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Joseph Haydn: Nine Little Early Sonatas Hob.XVI:1, 3, 4, 7-10, G1, D1 ()

Nine Little Early Sonatas for Piano solo by Joseph Haydn, including Hob.XVI:1, 3, 4, 7-10, G1 and D1. Henle Urtext edition by Georg Feder.

Beethoven: Piano Sonata No.9 And No.10 Op.14 (Henle Urtext Edition)

Piano Sonatas No.9 in E Op.14, No.1 and No.10 in G Op.14, No.2. Edited by Murray Perahia and Norbert Gertsch, with fingerings by Murray Perahia. Henle Urtext edition.

Ludwig Van Beethoven: Piano Sonata No. 6 F Major Op. 10 No. 2

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Henle Urtext Edition of Ludwig Van Beethoven 's  Piano Sonata No. 6 In F Op. 10 No. 2 for solo Piano. Suitable for pianists at an intermediate-advanced level.

Johannes Brahms: Hungarian Dances 1-10

“No opus number” is what Brahms gave his astonished publisher to understand, when he offered him the Hungarian Dances for publication in 1869. He placed a great deal of importance on the fact that he had merely “set” popular Hungarian melodies andnot composed new works as such. As true as this reservation is, it did not affect the success of these works. The Hungarian Dances are today without a doubt amongst Brahms’ best-known compositions. Brahms himself made an arrangement of the dances1 10, originally for piano four hands, for solo piano. We are now publishing a revised version of these impressive pieces with the up-to-date text in the new Brahms Complete Edition. Rolf Koenen’s fingerings provide the best possible help formastering these complex works.

Frédéric Chopin: Etude In G Flat Op.10 No. 5

Nicknamed the ‘Black Key Étude’, Frédéric Chopin ’s Etude In G Flat Major Op. 10 No. 5 is one of his most popular. It has been a common repertoire piece for pianists since Chopin ’s time and has inspired numerous exercises, arrangements and paraphrases. The etude was composed in 1830 and published for the first time in 1833 in France, Germany and England as the fifth piece of Chopin ’s Études Op. 10. Despite its enduring popularity, Chopin himself did not believe the study to be one of his most interesting. In a letter to his pianist friend and musical executor Julian Fontana he commented on Clara Wieck’s performance: " Did Wieck play my Etude well? How could she have chosen precisely this Etude, the least interesting for those who do not know that it is intended for the black keys, instead of something better! It would have been better to remain silent. " This Henle Urtext Edition for solo Piano has been edited by Ewald Zimmermann and includes fingering by Hermann Keller.

Johannes Brahms: Hungarian Dances Nos. 1-10

“No opus number” is what Johannes Brahms gave his astonished publisher to understand, when he offered him the Hungarian Dances for publication in 1869. He placed a great deal of importance on the fact that he had merely “set” popular Hungarian melodies and not composed new works as such. As true as this reservation is, it did not affect the success of these works. The Hungarian Dances are today without a doubt amongst Brahms ’ best-known compositions. Brahms himself made an arrangement of the dances 1–10, originally for Piano four hands, for solo Piano. Henle are now publishing a revised version of these impressive pieces with the up-to-date text in the new Brahms Complete Edition. Rolf Koenen ’s fingerings provide the best possible help for mastering these complex works.

Claude Debussy: La Cathédrale Engloutie Preludes 1 No.10

This single edition – it is number 10 in the first volume of the Préludes (HN 383) of 1910 – shows the extent of Debussy ’s imagination as he conjures up the old city of Ys that has sunk into the sea. Debussy enjoyed playing this piece himself and also left behind a recording on Piano roll. This gives important insights into his tempi. The term prélude, reminiscent of Chopin, makes clear the return to traditional forms, which the now established composer was slowly embracing once again. The programmatic title, as with all of the Préludes, is only given at the end of the piece, thus underlining its passing significance.

Robert Schumann: Paganini-Studies Op. 3 and Op. 10

Robert Schumann was fascinated by the Violin virtuoso Nicolò Paganini, as were many composers of the time. When he was planning a Piano tutor in 1832/33 that was to include his own works as well as those by others, Schumann took a close look at Paganini’s virtuosic Caprices for Violin. Schumann ’s own Caprices Op. 3 were composed in this spirit, based very closely on Paganini’s original and following their educational intention. Opus 10 , on the other hand, deals more freely with the model and is designed more with an effective performance in mind. Our Urtext edition of all of the Paganini Studies is supplemented by the composer’s extensive explanation on their execution, which he placed at the beginning of his Opus 3 .

Carl Maria von Weber: 6 Sonatas for Piano and Violin op. 10 (b)

Weber composed an incredible array of compositions in his rather short but at the same time tireless life. Many of them have still to be discovered. The Six Violin Sonatas op. 10 (b) , composed in Darmstadt in 1810, are most certainly amongst them. The individual movements are rather short and also not particularly difficult technically. The music is, on the other hand, all the more compelling, which is partly due to the various integrated dance forms: “ Carattere Espagnuolo ” and “ Air Polonais ” in Sonata No. 2, “ Air Russe ” in No. 3, “ Siciliano ” in No. 5 and a “ Polacca ” in No. 6.

Ludwig Van Beethoven: Piano Sonata In C Minor, Op. 10, No. 1

The Piano Sonata No. 5 in C Minor (Op.10, No.1) was written in 1798 and dedicated to Anna Margarete von Browne, the wife of a Russian diplomat who was Beethoven's main patron at the time. One of his earlier works, it is in three movements: Allegro molto e con brio - Adagio molto – Prestissimo . Ludwig van Beethoven (1770 – 1827) was a German composer and pianist, and arguably the most famous composer of all time. He was the last great figure of the Classical era, and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies, 5 Piano Concertos, 1 Violin Concerto, 32 Piano Sonatas, and 16 String Quartets.

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume II K.10-15 - Piano Solo

In 1764 the eight-year-old Mozart wrote the Sonatas K. 10?15 in London. Leopold Mozart was only able to understand his son?s musical genius in terms of it being a God-given wonder: ?That my boy [?] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it?. According to the title page the six sonatas can either be played as piano trios, violin sonatas or simply piano solo. As Henle have already published them in the form of Piano trios and Violin sonatas (HN 1078), they are now presenting them in an Urtext Edition for Piano solo.

Johannes Brahms: Ballades Op.10 - Urtext

The Scottish ballad "Edward" from J. G. Herders anthology of folk songs "Stimmen der Völker in Liedern" made such a deep impression on Brahms that, as he told a friend, the melodies came to him effortlessly. "Edward" provided the motif for the first of four ballade compositions, musical tales of a dramatic romantic nature that were linked with memories of Clara Schumann for Brahms. Julius Grimm, to whom the pieces were dedicated, also said that "the Ballades are really for her". Robert Schumann was very enthusiastic about his young colleague's composition. The renowned pianist Lars Vogt provided fingering for this Urtext edition of this easy-to-play work. Henle presents the scholarly musical text following the soon-to-be-published volume in the Brahms Complete Edition.

Max Reger: 10 Little Pieces op. 44

In his numerous collections of small character pieces, the imaginative Max Reger gradually developed a style of his own, in the shadow of the Romantic epigones. His music is characterised by modulating harmonies with a simultaneous recourse to classical formal tropes. So it is very worthwhile to take a closer look at the “Ten Small Concert Pieces” op. 44 from 1899, which display astonishing harmonic boldness. Ten short concert pieces of moderate difficulty, with titles such as “Album Leaf”, “Burletta”, “Once upon a time”, or simply “Capriccio” form a series and introduce the pianist to Reger’s piano oeuvre. The composer’s original fingerings make this carefully editedUrtext edition especially interesting.

Frederic Chopin: Etudes

An authoritative urtext edition of Chopin's Piano Etudes Op.10 and Op.25, including the Drei Etuden KK IIb No.3, edited by Ewald Zimmermann.

Frederic Chopin: Etude C Minor Op. 10 No. 12

Chopin’s furioso c-minor etude has become famous as the “Revolutionary Etude”. According to unsubstantiated legend, the composer wrote it in September 1831 when news of the crushing of the Polish uprising and the capture of Warsaw by the Russian army began to spread. Yet even independently of such extramusical aspects, the etude, with its thundering, plunging runs and rolling left-hand figures, ranks among Chopin’s most moving and overpowering works. Those who are not ready to tackle the complete volume of Chopin Etudes (HN 124) will be well served by this separate Urtext edition.

Franz Joseph Haydn: Masses No. 9 - 10 (Critical Report)

Alexander Scriabin: Piano Sonata No.10 Op.70 - Henle Urtext

Scriabin's Tenth Sonata was composed at the same time as the two Sonatas Nos. 8 and 9 in winter 1912/13. It was probably finished at the latest in June 1913. According to Leonid Sabanejev's reminiscences Scriabin had already performed parts of the sonata to friends in spring 1913, saying that "he had succeeded in simplifying the harmonies without destroying the Sonata's psychological complexity." Following the first performance in Moscow, a reviewer wrote: "The Tenth Sonata must be counted amongst Scriabin?s most inspiring works [...] It is as if it were hewn out of a piece of granite: one can neither leave out a stroke nor add one - it is so strict and logical in its entirety."?

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume 2 K.10-15

Leopold Mozart was only able to understand his son?s musical genius in terms of it being a God-given wonder: ?That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it?. In 1764 Wolfgang composed six sonatas in London ? possibly after the model of Johann Christian Bach?s ?Opus 2? ? that can either be played as piano trios, as violin sonatas or simply on the piano. ?Royal? sources were consulted for the edition: the copy in the British Library bears the handwritten note: ?This Volume belongs to the Queen 1788?.With marked and unmarked string parts.

Musical Quotes Cards (10 Cards In 2 Designs) - Set 1

Frederic Chopin: Etude In E Major, Op. 10, No. 3

Not every listener will immediately realize that this piece, which begins in the style of a dream-like nocturne with one of Chopin’s most enchanting melodic ideas, originated as a piano etude. But upon closer examination (and, above all, while playing it), the piece proves to be a subtle legato study in which the right hand consistently plays both the melody and the accompaniment in the middle voice. With the “con bravura” furioso outburst in the middle section (if not earlier), it becomes clear that advanced technical competence is required here. Those who are not ready to tackle the complete volume of Chopin Etudes (HN 124) will be well served by this separate Urtext edition.

Musical Quotes Cards (10 Cards In 2 Designs) - Set 2

Frederic Chopin: Etuden (Urtext)

Chopin succeeded in doing something truly remarkable with his two cycles of Etudes op. 10 and op. 25, published in 1833 and 1837 respectively. Probably no one before him had composed technical practice pieces that at the same time reached such musical heights. Chopin ’s Etudes are character pieces that are full of tension, written for the concert hall. The virtuosic works, including long-running hits such as the “ Revolutionary Etude ” Op. 10 no. 12 belong to the pianist’s core repertoire. In addition to the two cycles Op. 10 and Op. 25, our Urtext edition also contains three etudes without opus number, which Chopin composed for a Parisian Piano method in 1840: wonderfully lyrical miniatures, which can hold their own with the 24 grand studies.

Wolfgang Amadeus Mozart: 10 Variations on "Unser dummer Pöbel" KV 455

It is said that in a recital given on 23 March 1783 with the celebrated composer Christoph Willibald Gluck most likely in attendance, Mozart improvised variations on the song “Unser dummer Pöbel meint” from Gluck’s Singspiel Die Pilgrime von Mekka. He later put them to paper and had them printed three years later. It is quite possibly Christoph Willibald Gluck’s celebrity that was responsible for K. 455 being one of Mozart’s musically most demanding variation cycles.

W.A. Mozart: Piano Sonatas Volume 2 (Urtext Edition)

A highly authoritative Urtext edition of Mozart's Piano Sonatas, with thoroughly detailed editorial markings and suggestions, as edited by Ernst Herttrich and fingered by Hans-Martin Theopold. This is the second volume of Mozart's Piano Sonatas, and includes sonatas from Nos.10-18, all giving the most accurate realisation of the composer's original intentions.

Franz Joseph Haydn: Concerto for Organ (Harpsichord) with String instruments C major Hob. XVIII:10 (First Edition)