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Johann Baptist Georg Neruda: Sonata In a Minor - Violin/Basso Continuo

Johann Baptist Georg Neruda: Sonata In a Minor - Violin/Basso Continuo

There has been increased general interest in the Bohemian composer Johann Baptist Georg Neruda (c. 1711?1776) over the past few years, especially due to his frequently played trumpet concerto. A respected violinist and longstanding member of the Dresden Court Orchestra, he did, however, mainly compose for the Violin. The substantial and technically quite demanding Violin Sonata in a minor was published for the first time ever in 1982 as part of Henle's edition ?Bohemian Violin Sonatas? (HN 334). Henle are now proud to present it in a practical single edition with a new preface as well as an additional unmarked part.

SEK 167.00
1

Georg Philipp Telemann: Viola Concerto In G Major (Henle Urtext Edition)

Georg Philipp Telemann: Viola Concerto In G Major (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Georg Philipp Telemann 's Viola Concerto In G Major . Piano reduction. The Viola is often not credited with being able to take over a soloistic role – but this is completely unjust. In 1738 Johann Philipp Eisel already wrote of the Viola as being the “very bowels of music” and stressed that it was not only needed to “flesh out” the Orchestral sound but also as a "concert voice, which is fully proven by the concertos and concert overtures by the famous Capell-Meister Telemann ". Telemann ’s Concerto In G Major is considered to be one of the earliest works for solo Viola and Orchestra and forms part of the core repertoire for pupils and students. In this Urtext Piano reduction the specialist Kai Köpp has provided information regarding historical performance practice.

SEK 274.00
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Georg Friedrich Händel: Piano Suites And Pieces

Georg Friedrich Händel: Piano Suites And Pieces

“His things for clavier are incomparable, and almost indispensable to those familiar with the keyboard”, was the judgment of music theorist Johann Anton Scheibe in 1743 when discussing George Frideric Handel’s keyboard music. By making use of the Baroque master’s second printed collection of keyboard suites and single pieces of 1733, the interested pianist can paint a colourful picture. Among pieces entitled “Sonata”, “Suite”, “Prélude” or “Chaconne” within HWV 434 442 is to be found the well-known “Chaconne in G major” with its 21 variations, a work still performed in concert halls today. The player will also discover here the Aria with five graceful and playful variationsthat were made famous through Johannes Brahms’ own variation set. Since the collection was published in London and Amsterdam without Handel’s consent, and in a print that included many mistakes, an Urtext edition is vital for creating a reliable text. Klaus Schilde’s restrained fingerings will help overcome many problems, and open up some surprising perspectives.

SEK 463.00
1

Easy Piano Music - 18th And 19th Centuries - Volume I

Easy Piano Music - 18th And 19th Centuries - Volume I

Pieces include: W.F. Bach 'Fugue', C.P.E. Bach 'La Stahl', Hassler 'Allegro', Mozart 'Andantino', Mozart 'Courante', Beethoven 'Bagatelle', Schubert 'Bagatelle', Schubert 'Scherzo', Schumann 'Eintritt', Schumann 'Einsame Blumen', Mendelssohn 'Allegretto', Hellerc 'Etude', Jensen 'Intermezzo', Chopin 'Prelude', Chopin 'Mazurka', Liszt 'Hymne De L'Enfant A Son Reveil', Mussorgski 'En Trane', Mussorgski 'Meditation', Grieg 'Voglein', MacDowell 'From An Indian Lodge'.

SEK 192.00
1

Georg Friedrich Händel: Six Fugues HWV 605-610 and Fugues HWV 611, 612

Georg Friedrich Händel: Six Fugues HWV 605-610 and Fugues HWV 611, 612

Handel and fugues? The connection is not the first thing to cross our minds when we think of Baroque Keyboard music. Yet Handel , besides writing Keyboard fugues as parts of larger works, also turned out separate fugues beginning from his days in Hamburg. Our edition combines the well-known Six Fugues (HWV 605–610) with two isolated fugues ( HWV 611 and 612 ). Handel later reused some of these fugues in his concerti grossi, the oratorio “Israel in Egypt”, and in a trio sonata, where they have become far more familiar today than the originals. Handel ’s fugues were largely notated without ornaments. Our edition deliberately reproduces them in this original form, thereby giving performers latitude for their own interpretations.

SEK 318.00
1

Georg Philipp Telemann: Methodical Sonatas For Flute Or Violin And Continuo, Volume I

Georg Philipp Telemann: Methodical Sonatas For Flute Or Violin And Continuo, Volume I

Published in 1728, Telemann ’s sonatas are ‘methodical’ according to the meaning of the word at the time of their publication as in addition to the plain melody line given to the soloist in the first movements they also provide an ornamented variant each time. This is instructive and very enjoyable music for today’s flautists and violinists. Henle’s luxurious new publication offers a solo and basso-continuo part in which the two instrumental lines are aligned for orientation, plus another part that gives only an unrealised (but figured) bass line. The Henle edition also includes a full score with a stylistically appropriate continuo realisation.

SEK 490.00
1

Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

We do not know very much about Handel ’s compositions on poems by Barthold Heinrich Brockes. We can only date their composition to approximately 1724–1727. The autograph does not shed any light on the titles nor the sequence of the works. It does not even give the instrumentation. Thus there are several alternatives for the solo instrument that imitates the vocal part – although Violin, Flute or Oboe are the most likely. Henle's practical edition not only contains additional parts for the solo instrument and the Bass but also a realization of the figured Bass in the score by the editor Ullrich Scheideler .

SEK 274.00
1

Georg Friedrich Händel: Air with Variations From Suite in E major (The Harmonious Blacksmith)

Georg Friedrich Händel: Air with Variations From Suite in E major (The Harmonious Blacksmith)

G. F. Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. In addition to his well-known, large-scale works like the Water Music and Music for the Royal Fireworks , he wrote nearly 200 smaller works for keyboard instruments. The Harmonious Blacksmith is a popular name given to the final movement of Handel's Suite No. 5 in E major for Harpsichord, more properly known as Air and Variations (HWV 430). The work was published in 17620, but the name was added at some point in the 19th century, some 75 years after the composer’s death.

SEK 115.00
1

Georg Friedrich Händel: Flute Sonatas, Volume I (with separate Flute/Basso Continuo part (two copies))

Georg Friedrich Händel: Flute Sonatas, Volume I (with separate Flute/Basso Continuo part (two copies))

The Urtext instrumental part of this edition is laid out as a combined flute and bass part (featuring the original basso continuo figures without realisation). This manner of reproduction is oriented on the historical sources. Thus it is possible for an experienced continuo player to improvise a free accompaniment of his own to the sonata. Two copies of this dual part are included in this Henle edition, so that both players, flautist and accompanist, can perform from this combined musical text. In addition to the basso continuo figures, the score offers a historically appropriate basso continuo realisation that can be played at sight. In order to avoid page turns within themovements, the instrumental part is provided with a fold-out panel and a blank page.

SEK 430.00
1

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

The fact that the three so-called “Hallenser” Sonatas do not all date from Handel’s youth in Halle does not adversely affect their popularity. Since only very little is known about them, and because certain stylistic characteristics suggest an early composition date, the sonatas were formerly assigned to Handel’s Halle years. However, we now know that at least the e minor Sonata was written in London. We include a combined part for Flute/Basso in this Urtext edition, so that both players flautist and accompanist can play from this musical text. We are also offering, in addition to the thoroughbass figuring, a historically-appropriate thoroughbass realization withinthe score.

SEK 274.00
1

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece was written and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas of Johann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and includes fingering by Hans-Martin Theopold.

SEK 135.00
1

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece was written and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas of Johann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and does not include fingering.

SEK 135.00
1

Franz Joseph Haydn: Klaviersonate Es-Dur Hob.XVI:49

Franz Joseph Haydn: Klaviersonate Es-Dur Hob.XVI:49

The Sonata in E flat major Hob. XVI:49 is one of the masterpieces among Joseph Haydn's sixty-or-so piano sonatas. It epitomizes the Haydn sonata-type par excellence, with inner serenity and clarity, measured sobriety and - havingregard to its large and richly structured and opening movement - perfect form. For all that, Haydn did not neglect his feeling for individual special touches, seen here in the last movement, a graceful minuet in rococo style. Thedistinguished Haydn researcher Georg Feder has edited this Urtext edition - the fingerings by piano pedagogue Hans-Martin Theopold make it particularly valuable.

SEK 141.00
1

Franz Joseph Haydn: Klaviersonate In E Minor

Franz Joseph Haydn: Klaviersonate In E Minor

With this E-minor piano sonata, Classical-era composer Haydn created a work that displays positively romantic traits. Agitation and excitement are expressed in the main ideas of the first movement, while contrasting seriousness and cheerfulness come into sharp relief in the finale. Of Haydn’s sixty-or-so piano sonatas, the E minor Sonata numbers among those of moderate difficulty. Our editor, Georg Feder, is considered one of the most important Haydn researchers of his time. Consequently this is a well-researched scholarly Urtext edition with an extensive preface, outstandingly adapted for practical use with fingerings by piano pedagogue Hans-Martin Theopold.

SEK 119.00
1

Sonatinas For Piano Volume I Baroque to Pre-Classic

Sonatinas For Piano Volume I Baroque to Pre-Classic

Through the amiable genre of the sonatina, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This first volume contains 26 easy to moderately difficult sonatinas from the time of the High Baroque and pre-classical periods by composers including C.P.E. and J.C.F. Bach, Handel, Georg Benda, Domenico Scarlatti and Antonio Soler. Since the term “sonatina” had quite diverse meanings at this time, the volumeoffers works of varied character. The simple pieces at the beginning provide a way in, then the sonatinas follow in chronological order. A table shows the most important embellishments and their correct execution according to the rules of the time. A large body of literature for piano lessons!

SEK 312.00
1