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At The Piano - Mozart: 15 Well-Known Original Pieces

At The Piano - Mozart: 15 Well-Known Original Pieces

This volume opens with especially easy minuets written by Mozart when he was just eight years old. A successful mix of well-known and unusual pieces leads the player all the way to the profound Fantasy in d minor. A special feature here is the C-major study, which has not been available in any Henle edition until now. Selected individual movements from Mozart’s piano sonatas show the stylistic and emotional breadth and subtlety of his music, and offer manifold opportunities to practise and overcome specific technical challenges.

SEK 234.00
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Maurice Ravel: Sonata For Violin And Violoncello

Maurice Ravel: Sonata For Violin And Violoncello

Following the intoxicating sounds of La Valse, the smaller scoring and modern musical language of Sonata For Violin And Violoncello were a shock. Yet this pioneering work has now become a permanent fixture on the concert stage.To help the players, two performance scores are provided in which the other instrument?s part is also given. Both parts are included in a marked and an unmarked version.Sonata For Violin And Violoncello was composed by Maurice Ravel between between 1920 and 1922.

SEK 367.00
1

Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Ludwig Van Beethoven: Symphony No. 6 F Major (Pastoral Symphony) Op. 68

Beethoven most likely completed his 6th Symphony in early summer 1808. The work, called “Pastoral Symphony” by the composer himself, was given its first performance along with the 5th Symphony in Vienna in 1808. Both are frequently referred to as sibling works that complement one another. Based on the musical text of the Beethoven Complete Edition and provided with a new preface, this recently made edition represents the latest stage of Beethoven scholarship on this work. Thanks to this study score, the work is now available in a handy format and at an affordable price.

SEK 197.00
1

Ludwig Van Beethoven: Duo For Violin And Violoncello (Fragment)

Ludwig Van Beethoven: Duo For Violin And Violoncello (Fragment)

While he was still in Bonn, perhaps in 1792 the year he departed for Vienna, Beethoven wrote this Duo for Violin and Violoncello . We do not know whether he ever completed his work as only the beginning of a fast sonata movement has survived. It is on a page in a collection of sketch leaves that is today known as the “Kafka Miscellany”. Robert D. Levin has completed this fragment in the same style and thus for the first time it is in a version that can be performed. Our edition contains two performance scores of this lively showpiece, thus guaranteeing an optimal duo experience. A welcome addition to the repertoire.

SEK 170.00
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Bernhard Henrik Crusell: Clarinet Concerto F Minor Op. 5

Bernhard Henrik Crusell: Clarinet Concerto F Minor Op. 5

The Swedish composer Bernhard Henrik Crusell was long viewed as an insider tip among clarinettists; in the meantime, his concertos have found their way to the concert stage. This is hardly surprising considering the enchanting music with which Crusell – himself a Clarinet virtuoso of international rank – has enriched the early romantic repertoire. Crusell ’s works needn’t shy from a comparison with Weber’s and Spohr’s Clarinet output. This Henle Urtext edition of the F-Minor Concerto marks the beginning of a new publication series of all three Clarinet concertos by Crusell which has been entrusted to the editor and clarinettist Nicolai Pfeffer. Since he combines editorial experience with many years of performance practice, the works are in the best possible hands.

SEK 287.00
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Felix Mendelssohn Bartholdy: Concert Pieces Op.113 And 114 For Clarinet, Basset Horn (2 Clarinets) And Piano

Felix Mendelssohn Bartholdy: Concert Pieces Op.113 And 114 For Clarinet, Basset Horn (2 Clarinets) And Piano

“Favourite dish in exchange for favourite music” – this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl, who also played the Basset Horn, stopped to pay a visit to Felix Mendelssohn Bartholdy in 1832, they came to a most curious agreement: they promised their composer friend a generous portion of “Dampfnudeln” (steamed dumplings) and “Rahmstrudel” (sweet-cheese strudel) that Mendelssohn was mad about, if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in d minor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the Clarinet family.

SEK 335.00
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Johannes Brahms: Klavierkonzert Number 2 B Dur Op.83 - Klavierauszug

Johannes Brahms: Klavierkonzert Number 2 B Dur Op.83 - Klavierauszug

Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: “... a second one will sound different”. Nevertheless, a good 20 years elapsed before that second concerto finally took form, and only in 1881 was he able to announce: “I wanted to tell you that I have written a very small Piano concerto with a tiny little delicate Scherzo”. This Piano reduction of this anything-but-little symphonic concerto presents the solo part as it appears in the respective, recently published volume of the Brahms Complete Edition (HN 6020). Lars Vogt has succeeded in taming the opulent Piano writing with his fingerings. The refined arrangement of the complex orchestral part for the accompanying second piano stems from Johannes Umbreit.

SEK 367.00
1

Sergei Rachmaninoff: Vocalise Op.34 No.14 For Voice And Piano

Sergei Rachmaninoff: Vocalise Op.34 No.14 For Voice And Piano

Rachmaninoff composed his collection of 13 songs Op. 34 in 1912, but it was only three years later that he added a little closing piece without any text: the Vocalise , which soon outshone the other songs in terms of popularity and renown. Since its first performance in 1916 this expressive, melancholy piece has circulated in countless arrangements by others. Rachmaninoff himself made an arrangement for Orchestra and Voice, as well as one for orchestra alone. Our Urtext edition contains the original version for High Voice and Piano, and is based on the autograph sources in the Glinka Museum in Moscow. A particular highlight is the separate vocal part that not only serves singers well but also all those instrumentalists who wish to play this wonderful piece using the original solo part.

SEK 149.00
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Franck Sonata Pf/Vln A Maj Vlc/Pf Bk

Franck Sonata Pf/Vln A Maj Vlc/Pf Bk

**Not for sale outside of the UK and Commonwealth** César Franck 's Sonata For Piano And Violin In A . Urtext edition for Cello. Unlike some of his other late works, Franck ’s Violin Sonata (HN293), composed in 1886, was well-received by the public and critics from the very start. The beautiful arrangement for Cello published in January 1888 distinguishes itself from the numerous other arrangements in that Franck expressly authorised it. The cellist Jules Delsart, who had heard a performance of the sonata in Paris in December 1887, was so delighted by it that he asked Franck ’s permission to make a transcription of the Violin part for his own instrument. Delsart remained close to the original; he left the Piano part unaltered and transposed the Violin part only where necessary and appropriate into the lower register.

SEK 345.00
1

Telemann 12 Fantasias Flt Solo Bk

Telemann 12 Fantasias Flt Solo Bk

**Not for sale outside of the UK and Commonwealth** Georg Philipp Telemann 's 12 Fantasias for solo Flute. Aside from the Partita in A minor by Johann Sebastian Bach (HN457) and the Sonata in A minor by his son Carl Philipp Emanuel (HN555), it was also mainly Telemann ’s 12 Fantasias that enriched the solo Flute repertoire in the first half of the 18th century. Telemann ’s cycle evidently had a great influence on the flautist’s world. The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on. This Henle Urtext edition is based on Telemann ’s print, which has been reproduced as a facsimile in the edition. The Flute expert Rachel Brown has provided a commentary with details regarding performance practice.

SEK 261.00
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