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W.A. Mozart: Sonaten Volumes 1 And 2 (Violin And Piano)

There is no other chamber-music genre for which Mozart produced so many works see the sonatas and variations than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth.

SEK 1321.00

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Wolfgang Amadeus Mozart: Works for Piano and Violin

There is no other chamber-music genre for which Mozart produced so many works see the sonatas and variations than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth. This study edition reproduces the complete and unaltered musical text of the scores of the three blue Henle Urtext performance editions HN 77, 78, and 79, or of the clothbound volume of Mozart’s complete violin sonatas HN 80.

SEK 584.00

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J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires. Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.

SEK 457.00

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Niels Wilhelm Gade: Selected Piano Pieces

Niels W. Gade, who occasionally substituted for Felix Mendelssohn as conductor of the Gewandhaus Concerts in Leipzig, is today considered the most important Danish composer. In his “Spring Flowers” op. 2b, “Aquarelles” op. 19 and “New Aquarelles” op. 57 he created supple, pleasing piano pieces in an intimate style suitable for domestic music-making. Nevertheless, these character pieces are of moderate difficulty. They fascinate with their powerful originality, deeply sensitive expressive power and pianistic ingenuity. For pianists who want to look beyond the established romantic piano music repertoire, engaging with this edition will prove worthwhile. The informativepreface has been written by Danish pianist Bengt Johnsson, who has recorded Gade’s complete piano works.

SEK 383.00

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Frédéric Chopin: Polonaise-Fantaisie In A Flat Op. 61

Frédéric Chopin ’s Polonaise-Fantaisie In Ab Major Op.61 was composed and published in 1846 and is dedicated to Mme A. Veyret. The work was initially slow to gain favour with musicians due to its intricate form and harmonic complexity. One of the first critics to speak positively about it was Arthur Hedley who wrote, in 1947, that the work ' works on the hearer's imagination with a power of suggestion equaled only by the F minor Fantasy or the fourth Ballade '. While Chopin is said to have referred initially to the piece only as a Fantasy, the Polonaise-Fantasie takes its metre, much of its rhythm and some of its melodic character from the polonaise. This Henle Urtext Edition for solo Piano has been edited by Ewald Zimmermann and includes fingering by Hans-Martin Theopold.

SEK 149.00

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Ludwig van Beethoven: Complete Bagatelles (Henle Edition)

The present volume contains the complete Bagatelles of Beethoven , which are here reproduced according to the edition of the Pianoforte works already issued by the same publisher (HN12). Progressing from his youthful works, we here learn to know the Beethoven of the ‘middle’ period, as manifested let us say in the virtuosity and power of the Bagatelles op. 33, nos. 5 and 7. In the Bagatelles, op. 119 and 126, the simple humanity and goodness of the ‘late’ Beethoven then speak to us in a conclusive form. This edition closely follows Beethoven ’s manner of notation. In distributing the notes between the two staves exactly as in the autographs (that is, by abandoning the usual and more convenient change of clef, which disturbs the visual uniformity of the notation) the vertical tonal connections and relationships are now more easily perceptible of the eye.

SEK 250.00

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Frederic Chopin: Polonaises (Clothbound)

The polonaise made its first appearances in stylized dance music in the late 16th century. With his own polonaises, Chopin also declared his allegiance to his native Poland. In a way, the genre had fascinated him since his childhood. His earliest printed work was a Polonaise (KK IIa no. 1 in g minor), which he had written at the age of seven. The first three posthumously published Polonaises op. 71 as well as KK IVa nos. 1 3, 5 and 8 are juvenilia from the Warsaw years. The mature works begin with the seven great Polonaises op. 26 nos. 1 and 2, op. 40 nos. 1 and 2, op. 44 and 53, and, above all, the Polonaise-Fantaisie op. 61 of 1845/46, Chopin’s last great piano work. Withtheir mixture of festiveness and refinement, of power and suppleness, of heroic pathos and graceful charm, they all testify to the inimitable artistry of this great composer.

SEK 547.00

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Franz Schubert: Piano Trios (Henle Urtext Edition)

One needn’t hesitate a second in assigning Schubert’s two piano trios to his best works. Both were written no later than 1827, hence one year before the composer’s death, and are typical works of his maturity: abounding in blissful melodies paired with formative power and profound depths of expressiveness. Whereas Schubert had sold the E flat major Trio op. 100 D 929 to the Leipzig publisher Probst (it appeared just after Schubert’s death, however), the B flat major Trio op. 99 D 898 did not make it to publication during Schubert’s lifetime.The Adagio in E flat major op. post. 148 D 897, which is reproduced in the Appendix and which has become known as Notturno, was mostlikely originally planned as the slow movement of the B flat major Trio. With its expressiveness ascending to darkest despair, Schubert possibly considered it as unsuited for publication. It was not published until 1846, in the Appendix of this volume one will find Schubert’s first attempt in this genre, which he wrote at the age of 15 in summer 1812.

SEK 696.00

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