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Beethoven: Piano Sonatas - Volume 1 (Henle Urtext Edition)

Beethoven's Piano Sonatas, along with his Symphonies, mark a peak in the Classical style of composition, full of the hallmarks and innovations that are now regarded as characteristic of the very finest compositional achievements. The works are required repertoire for any serious Pianist, and this Urtext edition, edited by Bertha Antonia Wallner, is a thorough and accurate version with preface and editorial comments. A complete list of Beethoven's sonatas is provided here, and this first Henle Urtext Edition comprises Sonatas 1-15, .

SEK 536.00

1

George Frideric Handel: Seven Sonatas For Violin And Basso Continuo

An authoritative Urtext edition of seven of Sonatas for Violin and Basso Continuo, written by Handel. Some of the finest baroque Violin Sonatas once more demonstrating Handel?s exquisite brilliance. This Henle Verlag Urtext edition is derived from Handel's original manuscripts, with full editorial details and a comprehensive discussion of the differing editions as they have existed over the years, thus, it is the definitive reference source for study and performance preparation. Separate performance parts are included for the solo Violin, additional Violin and the realisation of the figured Bass for Cello, alongside the full Piano/ Keyboard score. Edited by Stanley Sadie.

SEK 425.00

1

Franz Joseph Haydn: Paris Symphonies Part 1 - Critical Report

This scholarly volume features a critique, editorial commentary and performance advice in a Critical Report for three of Haydn?s Paris Symphonies: Symphonie (Paris Symphonies) Hob. I:87, Symphonie 'La Poule' (Paris Symphonie) Hob. I:83 and Symphonie 'La Reine' (Paris Symphonies) Hob. I:85.

SEK 282.00

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Franz Schubert: Moments Musicaux Op.94

Six little musical treasures from Schubert's Moments Musicaux Op.94 for Piano solo, edited and fingered by Walter Gieseking. This is an authoritative Urtext edition includes a full editorial representing a mansucript that closely follows the composer's intention and is an ideal choice for academic study as well as concert performance.

SEK 165.00

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Johann Sebastian Bach: Triosonate Fur Zwei Floten Und Continuo

The enormously beloved and often performed Trio Sonata BWV 1039, which Bach also arranged for gamba and harpsichord, is, next to the Trio Sonata from the Musical Offering, the only trio sonata by J. S. Bach whose authenticity is completely unchallenged. To allow an alternative performance using two violins the editor has provided authorized variants in small print.

SEK 292.00

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César Franck: Piano Quintet F Minor

This work, composed in 1878/79, alternates between chamber music intimacy and symphonic opulence, and marks the beginning of a series of significant late works by César Franck. Its composition was partly prompted by the successful performance of Franck’s youthful piano trios at the “Société nationale de musique” (founded in 1871), and probably also by a composition competition for works using this instrumental combination whose deadline Franck then went on to miss. The Quintet was received coolly at its first performance in January 1880, and it was performed just a few more times during the composer’s lifetime. It was only in the 20th century that audiences and critics came to recognise this work as a major milestone in the history of French chamber music, and it now adorns the Henle catalogue in a new Urtext edition.

SEK 632.00

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Ferruccio Busoni/Johann Sebastian Bach: Chorale Preludes

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Alongside his Chaconne for Violin, the ten Chorale Preludes for Organ are Busoni ’s best-known Piano transcriptions of works by J. S. Bach. Whilst Busoni envisaged the Chaconne for concert performance, the Chorale Preludes are transcribed in a 'chamber-music style'. The Preludes in this book are of varying levels of difficulty, some are suitable for intermediate level players and others for the more advanced pianist. This Henle Urtext Edition is Busoni 's definitive version with valuable fingering suggestions by Marc-André Hamelin. The appendix contains an eleventh chorale prelude, Busoni ’s transcription of “ Aus tiefer Not ”, which is published here for the very first time. With regard to performing its six-part setting, the composer himself spoke of an “extreme performance limit” – but why not judge for yourself?

SEK 367.00

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Bedrich Smetana: Piano Trio G Minor Op. 15

When Smetana composed his Piano trio in the autumn of 1855, it was an act of catharsis to recover from the death of his four-year-old daughter Friederike. This highly emotional work was also his first large-scale piece of chamber music. Its first public performance in December 1855 was regrettably not a great success, and so Smetana embarked on a protracted process of reworking it. By the late 1850s, it had reached its current form. Smetana always liked to perform it, but only found a publisher for it in 1880, when one of his pupils invited the Hamburg publisher Hugo Pohle to a performance at short notice. Smetana specialist Milan Pospíšil has based this Henle Urtext edition on the first edition by Pohle, but has also drawn upon the earlier sources. This has enabled him to iron out numerous inconsistencies found in the first edition.

SEK 399.00

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Felix Mendelssohn: String Quartets Op.12/13

The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in a minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven’s late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 was written two years later, during Mendelssohn’s first tour of England. A textually identical score of the two quartets is published in Henle’s Study Scores series (HN 9270).

SEK 473.00

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Felix Mendelssohn: String Quartets Op.12 And Op.13 (Study Score)

The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in a minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven’s late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 waswritten two years later, during Mendelssohn’s first tour of England. A textually identical score of the two quartets is published in Henle’s Study Scores series (HN 9270).

SEK 234.00

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J.S. Bach: Das Wohltemperierte Klavier - Teil I

The world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach?s piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle?s revised edition of Part I published in 1997 and Yo Tomita?s brand new revision of Part II (spring 2007). A detailed commentary rounds off the editions.

SEK 515.00

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Frédéric Chopin: Polonaise In A Flat Op.53 - Henle Urtext

A completely revised Urtext edition of this popular work. Norbert Müllemann, to whom we are already indebted for the revisions of the Préludes and Ballades, closely examined the musical text using the currently available sources and provided an informative preface and added footnotes to the musical text which contain possible performance alternatives.The Polonaise, also known as the "Heroic" due to its proudly pacing theme, is amongst Chopin's most forceful bravura pieces, in particular on account of its breakneck ostinato octaves in the middle section.

SEK 149.00

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Bedrich Smetana: Aus Der Heimat - Zwei Duette Fur Violine Und Klavier

“They are in a light style, intended more for use in the home than for concert performance”. Thus Smetana described these two duets in which he memorialised his Bohemian homeland. It is a fact, though scarcely believable, that Smetana had by this time already been deaf for two years. The pieces were popular from the outset: Smetana was able to demand a high price for them, and even to play off several aspiring publishers against each other. The duets are not technically over-demanding, and attract by means of their joyful character and powerful melodies.

SEK 271.00

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Frederic Chopin: Preludes (Henle Urtext Edition)

Study Score, paperbound. Fréderic Chopin?s stay with George Sand on Mallorca in the winter 1838/1839 was ill-fated. Yet Chopin still managed to finish his 'Préludes' there which he had begun to compose in Paris. Today?s interpreter not only has to deal with numerous variant readings but also with corrupt performance traditions. The editor of this edition has taken the latest scholarly findings into account and in the musical text brings to light 'established' variants as well as others which are to be found in the sources.

SEK 176.00

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Isaac Albéniz: España Op.165 (Urtext Edition)

When the Catalan composer Albéniz wrote his six album leaves España at the age of 30, he was in London and his Piano recitals were causing a sensation. At these concerts he often performed his own compositions which were infused with the flair of his home country.Albéniz also gave the first performance of the Piano cycle España in London, taking his audience on a journey through the Spanish countryside: exotic dance rhythms ("Zortzico") and melodic folk tunes ("Serenata") are preceded by the famous "Tango", made known through many arrangements.

SEK 245.00

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Antonín Dvorák: Rondo Fur Violoncello Und Klavier Op. 94

Though only a minor pendant to the great Cello Concerto, Antonín Dvorák ‘s Rondo Op. 94 is an effective and entertaining piece that belongs in the standard repertoire of every cellist. Dvorák composed it in December 1891, shortly before leaving for America, and he gave the work its première performance on 3 January 1892 with his friend, the cellist Hanus Wihan, during his farewell concert tour. To produce this urtext edition Milan Pospísil consulted the autograph score and first edition not only for the Piano version, but also for the orchestral version of October 1893.

SEK 224.00

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Ludwig Van Beethoven: Romanzen Fur Violine Und Orchester Op. 40 And Op. 50

Beethoven’s Romances for violin and orchestra op. 40 and op. 50 are rewarding solo pieces that demand sovereign technique and artistic sensitivity. Their simple structures with noble melodies and virtuoso embellishments made them popular concert pieces already during Beethoven’s lifetime. In addition to a piano reduction for practical performance, G. Henle here presents a study score. It follows the musical text of the Beethoven Complete Edition and accords with the orchestral material from Breitkopf & Härtel. In his detailed preface, Ernst Herttrich informs us about the genesis and the source situation of the two works.

SEK 117.00

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J.S. Bach: Das Wohltemperierte Klavier - Teil II

The world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach?s piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle?s revised edition of Part I published in 1997 and Yo Tomita?s brand new revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition.

SEK 515.00

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Wolfgang Amadeus Mozart: String Quartets, Volume IV

Over the next few years, all 26 of Wolfgang Amadeus Mozart 's String Quartets will be published by Henle in an Urtext Edition of both score and parts. All previous editions have left much to be desired, for example as concerns the correct placement of dynamic markings. Henle's edition, made with the artistic collaboration of the Armida Quartet, draws upon the large body of modern knowledge concerning Mozart philology and performance practice. We begin with what are, chronologically speaking, the final four quartets: the so-called "Hoffmeister" Quartet K. 499 , and the three "Prussian" Quartets K. 575, 589 and 590 .

SEK 261.00

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Johannes Brahms: Serenade No. 2 In A Major OP 16

In his Serenade no. 2 op. 16, composed in 1858?60, Johannes Brahms keeps to the usual, smaller, scoring for this genre, using pairs of winds and horns as well as low strings (no violins!). His friend Clara Schumann was ?delighted? with the work, but the public reaction was restrained and even Brahms himself was not happy with some details. Thus 15 years after the first performance he rigorously revised the serenade. Henle are now publishing this definitive version from 1875 that was ?new, revised by the author? as a study score with the musical text from the Brahms Complete Edition.

SEK 165.00

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Franz Joseph Haydn: Streichtrios Heft I

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The first contains Trios Hob. V:1 8 and 10 13. The preface to this Urtext edition offers valuable information about the genesis of the trios. Moreover, it contains numerous hints on performance practice, concerning for example the execution of embellishments.

SEK 595.00

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Albert Roussel: Joueurs De Flûte Op.27

The stimulus for this work, composed in 1924, was given by the French flautist Louis Fleury, who also gave the first performance of the work. As suggested by the title, the four single movements are dedicated to particular flautists, yet not real people but imaginary ones in mythology, religion and literature. ?Pan?, ?Tityre?, ?Krishna? and ?Monsieur de la Péjaudie? (a character in a novel by Henri de Régnier) are the individual titles in the composition, which is a loose type of Sonatine. The specific cast of the pieces is given by the sophisticated rhythm and striking harmony. It is fitting that this charming work has recently been enjoying increasing popularity.

SEK 245.00

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Beethoven Piano Sonata No 27 In E Minor Op 90 Piano Book

“It is, aside from two passages, one of Beethoven’s easiest; but as far as the performance of individual passages and its whole spirit is concerned, requires every kind of care”, thus wrote a contemporary critic. And it is for this reason that Beethoven’s Sonata op. 90 is extremely popular today, both with piano students and also with professional pianists. It provides enough challenges: for example the notorious tenth figures in the left hand and – in the words of a contemporary – “uniqueness, striking twists and turns and an unfamiliar, yet no less stringent, composition”. Murray Perahia’s remarks and fingerings provide assistance in all of these areas from a very practised hand.

SEK 128.00

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Muzio Clementi: Piano Sonata "Didone abbandonata", Scena Tragica g minor op. 50,3

One of the most eminent pianists of his time who even engaged in a contest with Mozart and did not lose Muzio Clementi created fundamental pedagogical works for piano and altogether 63 sonatas for piano solo. Didone abbandonata dates from his last compositional opus for solo piano sonatas written in 1821. The topic of Dido, who was abandoned by Aeneas and expressed her grief through mourning, despair and, ultimately, raving madness, was extremely popular and subjected to countless arrangements since the 17th century in operas, single “scena” and many instrumental works. The performance instructions for the sonata are as numerous as they are uncommon, andsymbolize Dido’s hyper-expressiveness.

SEK 208.00

1

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