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Johannes Brahms: Fantasies op. 116

This facsimile edition of the manuscript of Johannes Brahms’s Fantasies op. 116, nos. 1 7 for piano solo is bound in red linen. The five-colour print reproduces the autograph, which was acquired in 1926 by the present-day Staats- und Universitätsbibliothek Carl-von-Ossietzky in Hamburg, and is housed in the Brahms Archive. The facsimile is not only valuable owing to its high-quality workmanship, but also due to its detailed, scholarly afterword by the editor Bernhard Stockmann. In 1997, this facsimile print was honoured with the German Music Edition Prize. Specialist journals praised this edition as “a real treasure in typographically unsurpassable reproduction quality”.

SEK 1014.00

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Johann Sebastian Bach: Triosonate Fur Zwei Floten Und Continuo

The enormously beloved and often performed Trio Sonata BWV 1039, which Bach also arranged for gamba and harpsichord, is, next to the Trio Sonata from the Musical Offering, the only trio sonata by J. S. Bach whose authenticity is completely unchallenged. To allow an alternative performance using two violins the editor has provided authorized variants in small print.

SEK 292.00

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Camille Saint-Saëns: The Swan - Cello/Piano (Urtext)

Charles-Joseph Lebouc organised the première of this work and also played the cello part. With the composer's permission, he then adapted this sonorous romance, accompanied by two pianos in the original, for Violoncello and one Piano.Henle are presenting the first ever Urtext edition of this popular cello work. The second Piano part is reproduced in small print, thus permitting a comparison of the two versions. Two Cello parts are provided, one with markings, and one without.

SEK 149.00

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Franz Liszt: Funérailles (Urtext)

Liszt ‘s Funérailles is a broadly conceived, virtuoso funeral march that has found a permanent place in the repertoire of all great pianists while remaining within the reach of talented amateurs. This separate print from Liszt ‘s cycle "Harmonies poétiques et religieuses" (published by Henle in HN 639) opens with a new preface by the editor devoted specifically to Funérailles . Critical comments on the sources and on peculiarities of the musical text can be found at the end of the volume.

SEK 149.00

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Franz Schubert: Three Piano Pieces - Impromptus - D946 Post. (Henle Urtext)

In the last years of his life, Schubert increasingly succeeded in finding publishers for his works. His Impromptus and Moments musicaux, for example, appeared in print in 1827 and 1828. Probably to pick up on the success of these editions, he wrote three further pieces in May 1828, though no less outstanding than their predecessors, they were not printed until Brahms’edition of 1868, which is perhaps one reason a completely unjustifiable one why they are still not very well known today.

SEK 192.00

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W.A. Mozart: Piano Sonata E Flat Major KV 282

Mozart’s only piano sonata in E-flat major was probably written during his stay in Munich in early 1775. Its first movement an Adagio, unconventionally is one of those pieces by the young genius that are immediately and profoundly touching. Two minuets follow, inspired by the timbre of woodwinds, and a quick finale in 2/4 with a striking opening motive concludes this masterwork of medium difficulty. Mozart’s clean manuscript copy is the only editorially relevant source, all the early print editions having proved flawed.

SEK 128.00

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Robert Schumann: Fantasy Pieces for Piano and Clarinet (or Violin or Violoncello) op. 73 (version for Violin)

The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the Clarinet, they were accompanied by alternative parts for Violin and Cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

SEK 202.00

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Robert Schumann: Fantasy Pieces For Piano And Clarinet Op.73 (Version For Cello)

The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the Clarinet, they were accompanied by alternative parts for Violin and Cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

SEK 202.00

1

Erik Satie: Gymnopédies (Henle Urtext Edition)

Headstrong and eccentric, Satie consciously distanced himself from the Romantic traditions of the nineteenth century. His three miniatures for piano "Gymnopédies" are the first testimony to his idea of a "New Simplicity": repetitive, steady rhythms that are reminiscent of ancient cult dances have their very own meditative charm. Satie?s principle of stringing together musical units rather than forcing them to develop later proved groundbreaking for many musical movements of the twentieth century. Satie would certainly have appreciated the balanced print image of Henle's Urtext edition, as he took pleasure in the visual design of his musical scores.?

SEK 102.00

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Ludwig van Beethoven: String Trios op. 3, 8 and 9 and String Duo WoO 32

As the opus numbers suggest, the five string trios are relatively early works. Beethoven had sent opus 3 to print in early 1796, and in the same year, he began his compositional work on the Serenade op. 8, which was then followed by the three Trios op. 9. This marked the definitive close of Beethoven’s work on this genre. Nevertheless, the five pieces are thoroughbred Beethoven and often played to this day. Also included in the volume is the piece designated in the autograph as “Duet for two obbligato eye-glasses” that Beethoven had apparently written for two myopic friends.

SEK 696.00

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Ludwig Van Beethoven: Streichtrios Und Streichduo

As the opus numbers suggest, the five string trios are relatively early works. Beethoven had sent opus 3 to print in early 1796, and in the same year, he began his compositional work on the Serenade op. 8, which was then followed by the three Trios op. 9. This marked the definitive close of Beethoven’s work on this genre. Nevertheless, the five pieces are thoroughbred Beethoven and often played to this day. Also included in the volume is the piece designated in the autograph as “Duet for two obbligato eye-glasses” that Beethoven had apparently written for two myopic friends.

SEK 367.00

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Eugene Ysaye: Sonata For Cello Solo Op.28

Ysaÿe ’s Cello Sonata , unlike its companion piece for Violin solo, has remained relatively unknown. All the same, it merits special attention as it was written at the same time as the Violin Sonatas and has the same superior qualities of musicianship. Our edition draws on a previously disregarded autograph manuscript from a private collection that provides interesting insights not found in the original print. To accompany the publication of Ysaÿe ’s violin sonatas, which Henle has also issued in 2004, we are now offering the Cello Sonata in an urtext edition prepared by Christian Bellisario with detailed editorial comments. A brilliant addition to the repertoire for unaccompanied String instruments.

SEK 208.00

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Liszt: Wenn Die Letzten Sterne Bleichen Lied Voice & Piano Facsimile

The Bavarian State Library in Munich made a quite sensational discovery in 2007: a previously unknown Lied for Voice (soprano) and Piano by Franz Liszt was found, which he had written down himself. The work shows Liszt at his best; it was composed in 1843 and dedicated to Count Franz von Pocci from Munich. This was a good enough reason for Henle Publishers to publish the manuscript in the form of a high-quality facsimile, which also contains the music in modern music print and extensive information concerning the fascinating circumstances of its genesis. A true delight for all connoisseurs and lovers of Franz Liszt.

SEK 738.00

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Wolfgang Amadeus Mozart: Piano Quartets K. 478 and 493

It is hardly imaginable today, but the Viennese public of Mozart’s time was unable to appreciate the beauties of Mozart’s Piano Quartet K. 478. It was not accustomed to the dramatic g minor character especially of the first movement coming from this composer. And thus it came about that the publisher Hoffmeister refused to print any further quartets, after K. 478, Mozart wrote only the E flat major Quartet K. 493, although a series of six works had originally been planned. What a pity! Today the two piano quartets rank among the landmarks of Mozartian chamber music and continue to enjoy a great status.

SEK 494.00

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Ludwig Van Beethoven: Andante In F WoO 57

With its appealing opening melody, this piece is widely known and beloved under the title Andante favori. It was written as the slow movement of the famous “Waldstein” Piano Sonata in C major, op. 53. Beethoven’s student and later biographer Ferdinand Ries reported that a friend had voiced his view about “the sonata being too long,” whereupon the friend was given a terrible talking-to (by Beethoven). But “…Having had time for more placid reflection, my teacher [i.e. Beethoven] soon became convinced of the correctness of the comment.” Luckily for today’s pianists, Beethoven did not discard the piece completely, but had it published as a single movement in 1805. The title Andantefavori made its first appearance in a print that was released one year later.

SEK 139.00

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Robert Schumann: Toccata Op.7 - Versions 1830 And 1834 (Henle Urtext)

Schumann began work on the Toccata Op.7 when he was only 20 years old. At the time he was studying law, following his family's wishes. He did not, however, intend to have his first manuscript, entitled "Exercice", published; it was only when he was finding his way as a musician that he turned to the sketches again. Similar to his approach with the Paganini studies, he endeavoured to combine virtuosity with musical content. The print version of this "Toccata" differed greatly from the first ideas for the "Exercice". The autograph of the final version is missing, although the "Exercice" has survived in the form of Schumann's manuscript. It is reproduced in the appendix of this revised edition of the first publication.

SEK 160.00

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Edvard Grieg: Peer Gynt Suites

Grieg ’s incidental music for Henrik Ibsen’s drama “ Peer Gynt ” contains some of his best-known compositions, such as “Morning mood” and “In the hall of the Mountain King”. Grieg later extracted the most beautiful pieces to form two orchestral suites and arranged himself these versions for Piano solo and Piano four-hands. There was a surprise in store for Henle when they were preparing our Urtext edition. In the autograph and the first print run, the second suite contained another movement, the “Dance of the Mountain King’s Daughter”, which Grieg deleted shortly afterwards. This charming dance appears in the appendix to this edition – printed again for the first time in 120 years! The Norwegian pianist and Grieg expert Einar Steen-Nøkleberg was co-editor for this edition and also provided the new fingerings.

SEK 192.00

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W.A. Mozart: Streichquintette Band III - Urtext (Score/Parts)

With the publication of the masterpieces K. 593 and 614, all of Mozart's string quintets are now available in Henle Urtext. The Henle edition corrects several widespread misreadings of the musical text and also draws on the first printings as important sources. The first printing of the Finale from the Quintet in D major K. 593 diverges greatly from the autograph. The editors consider it probable that the print version was authorized, which is the reason why they have published both versions of the movement (to enable a better comparison it is given as an ossia version above the musical text). In the Preface and Comments the editors shed light on the source situation to these two immortal works written in the last two years of Mozart?s life.

SEK 478.00

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Johann Sebastian Bach: Italian Concerto, French Overture, Four Duets, Goldberg Variations

The Clavierübung published in four sections belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I, which appeared in print in 1731, contains the six Partitas, Parts II IV were issued in 1735, 1739 and 1741/2. These are the parts that form the basis for the compilation that we find in this volume. The Italian Concerto and the French Overture constitute Part II and, in a way, serve as a kind of echo of French and Italian orchestral music of the time, here transposed to the keyboard. The Four Duets are contained in Part III of the Clavierübung, next to important works for the organ, however, since they are conceived for two parts, they are idealfor piano or harpsichord.

SEK 589.00

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Franz Joseph Haydn: String Quartets, Volume XI, Lobkowitz-Quartets op. 77 and last Quartet op. 103

These are the last of the nearly seventy quartets in Haydn ’s oeuvre. Originally he intended to write a set of six quartets, as so often in the past, but at the time they were written, in 1803, Haydn ’s health was so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as Op. 77 . Later he allowed an incomplete work consisting of two middle movements to appear as op. 103, adding to the print the portentous words: “Gone is all my strength, old and weak am I.” Musically, however, these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far as to call Op. 77, no. 2, his “most beautiful String quartet”.

SEK 271.00

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W.A. Mozart: Streichquintette Band III - Urtext (Study Score)

With the publication of the masterpieces K. 593 and 614, all of Mozart?s string quintets are now available in Henle Urtext. Our edition corrects several widespread misreadings of the musical text and also draws on the first printings as important sources. The first printing of the Finale from the Quintet in D major K. 593 diverges greatly from the autograph. The editors consider it probable that the print version was authorized, which is the reason why we have published both versions of the movement (to enable a better comparison it is given as an ossia version above the musical text). In the Preface and Comments the editors shed light on the source situation to these two immortal works written in the last two years of Mozart?s life.

SEK 250.00

1

Edvard Grieg: Peer Gynt Suites - Version For Piano Four-Hands

Grieg ’s incidental music for Henrik Ibsen’s drama “ Peer Gynt ” contains some of his best-known compositions, such as “ Morning Mood ” and “ In the hall of the Mountain King ”. Grieg later extracted the most beautiful pieces to form two Orchestral suites and arranged himself these versions for Piano solo and Piano four-hands. There was a surprise in store for Henle when they were preparing this Urtext edition. In the autograph and the first print run, the second suite contained another movement, the “ Dance of the Mountain King’s Daughter ”, which Grieg deleted shortly afterwards. This charming dance appears in the appendix to this edition – printed again for the first time in 120 years! The Norwegian pianist and Grieg expert Einar Steen-Nøkleberg was co-editor for this edition and also provided the new fingerings.

SEK 229.00

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Max Reger: Organ Works Without Opus Number

This volume brings together central works to Reger ’s output for the Organ, such as the popular “ Introduction and Passacaglia ” in d minor, which Reger wrote as a benefit-work to assist towards the rebuilding of the Organ of the parish church of Kronberg in Taunus and which is also within the reach of ambitious amateur organists. In addition the collection offers a series of separate Organ pieces – preludes, fugues, and so on – along with Chorale preludes. Some rarities are to be discovered among these works, in particular a Fugue in c minor that for a long time remained unknown: this short and easy-to-play work was recently discovered in an old anthology which is out of print. We now present it for the first time in a critical edition, thus once again making it available to Reger enthusiasts.

SEK 377.00

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Felix Mendelssohn: String Quartets Op.12/13

The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in a minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven’s late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 was written two years later, during Mendelssohn’s first tour of England. A textually identical score of the two quartets is published in Henle’s Study Scores series (HN 9270).

SEK 473.00

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Felix Mendelssohn: String Quartets Op.12 And Op.13 (Study Score)

The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in a minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven’s late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 waswritten two years later, during Mendelssohn’s first tour of England. A textually identical score of the two quartets is published in Henle’s Study Scores series (HN 9270).

SEK 234.00

1

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