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Johannes Brahms: Trio In A Minor Op.114

Trio for Piano, Clarinet (or Viola) and Cello.

Carl Maria von Weber: Trio In G Minor Op.63

Trio for Piano, Flute and Cello in G Minor.

Felix Mendelssohn Bartholdy: Piano Trio Op. 49 (Additional Flute Part)

Felix Mendelssohn Bartholdy 's Piano Trio Op. 49 . Additional Flute part.

Frédéric Chopin: Piano Trio In G Minor Opus 8

Frédéric Chopin composed his piano trio when he was an 18-year-old student. About the performance of the trio on 31 August 1830 he wrote: ?On Sunday we rehearsed the trio. Perhaps because I haven?t heard it for a while, I was very happy with myself (fortunate man!).? Incidentally, Robert Schumann also shared this opinion, writing in a review: ?Is it not as noble as possible, more full of enthusiasm than any song ever written by a poet, original in the smallest detail as in the whole, every note music and life?? We agree with this verdict and recommend this trio in our new Urtext edition to all lovers of highly romantic chamber music.

Antonin Dvorak: Dumky Piano Trio Op.90 (Urtext)

The Henle urtext edition of Dvorak's Piano Trio Op.90 (Klaviertrio Opus 90), edited by Klaus Doge, with piano fingerings by Andreas Groethuysen.

Antonin Dvorak: Dumky - Piano Trio Op.90 (Piano Four-Hands)

Henle Urtext Edition of Dvorak's 'Dumky' Piano Trio Op.90 arranged for Piano Four-Hands. German and English language. Edited by Klaus Höge.

W.A. Mozart: String Trio E Flat KV 563 (Henle Urtext Edition)

Henle Urtext Study Score edition of Mozart's String Trio E Flat KV 563, edited by Wolf-Dieter Seiffert. For Violin, Viola and Cello.

Ernest Chausson: Piano Trio In G Minor Op. 3

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Ernest Chausson 's Piano Trio In G Minor Op. 3 . Score and parts. Following his early elimination from the Paris Conservatoire's sought-after award for students of composition, the “Prix de Rome”, Ernest Chausson withdrew to the country in summer 1881 and began composing this ambitious work – out of defiance, so to speak. During his lifetime the trio remained an insider’s tip amongst those close to his teacher César Franck. It was only after its posthumous publication that it was performed more frequently and was gradually recognized as being one of the best chamber music works of its time. The Piano Trio In G Minor Op. 3 is closely based on Franck’s principle of the cyclic interleaving of all motives, yet still has dark and melancholy inflections all of its own. The Henle Urtext edition is the first critical edition and is a welcome addition to their collection of French music.

Ludwig Van Beethoven: Trio For Piano, Flute And Bassoon WoO 37

Flutists are always grateful for chamber music works that include their instrument as part of the original scoring. They can thus take pleasure in this Urtext edition of Beethoven’s Trio for piano, flute and bassoon, which is based on the text of the new Beethoven Complete Edition. Beethoven probably composed this virtuoso concertante Trio at the age of fifteen. Its unusual instrumentation can be explained by the fact that the piece was written for the aristocratic Westerholt-Gysenberg family. Baron Westerholt-Gysenberg played the bassoon, his son the flute, and his daughter, Maria Anna Wilhelmine, was Beethoven’s piano pupil. Enchanting chamber music!

Maurice Ravel: Piano Trio

As with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio, composed in 1914. Thus the ?Passacaglia? movement corresponds to the underlying form of the Baroque Period. The music on the other hand was, according to Ravel, ?like that of Saint-Saëns?, which was surely meant ironically. For the historicizing template only served as a framework for experiments with musical idiom: from a constant oscillation between major and minor to combinations and overlaying of the most diverse metres. The fingering for our edition of this technically extremely demanding work was provided by the renowned French pianist Pascal Rogé.?

Claude Debussy: Piano Trio In G (Urtext Edition)

Debussy composed this work in summer 1880 in Fiesole, Italy, when he was 18 years old. At the time he was the musical travelling companion of Nadescha von Meck, Tschaikowsky’s famous patroness. Most of the autograph material was thought to have been lost and was only discovered over 100 years later, in 1982, in the estate of Debussy ’s pupil Maurice Dumesnil. When Henle published the first edition in 1986, the music world welcomed the Trio with open arms. Ensembles rushed to play it, and numerous recordings followed. Although formal conventions prevail, the work displays a melodic freshness as well as inflections and phrases that are typical of Debussy .

J. S. Bach: Trio Sonata In G BWV 1038

Bach?s Trio Sonata In G BWV 1038 For Flute, Violin And Continuo has survived as a set of parts in Johann Sebastian Bach?s hand ? yet the source does not give a composer. Thus its authenticity has been called into question time and again. According to the latest research, however, this tone sensitive sonata is presumed to be an original work by Bach. Editor, Peter Wollny, a declared expert, outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source, so this version has provided a part in original notation as well as in standard notation for regularly tuned violins.

Wolfgang Amadeus Mozart: String Trio E flat major KV 563

More than a few experts and aficionados count Mozart’s string trio in E-flat major K. 563 among his most magnificent compositions. This masterwork, entered into Mozart’s own catalogue of works on 27 September 1788 as a “Divertimento,” presents the Urtext editor with great challenges. The autograph manuscript has been lost since that time, and no other first-rate source texts exist. The most reliable, albeit clearly imprecise, source is the first edition, published two months after Mozart’s death. Many twentieth-century editions, however, unfortunately reprinted the musical text of Breitkopf & Härtel’s so-called “Alte Gesamtausgabe” (Old Collected Edition), which wasedited by none other than the violinist Joseph Joachim on the basis of incorrect copies and is therefore completely corrupt. Even the “Neue Mozart-Ausgabe” (New Mozart Edition) is not error-free. The Henle edition essentially follows the first edition, though aided by numerous corrective interventions, described in the Critical Commentary. The edition’s Appendix presents the surviving fragment of the string trio movement in G major, K. Anh. 66 (562e). How unfortunate that Mozart never completed this equally wonderful music, which continues a little beyond the exposition and thus may quite aptly serve as a short encore. The three individual parts offer optimal flow for reading and playing thanks to the artful apportioning of notes in their layout, including, for instance, various foldout tables and individual pages left blank. The study edition (HN 9625), available separately, provides the full score to this edition of the parts.

Bedrich Smetana: Piano Trio G Minor Op. 15

When Smetana composed his Piano trio in the autumn of 1855, it was an act of catharsis to recover from the death of his four-year-old daughter Friederike. This highly emotional work was also his first large-scale piece of chamber music. Its first public performance in December 1855 was regrettably not a great success, and so Smetana embarked on a protracted process of reworking it. By the late 1850s, it had reached its current form. Smetana always liked to perform it, but only found a publisher for it in 1880, when one of his pupils invited the Hamburg publisher Hugo Pohle to a performance at short notice. Smetana specialist Milan Pospíšil has based this Henle Urtext edition on the first edition by Pohle, but has also drawn upon the earlier sources. This has enabled him to iron out numerous inconsistencies found in the first edition.

Ludwig Van Beethoven: Trio In C Op.87 - Study Score (Strings)

Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and the Sextet op. 71; furthermore, he did not write any new works for wind ensembles.By contrast, he ennobled his Trio op. 87 ? originally for two oboes and cor anglais ? by making an additional version for two violins and viola. This charming work is published following the Urtext in the Beethoven Complete Edition and is a welcome addition to the repertoire for these instruments for which a great deal has not otherwise been composed.

Ludwig Van Beethoven: Trio In C Op.87 - Parts (Urtext Edition)

Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and the Sextet op. 71; furthermore, he did not write any new works for wind ensembles.By contrast, he ennobled his Trio op. 87 ? originally for two oboes and cor anglais ? by making an additional version for two violins and viola. This charming work is published following the Urtext in the Beethoven Complete Edition and is a welcome addition to the repertoire for these instruments for which a great deal has not otherwise been composed.

Johann Sebastian Bach: Triosonate Fur Zwei Floten Und Continuo

The enormously beloved and often performed Trio Sonata BWV 1039, which Bach also arranged for gamba and harpsichord, is, next to the Trio Sonata from the Musical Offering, the only trio sonata by J. S. Bach whose authenticity is completely unchallenged. To allow an alternative performance using two violins the editor has provided authorized variants in small print.

Brahms Trio In A Minor Op114 Piano/Clarinet & Viola/Cello Score/Parts

Johannes Brahms’s late chamber works are surely among the most splendid music ever written for the clarinet. In the last years of his life, Brahms seems to have become weary of composing – but fortunately for posterity, in 1891 he met the solo clarinettist of the Meiningen court orchestra, Richard Mühlfeld, whose mellifluous art of performance captivated him and inspired him to new works. The Trio op. 114 is melancholy and autumnal in character, and is loved by all clarinettists. It is now available from Henle in a revised edition. Brahms’s manuscript of his op. 114 lies in Munich, the home city of G. Henle Publishers. The musical text follows that of the New Brahms Complete Edition, and thus guarantees the highest degree of precision and reflects the current state of research. The pianist Klaus Schilde has added valuable fingerings to this Urtext edition.

Ignaz Pleyel: Piano Trios (Henle Urtext Edition)

Two Piano Trios for Violin, Cello and Piano. Previously attributed to Joseph Haydn now known to have been composed by Ignaz Pleyel. Authoritative Henle Urtext edition of Trio In C and Trio in F as edited by Wolfgang Stockmeier.

Ludwig Van Beethoven: Soprano Arias, Duet WoO 93, Trio Op.116

The vocal works collected in this volume were composed for very different occasions. Several of them were tailor-made for female singers of Beethoven?s acquaintance; with others he was trying his hand at Italian opera (under the guidance of none other than Antonio Salieri). In addition to core repertoire pieces such as ?Ah! perfido? op. 65, the volume also contains unknown treasures such as ?No, non turbarti? ? ?Ma tu tremi, o mio tesoro??, a scene and aria which Beethoven revised several times. In our edition, based on the Beethoven Complete Edition, the last version of the aria is made available for musicians for the first time.Contents:"Erste Liebe, Himmelslust" / "Primo amore, piacer del ciel" Aria for Soprano and Orchestra WoO92"Soll ein Schuh nicht drücken" Aria for Soprano and Orchestra WoO 91/2"Ah! perfido" - "Per pietá, non dirmi addio" Scena and Aria for Soprano and Orchestra op. 65"No, non turbarti" - "Ma tu tremi, o mio tesoro?" Scena and Aria for Soprano and Orchestra WoO 92a"Ne' giorni tuoi felici" Duet for Sopran, Tenor and Orchestra WoO 93"Tremate, empi, tremate" Trio for Soprano, Tenor, Bass and Orchestra op. 116

Beethoven: Piano Trios - Volume II

In the classical era, and far into the 19th century, piano trios were what we might call “fashion accessories”. It is thus no coincidence that Beethoven, following in the footsteps of Haydn and Mozart, took up this genre and created altogether 13 piano trios of his own. This second volume contains the two Piano Trios op. 70 and the Trio op. 97, as well as the Variations on the song “Ich bin der Schneider Kakadu” op. 121a. The nickname “Geistertrio” (Ghost Trio) of the Trio op. 70 no. 1 stems, as usual, not from Beethoven but was given to the piece no doubt because of the spooky, mysterious sound of the slow movement. The Archduke Trio op. 97 was named after its dedicateeArchduke Rudolph and is undisputedly Beethoven’s most important composition of this kind. With a duration of over 45 minutes, it is also his longest piano trio. Though written in 1810/11, it was not published until 1816.

Beethoven Arias Duet Trio Crit Rpt

J.S. Bach: Triosonate Und Canon Perpetuus Aus Dem Musikalischen Opfer

Bach Trio Sonata BWV1079 No8 & Canon Perpetuus BWV1079 No9 from the Musical Offering for Flute Violin & Con tinuo edited by Eppstein & Kirnberger.

Johannes Brahms: Klaviertrios (Urtext)

Piano trios belong among the great genres of Classical chamber music, and Brahms , too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of 20. The two other piano trios were created 28 years later, namely op. 87 in C major, and 32 years later, op. 101 in c minor. Brahms was working on another Trio, in E flat major, at the same time that he was working on the C major Trio, however, it seems to have been destroyed. He returned to his first piano trio in 1889 and revised it so thoroughly that he wrote to Clara Schumann: “I have re-written my B major trio.” The Henle Urtext edition reproduces the second version of the Trioop. 8 (published in 1891) first, then follows this up with a reprint of the first version in its Appendix.

Johannes Brahms: Piano Trios

Piano trios belong among the great genres of Classical chamber music, and Brahms , too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of 20. The two other piano trios were created 28 years later, namely op. 87 in C major, and 32 years later, op. 101 in c minor. Brahms was working on another Trio, in E flat major, at the same time that he was working on the C major Trio, however, it seems to have been destroyed. He returned to his first piano trio in 1889 and revised it so thoroughly that he wrote to Clara Schumann: “I have re-written my B major trio.” The Henle Urtext edition reproduces the second version of the Trioop. 8 (published in 1891) first, then follows this up with a reprint of the first version in its Appendix.