (HN 757 and 918), he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms’ music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the “Dumky” Trio op. 90 (HN 799), Andreas Groethuysen is once again responsible for the fingerings of the Piano part.

SEK 436.00
1

Maurice Ravel: Sonata For Violin And Violoncello

Maurice Ravel: Sonata For Violin And Violoncello

Following the intoxicating sounds of La Valse, the smaller scoring and modern musical language of Sonata For Violin And Violoncello were a shock. Yet this pioneering work has now become a permanent fixture on the concert stage.To help the players, two performance scores are provided in which the other instrument?s part is also given. Both parts are included in a marked and an unmarked version.Sonata For Violin And Violoncello was composed by Maurice Ravel between between 1920 and 1922.

SEK 367.00
1

At The Piano - J.S. Bach: 13 Well-Known Original Pieces

At The Piano - J.S. Bach: 13 Well-Known Original Pieces

Johann Sebastian Bach is more or less the alpha and omega of piano playing: there is hardly a piano pupil who did not start off with his little preludes or his inventions. And almost all pianists regard his Well-tempered Clavier as an unsurpassed highpoint in the history of piano music. Our volume follows these well-trodden paths, but not without the occasional sideways glance at some less prominent pieces by the Master, such as his picturesque “Capriccio on the departure of a beloved brother”.

SEK 234.00
1

At The Piano - Grieg: 15 Well-Known Original Pieces

At The Piano - Grieg: 15 Well-Known Original Pieces

Edvard Grieg was a master of the Romantic miniature for piano, and with his ten volumes of “lyric pieces” he more or less created a new genre all on his own. These works offer an abundance of wonderful pieces that are ideal for a guided return to the piano. It proved difficult to choose a selection of them for our volume. But we also offer well-known pieces from the orchestral suites From Holberg’s Time and Peer Gynt, which Grieg himself arranged for the piano. Naturally they are presented superbly in true Urtext.

SEK 234.00
1

Johannes Brahms: Double Concerto A Minor Op. 102

Johannes Brahms: Double Concerto A Minor Op. 102

The cellist Robert Hausmann had actually requested a Cello concerto - but Brahms paired the Cello with a Violin in his " Double Concerto ". The unusual work has already been available as part of the new Brahms Complete Edition for several years. Using Brahms ’ original Piano reduction, Johannes Umbreit has produced a playable Piano setting that optimally renders the colourfulness of the score. The fingerings and bowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts, based on the Complete Edition, are available from Breitkopf & Härtel (PB/OB 16104). 

SEK 520.00
1

Ludwig Van Beethoven: Symphony No. 5 In C Minor Op.67

Ludwig Van Beethoven: Symphony No. 5 In C Minor Op.67

Beethoven is presumed to have completed his 5th Symphony in early 1808; today, it is one of the most famous works of classical music of all. Its nickname “Fate Symphony” was given to it posthumously by Beethoven ’s biographer Anton Schindler; a title which no longer plays a role in modern-day Beethoven scholarship. Based on the recently published musical text of the Beethoven Complete Edition and supplied with a new preface by editor Jens Dufner, one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel, study or the concert hall.

SEK 197.00
1

Beethoven Adelaide Op.46 Vce/Pf Urtx

Beethoven Adelaide Op.46 Vce/Pf Urtx

No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings, and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it: “Several composers have breathed life into this little lyrical fantasy with music; but none of them have, I deeply believe, so put the text into the shade with their melody as the genius Ludwig van Beethoven in Vienna.” We are publishing the Lied in a new practical single edition that follows the musical text of the Beethoven Complete Edition, with a detailed preface by the specialist on Beethoven’s Lieder Helga Lühning.

SEK 139.00
1

Max Reger: Clarinet Quintet In A, Op. 146

Max Reger: Clarinet Quintet In A, Op. 146

With his Clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger ’s last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, we are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube.

SEK 563.00
1

Max Reger: Clarinet Quintet In A Major Op.146

Max Reger: Clarinet Quintet In A Major Op.146

With his Clarinet Quintet , begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger ’s last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The Quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, Henle are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube.

SEK 250.00
1

Beethoven: String Quartet A Minor Op.132

Beethoven: String Quartet A Minor Op.132

The heart of Beethoven’s Quartet op.132 is the “Holy song of thanksgiving”, in which Beethoven takes up old counterpoint techniques and Gregorian simplicity. In this unusually beautiful and well preserved manuscript, Beethoven generously makes the most of the space on its pages. The lavish four colour printing allows the composer’s occasionally unconventional manner of notation to come to life. It permits a unique insight into the creative process, which continued after it had been written down in the form of multiple additions and changes. The edition is rounded off with a preface by the pianist András Schiff, with whose generous support this valuable facsimile was made possible.

SEK 1682.00
1

Ludwig Van Beethoven: Duo For Violin And Violoncello (Fragment)

Ludwig Van Beethoven: Duo For Violin And Violoncello (Fragment)

While he was still in Bonn, perhaps in 1792 the year he departed for Vienna, Beethoven wrote this Duo for Violin and Violoncello . We do not know whether he ever completed his work as only the beginning of a fast sonata movement has survived. It is on a page in a collection of sketch leaves that is today known as the “Kafka Miscellany”. Robert D. Levin has completed this fragment in the same style and thus for the first time it is in a version that can be performed. Our edition contains two performance scores of this lively showpiece, thus guaranteeing an optimal duo experience. A welcome addition to the repertoire.

SEK 170.00
1

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

“ His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe ”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia Op. 103 that had been sent as evidence of the composer’s progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: the Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven ’s great skill. This Urtext edition also contains additional parts for Horns in F.

SEK 202.00
1

At The Piano -Schubert: 12 Well-Known Original Pieces

At The Piano -Schubert: 12 Well-Known Original Pieces

Of the twelve composers in our series “At the piano”, Franz Schubert was undoubtedly the least at home at the piano – but nevertheless what masterpieces he left us for this instrument! There is hardly any pianist who is not immediately captivated by the cheerful yet melancholy atmosphere of Schubert’s impromptus and Moments musicaux. Even the simple pieces by Schubert at the beginning of this volume have surprising twists in store that afford them a profundity of their own. Nor are his dances mere “entertainment”. No matter how charming they may seem on the surface, there is always a wistful tone in his waltzes and ländler. This seems to reflect the gravely ill composer’s presentiment of his own death.

SEK 234.00
1

Erik Satie: Nocturnes

Erik Satie: Nocturnes

With the five Nocturnes composed in 1919, Satie concluded the series of cyclically organized Piano pieces which, in a way, constitute the backbone of his oeuvre. As his models, he chose the eponymous pieces by John Field and Frédéric Chopin, borrowing not only the romantic, elegiac inflections, but also the tripartite form and rocking movement. Totally original, in turn, is the harmony which he devised according to his own system. Commenting on his Nocturnes, Satie once said: “ This is a different expression of myself ”. Indeed, the pieces, which are not difficult to play, seem unusually serious and far removed from the nonsense, parody and cabaret atmosphere that colour such a large part of his oeuvre.

SEK 133.00
1

Alexander Glasunow: Élégie Op. 44

Alexander Glasunow: Élégie Op. 44

A precious gem of romantic Viola literature is now available in Henle quality. Thanks to the publisher’s good connections to Russian archives, we were able to assess Glazunov ’s autograph for the first time for this first Urtext edition, and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand, the Élégie is one of the few original works of the 19th century for Viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist, the Élégie is ideally suited for teaching as well – and Tabea Zimmermann’s fingerings guarantee the best possible support.

SEK 160.00
1

Johannes Brahms: Sonata In E Minor Op. 38

Johannes Brahms: Sonata In E Minor Op. 38

The E minor Cello Sonata is the first work for one solo instrument and Piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose two instruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135), this early sonata is technically less demanding, yet musically more striking at the same time, so that it is a hit with amateurs and professionals alike. This Henle edition is based on the new Brahms Complete Edition and thus boasts, besides in-depth comments, a musical text revised according to the latest scholarly findings; as always, the Cello part is enhanced with additional markings.

SEK 180.00
1