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Alban Berg: String Quartet Op. 3

Alban Berg: String Quartet Op. 3

Alban Berg ’s String Quartet can be considered to be one of the founding works of the Second Viennese School. Already composed in 1910 and first published in 1920, it was the last composition the 25-year-old wrote under the tutelage of Arnold Schoenberg, who admired “ the fullness and unconstraint of his musical language, the strength and sureness of its presentation, its careful working and significant originality ”. Even today the extremely complex work places the highest technical demands on the interpreters.

SEK 213.00
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Claude Debussy: Première Rhapsodie Und Petite Pièce

Claude Debussy: Première Rhapsodie Und Petite Pièce

Originally written for the final year Clarinet examination at the Paris Conservatoire, Debussy ’s “ Première Rhapsodie ” has quickly become a bestseller of the Clarinet repertoire, being a highly impressionistic work that plays marvellously with the timbral possibilities of the Clarinet. Its success was so pervasive that Debussy later arranged the Piano accompaniment for Orchestra, and in this form the rhapsody is today to be heard all around the world. Our edition also contains as a “lollipop” the popular “ Petite pièce ”, an original work of under forty bars that was in fact devised as a sight-reading test.

SEK 271.00
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Felix Mendelssohn: Six Children's Pieces Op. 72

Felix Mendelssohn: Six Children's Pieces Op. 72

During his summer holiday of 1842 Mendelssohn wrote four Piano miniatures in each of the albums of two children to whom he was related. Years later he revised the pieces. In so doing, he deleted two of them, put the remaining ones in a new sequence and published them under the title Children's Pieces. Mendelssohn died shortly before the edition was published in 1848. Even though published posthumously, Mendelssohn initiated the first edition himself which is why it is the primary source for this edition. The two pieces that Mendelssohn did not include in his opus 72 are contained in the appendix.

SEK 176.00
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Claude Debussy: Danse (Tarentelle Styrienne)

Claude Debussy: Danse (Tarentelle Styrienne)

Debussy ’s early Piano piece Tarentelle Styrienne was published by Choudens in 1891. In 1903 the composer had it reissued under the new title Danse , with a few small revisions, by Fromont, with whom he worked a great deal at the time. He probably did not like the original title for this showpiece. Although Styriennes (Styrian dances) were fashionable in salon music, one tends to think of dances such as the Ländler, rather than the tarantella of southern Italy. Following Debussy ’s death in 1918, Maurice Ravel was asked to develop the Danse into a version for orchestra, and it was first performed in 1923.

SEK 192.00
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Felix Mendelssohn: Violin Concerto In E Minor Op.64 (Violin/Piano)

Felix Mendelssohn: Violin Concerto In E Minor Op.64 (Violin/Piano)

For the first time this celebrated concerto will now appear in a source-critical edition. Ullrich Scheideler depicts how the work evolved, describes its sources, and comments on the musical text. The well-known violinist Igor Ozim has marked up Mendelssohn ’s approved Violin part, adding fingering and bowing marks as an aid to today’s performers. He has also supplied a separate commentary showing that Mendelssohn ’s autograph already contains useful suggestions for shaping the solo part. The Piano reduction – a revised version of the one that accompanied the first edition – lies well under the fingers while remaining as faithful as possible to the original text.

SEK 351.00
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Gabriel Fauré: Élégie Op.24 For Violoncello And Piano

Gabriel Fauré: Élégie Op.24 For Violoncello And Piano

Following the enthusiastic reception of his first Violin Sonata (HN980), it was clear to Fauré that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as the slow movement for a sonata. However, Fauré gave up the sonata project, instead publishing the piece under the title Élégie. It was so successful that Fauré was urged by the publisher to write further pieces. The conductor Édouard Colonne commissioned a version of the Élégie for orchestra in 1895, which was premièred two years later. As usual, our Urtext edition contains both a marked and an unmarked solo part.

SEK 149.00
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Alban Berg: String Quartet Op. 3

Alban Berg: String Quartet Op. 3

Alban Berg ’s String Quartet can be considered to be one of the founding works of the Second Viennese School. Already composed in 1910 and first published in 1920, it was the last composition the 25-year-old wrote under the tutelage of Arnold Schoenberg, who admired “ the fullness and unconstraint of his musical language, the strength and sureness of its presentation, its careful working and significant originality ”. Even today the extremely complex work places the highest technical demands on the interpreters; for this reason this edition contains parts that are especially good to play from, in which each musician can also follow what is going on in the other parts.

SEK 483.00
1

Wagner/Liszt: Overture To Tannhauser Piano Solo

Wagner/Liszt: Overture To Tannhauser Piano Solo

Looking back in 1876, Liszt admitted candidly to the publisher Breitkopf & Härtel that his “Wagner transcriptions” had “only served as modest propaganda for Wagner’s noble genius, using the meagre possibilities of the piano”. In fact, in around 1850, Wagner’s operas Der fliegende Holländer, Tannhäuser and Lohengrin – which would later be so successful – were only being performed at the Weimar Court Theatre under Liszt’s baton. Liszt was inspired to compose his Tannhäuser Paraphrase by performances in Weimar of the overture in 1848 and of the whole opera in February 1849. Liszt’s piano arrangement of the overture is a technically brilliant piece of the highest order. It is a further milestone in Henle Publishers’ series of Liszt’s Wagner arrangements.

SEK 218.00
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Schumann/Liszt: Liebeslied Love Song Widmung Dedication Piano

Schumann/Liszt: Liebeslied Love Song Widmung Dedication Piano

In his virtuosic piano arrangement of Schumann’s “Widmung” (“Du meine Seele, du mein Herz”), Franz Liszt transformed this intimate song into a dramatic declaration that reaches its powerful climax at the phrase “Mein guter Geist, mein bess’res Ich”, using chords to be played con somma passione. In Liszt’s autograph the melody is overlaid by the song text, but he changes the title to “Liebeslied”. The first edition, published in Leipzig in 1848, retained this heading, and thus the song is still known today under two different titles. In collaboration with Liszt scholar Mária Eckhardt Henle Verlag presents this best-known of all of Liszt’s Schumann arrangements in a reliable Henle Urtext quality edition.

SEK 128.00
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Robert Schumann: Bunte Blätter Op. 99

Robert Schumann: Bunte Blätter Op. 99

In Schumann ’s middle years there was a longer period in which he favoured larger groups of instruments. Although he composed a few single pieces for Piano, they remained unpublished at first. It was only after the resounding success of the “Album for the Young” that he once again turned to several of these pieces to combine them in an album. Originally the collection was to be called “Spreu” (chaff) but the publisher was not convinced by this. Some of the altogether 34 pieces were finally published under the title “ Coloured Leaves ”, which quickly became a bestseller. As part of our Schumann revision we have now produced a new version of this edition to reflect the latest in scholarly research.

SEK 167.00
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Ludwig Van Beethoven: Andante In F WoO 57

Ludwig Van Beethoven: Andante In F WoO 57

With its appealing opening melody, this piece is widely known and beloved under the title Andante favori. It was written as the slow movement of the famous “Waldstein” Piano Sonata in C major, op. 53. Beethoven’s student and later biographer Ferdinand Ries reported that a friend had voiced his view about “the sonata being too long,” whereupon the friend was given a terrible talking-to (by Beethoven). But “…Having had time for more placid reflection, my teacher [i.e. Beethoven] soon became convinced of the correctness of the comment.” Luckily for today’s pianists, Beethoven did not discard the piece completely, but had it published as a single movement in 1805. The title Andantefavori made its first appearance in a print that was released one year later.

SEK 139.00
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Franz Xaver Mozart: Complete Piano Works Volume I

Franz Xaver Mozart: Complete Piano Works Volume I

Franz Xaver Mozart was W. A. Mozart?s youngest son. Intended for a career in music by his mother from the very beginning, he followed in his father?s footsteps but was not able to step out from under his shadow during his lifetime. In Henle's urtext edition in two volumes (Volume II, HN 959) they are publishing all of his Piano works for two and three hands for the first time. Volume I contains nine, in part very extensive variation cycles (one of them is a first publication), an expansive Fantasia in A major (also a first publication) and the Sonata op. 10 with four movements. A cycle of variations for three hands brings the volume to an original close.

SEK 399.00
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Robert Schumann: Klaviersonate Op.11 (Urtext)

Robert Schumann: Klaviersonate Op.11 (Urtext)

Following Schumann ’s first, evidently unsuccessful attempt at composing a "Sonata" - he only had the opening movement published under the title "Allegro in b minor" - he tried once again in 1833. It is a well-known fact that this sonata was composed while he was in close contact with Clara Wieck, who was thirteen at the time. Individual motifs from it can be found later in Clara’s work; but by the same token, individual figures can be found in the sonata which point to Clara’s “Pièces caractéristiques” op. 5. In addition Schumann used an almost literal adaptation of his song “To Anna” for the second movement. We have included this in the appendix of our edition and in so doing show the roots of this composition.

SEK 308.00
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Franz Liszt: Après Une Lecture De Dante - Fantasia Quasi Sonata

Franz Liszt: Après Une Lecture De Dante - Fantasia Quasi Sonata

Often referred to by pianists as the "Dante Sonata", it is the closing piece in the second volume of the "Années de Pèlerinage" (HN174) and is now finally available as a single edition. In 1839, while under the spell of Dante's "Divine Comedy", Liszt had begun work on a "fragment dantesque". He later incorporated the work in revised form into the volume "Italy" of his "Années de Pèlerinage". The single-movement sonata is based on the Canto "Inferno" in Dante?s poem. It describes the wild ride of the soul into hell in an effective manner, finally closing with several forgiving chords in a kind of transfiguration - one of the best examples of Liszt?s technical ingenuity and sound artistry.

SEK 218.00
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Johannes Brahms: Symphony No.2 In D Op.73 (Henle Score)

Johannes Brahms: Symphony No.2 In D Op.73 (Henle Score)

During composition of his First Symphony, Brahms was still very much under Beethoven's influence - in his Second Symphony he loosened the ties considerably. The principle of motivic embellishment now infuses not just thedevelopment section but the whole of the first movement. In the following movements, too, everything appears to be interrelated. The premiere in Vienna's Musikverein was one of the greatest triumphs of Brahms's career, and hewrote enthusiastically: The orchestra here rehearsed, played, and praised me with a zeal that has never happened to me before. With the aid of this study-score edition, conductors, students and Brahms aficionados can enjoy theUrtext of the Brahms Complete Edition (likewise published by Henle) in a convenient small format. In his preface, the editor - Brahms expert Robert Pascall - presents interesting information about the work's genesis andpublishing history.

SEK 250.00
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Ludwig Van Beethoven: Piano Sonata No.14 In C Sharp Minor Op.27 No.2 (Moonlight) - Urtext

Ludwig Van Beethoven: Piano Sonata No.14 In C Sharp Minor Op.27 No.2 (Moonlight) - Urtext

?Sonata quasi una fantasia? was the title given to it by Beethoven, and yet the world of music knows it as the ?Moonlight Sonata? ? an epithet that was already around during the composer?s lifetime. ?The lake rests quiet under the light of the moon at twilight; the wave thuds against the dark bank?, wrote Ludwig Rellstab on the 1st movement in 1823. ?It is as if we catch sight of a colossal grave in the middle of a lonely plain, palely lit by the sickle moon?, was what Wilhelm von Lenz wrote. Beethoven might have been influenced by the sound of the Aeolian harp, as Murray Perahia and Norbert Gertsch explain in the introductory texts to this edition, referring to the latest research. Perahia also provided the fingerings.

SEK 133.00
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Max Reger: Drei Suiten Viola Solo Op. 131d

Max Reger: Drei Suiten Viola Solo Op. 131d

Max Reger’s reception of Bach was not limited to the organ and orchestra. Like Bach, Reger wanted to compose sonatas and suites for a solo string instrument that were not merely études, but rather presented a compositional compendium. Among them are his three Suites for viola solo op. 131d. Reger published these in the last year of his life, 1914/15, together with Six Preludes and Fugues for violin solo, Three Duos in Ancient Style for two violins and Three Suites for violoncello solo, grouping all these works under the opus number 131. The present Urtext edition of the Suites for viola solo op. 131d is based on the first edition of 1916, which was prepared using the nowlost manuscript. The editor discusses all the divergences between this edition and the first edition in his preface and Critical Report.

SEK 202.00
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Johannes Brahms: Sonatas for Piano and Violin

Johannes Brahms: Sonatas for Piano and Violin

Johannes Brahms began to manifest a keen interest in the genre of the violin sonata at an early age. In fall 1853 he offered the Leipzig publisher a violin sonata in a minor. The work was turned down, however, and the self-critical Brahms must have destroyed it himself later. He ultimately wrote his three major sonatas during his years of maturity: op. 78 in the summers of 1878/79, opp. 100 and 108 in the summer of 1886. The Scherzo in c minor was Brahms’ contribution to the violin sonata which he composed jointly with Robert Schumann and Albert Dietrich in 1853 as a surprise gift for the violinist Joseph Joachim, and which is known under the name “F. A. E. Sonata.”With its sharp contrasts between the furious Allegro and emotional Più moderato sections, the Scherzo piece is a beloved bravura showcase.

SEK 696.00
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Béla Bartók: Romanian Christmas Songs

Béla Bartók: Romanian Christmas Songs

Bartók’s "Romanian Christmas Songs" are based on folk melodies that originated in a pagan celebration of the winter solstice, and which he felt gave “the impression of a fiery, war-like type of song, rather than a pious and religious one”. Nevertheless, he chose 20 melodies from this collection of “colinde” and published them under the title of “Christmas Songs”. In the first edition of 1918 they were conceived for children’s hands and so were published “without octaves”; but in his revised edition of 1936, which we present here, Bartók added an appendix featuring alternative “concert versions”, confirming that these miniatures are also perfectly suited for public performance. This Urtext edition is based on that of the Bartók Complete Edition, and for the first time integrates these concert variants directly into the musical text. We also offer the original melodies and translations of the texts of these colinde to provide an insight into the origins of this rather different kind of Christmas music.

SEK 224.00
1

Franz Joseph Haydn: Violin Concerto In G Major (With Piano Reduction)

Franz Joseph Haydn: Violin Concerto In G Major (With Piano Reduction)

Violin Concerto In G major is considered to be the earliest of Joseph Haydn ’s Violin concertos and was apparently written before he was taken into the service of the Esterházy family. It was first published a century after the Austrian composer’s death, in 1909, and was little known before. The concerto is lovely and ingratiating to the ear, consisting of 3 movements ( Allegro moderato , Adagio and Allegro ) with a total performance time of under 20 minutes. The unmatched intimacy and loveliness of the uniquely beautiful Adagio and the high spirited final movement with its charming Bagpipe imitation will put players and audiences alike in the best of moods from the outset. This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The Orchestra part is reduced to a Piano accompaniment and two copies of the Violin score, which is identical to that of the Haydn-Gesamtausgabe, are enclosed as separate inserts. A preface in German, English and French by editor Günter Thomas is included as well.

SEK 224.00
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Ludwig Van Beethoven: Soprano Arias, Duet WoO 93, Trio Op.116

Ludwig Van Beethoven: Soprano Arias, Duet WoO 93, Trio Op.116

The vocal works collected in this volume were composed for very different occasions. Several of them were tailor-made for female singers of Beethoven?s acquaintance; with others he was trying his hand at Italian opera (under the guidance of none other than Antonio Salieri). In addition to core repertoire pieces such as ?Ah! perfido? op. 65, the volume also contains unknown treasures such as ?No, non turbarti? ? ?Ma tu tremi, o mio tesoro??, a scene and aria which Beethoven revised several times. In our edition, based on the Beethoven Complete Edition, the last version of the aria is made available for musicians for the first time.Contents:"Erste Liebe, Himmelslust" / "Primo amore, piacer del ciel" Aria for Soprano and Orchestra WoO92"Soll ein Schuh nicht drücken" Aria for Soprano and Orchestra WoO 91/2"Ah! perfido" - "Per pietá, non dirmi addio" Scena and Aria for Soprano and Orchestra op. 65"No, non turbarti" - "Ma tu tremi, o mio tesoro?" Scena and Aria for Soprano and Orchestra WoO 92a"Ne' giorni tuoi felici" Duet for Sopran, Tenor and Orchestra WoO 93"Tremate, empi, tremate" Trio for Soprano, Tenor, Bass and Orchestra op. 116

SEK 351.00
1