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Frederic Chopin: Piano Pieces

Frederic Chopin: Piano Pieces

Mazurkas, nocturnes, waltzes and polonaises constitute the core of Chopin’s expressive world. However, he also moved comfortably beyond such genre cycles, and pieces of this sort are brought together in this “Klavierstücke” book, in which we find lesser-known works (two Variation cycles, three Ecossaises) from Chopin’s earlier creative period along with rousing dance movements (Bolero and Tarantelle) and, to finish, the orchestrally conceived Allegro de concert. This forms the introduction to a sequence of three great individual works from Chopin’s middle and later creative periods: the Fantasie op. 49, the Berceuse op. 57, and the Barcarolle op. 60 the finest Chopin, availablein Henle paperback, cloth-bound, and study editions.

SEK 589.00
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Felix Mendelssohn: Works For Piano Four-Hands

Felix Mendelssohn: Works For Piano Four-Hands

Felix Mendelssohn Bartholdy knew that he could rely on his highly gifted sister Fanny as a partner in four-hand piano pieces. While he wrote only a few works of this sort, the two pieces presented here are superb examples of the genre. The Andante con variazioni, op. 83, presents a further development of his cycle of the same name for piano two-hands. The Duet Andante and Allegro assai vivace was formerly known as the Allegro brillant, op. 92. This latter, however, is only the first version of the work, from which the lovely slow introduction is still missing. Henle Verlag is now publishing Mendelssohn’s complete and revised final version for the first time, the earlyversion is also provided, in an Appendix, for purposes of comparison.

SEK 409.00
1

Wolfgang Amadeus Mozart: Piano Sonata In A Minor KV 310

Wolfgang Amadeus Mozart: Piano Sonata In A Minor KV 310

This dark and tragic sonata in A minor, composed in Paris in 1778, tends to be linked with the death of Mozart’s mother on 3 July 1778. While this of course cannot be ruled out, not a single concrete piece of authentic evidence exists that points to such a connection. Use of a minor tonality as the compositional realization of a personal experience of pain is a sort of interpretation that also falls considerably too short, Mozart’s art is far too multifaceted for it to be pinned so one-dimensionally to his biography. The sole authoritative source for the Urtext edition of this much-loved and much-played sonata is Mozart’s autograph manuscript (which in parts is difficultto decipher), as the first edition published in 1781 (together with K. 309 and 311) is riddled with errors.

SEK 128.00
1

Ludwig van Beethoven: Clarinet Trios B flat major op. 11 and E flat major op. 38 for Piano, Clarinet (or Violin) and Violoncello

Ludwig van Beethoven: Clarinet Trios B flat major op. 11 and E flat major op. 38 for Piano, Clarinet (or Violin) and Violoncello

Beethoven composed his Clarinet Trios op. 11 and 38 in 1798 and 1802/03. The op. 11 was given the nickname “Gassenhauer Trio” because its third movement is a set of variations on a theme from Joseph Weigl’s opera L’amor marinaro (“Gassenhauer” means a “popular song”). Playing with many possibilities in these nine variations, Beethoven sometimes lets the piano appear alone, and sometimes has it rest. In places the mood is that of a sort of funeral march, and there are harmonic and rhythmic surprises throughout. The op. 38 “Grand Trio”, the later of the two, was a reworking by Beethoven himself of his op. 20 Septet. He provided as also in the case of op. 11 an alternativeviolin part, in order to give the work broader distribution and thus greater popularity. The violin parts are likewise included with our Urtext edition, which just as back then- makes it doubly valuable.

SEK 520.00
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