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Robert Schumann: Romances For Oboe (Or Violin Or Clarinet) And Piano Op. 94 (Version For Clarinet)

Robert Schumann: Romances For Oboe (Or Violin Or Clarinet) And Piano Op. 94 (Version For Clarinet)

Robert Schumann in fact composed just one work for the clarinete, namely the “Drei Fantasiestücke” op. 73 for clarinet and piano of February 1849. But the “Drei Romanzen” op. 94 for oboe, written at the end of that same year, were marketed with solo parts for clarinet and for violin too. Clarinettists are certainly delighted that G. Henle Verlag is following this principle of alternative scoring. The manuscript that Robert gave to his wife Clara in 1849 as a Christmas gift does not survive. Instead, autograph sketches have been consulted for our Urtext edition, and these have enabled correction of some irregularities in the 1851 first edition. The editor’s preface and commentarygive extensive information on textual questions.

SEK 202.00
1

Robert Schumann: Fantasy Pieces For Piano And Clarinet Op.73 (Version For Cello)

Robert Schumann: Fantasy Pieces For Piano And Clarinet Op.73 (Version For Cello)

The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the Clarinet, they were accompanied by alternative parts for Violin and Cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

SEK 202.00
1

Ludwig van Beethoven: Complete Songs for Voice and Piano, Volume III (Songs for several voices with Piano, partly for choir)

Ludwig van Beethoven: Complete Songs for Voice and Piano, Volume III (Songs for several voices with Piano, partly for choir)

It is hard to believe that all of the five works included in this edition were previously unknown to musicians. So there are in fact unknown works by Beethoven for singers to discover! The five short vocal works for several voices are ideally meant to be sung by soloists accompanied by piano obbligato. There are three Serenades (Nos. 1 3) and two original arrangements of extremely well-known choral compositions, namely the “Bundeslied” op. 122 and the “Opferlied” op. 121b.

SEK 218.00
1

Johannes Brahms: 51 Exercises For Piano

Johannes Brahms: 51 Exercises For Piano

Teaching the Piano was an important source of income for Brahms, as it was for many nineteenth-century composers. This gave rise to collections of exercises which at first he only occasionally wrote down, but later shared with other pianists (e. g. Clara Schumann). It was only after he had largely given up this educational and pianistic activity that he considered publishing them. In order to reflect their level, he suggested "all kinds of instruments of torture, from the thumb screw to the iron maiden" for the title page. We are now publishing this collection, which is essential for Romantic Piano playing, as an Urtext edition, following the musical text of the New Brahms Complete Edition.

SEK 340.00
1

Beethoven: Works for Mandolin and Piano

Beethoven: Works for Mandolin and Piano

The chamber music combination of mandolin and piano has a special tonal charm: the silvery sound of the mandolin blends in an entirely unique manner with the piano. In around 1800, these timbres inspired composers such as Beethoven and Hummel to compose for this unusual ensemble. During his sojourn in Prague in 1796, Beethoven wrote a number of such pieces for Countess Josephine von Clary-Aldringen, who played the mandolin. Sweetness and playful esprit present themselves here in many facets. Since Beethoven did not use any mandolin-specific turns of phrase, and since he wrote here for an instrument with g d a’ e”, tuning, these works are also readily playable on theviolin. This Henle Urtext edition of Beethoven’s works for mandolin and piano offers the musical text of the Beethoven Complete Edition.

SEK 287.00
1

Gioacchino Rossini: Une Larme For Double Bass And Piano

Gioacchino Rossini: Une Larme For Double Bass And Piano

In the late 1850s, when Rossini was composing only for his own private pleasure, he wrote a little elegy for Double Bass and Piano that he entitled “ Une Larme ” (“a tear”). Its theme also served as the basis for a larger-scale set of variations for Cello and Piano. The importance that Rossini ascribed to this short piece for Double Bass is demonstrated not least by the fact that he made a richly ornamented dedication copy of it in 1858. This hitherto little-known source is in Russia and has now been consulted for the first-ever time for a critical Urtext edition. As in Henle’s other Urtext editions for this instrument, the Double Bass specialist Tobias Glöckler has prepared a version in solo tuning and orchestral tuning and added fingerings and bowings to the solo part.

SEK 176.00
1

Robert Schumann: Fantasy Pieces for Piano and Clarinet (or Violin or Violoncello) op. 73 (version for Violin)

Robert Schumann: Fantasy Pieces for Piano and Clarinet (or Violin or Violoncello) op. 73 (version for Violin)

The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the Clarinet, they were accompanied by alternative parts for Violin and Cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

SEK 202.00
1

W. A. Mozart: Works For Two Pianos

W. A. Mozart: Works For Two Pianos

The great D major sonata for two pianos, K. 448, is of course the absolute showpiece of this Urtext edition. The first movement opens like an operatic overture with timpani and trumpets, the Andante is a single grand melody shared between the two pianos, and the sublime rondo finale comes across like a piano concerto without orchestra. But another important work can be found in this Henle edition too: the earnest C minor fugue for two pianos K. 426, reminiscent of Handel’s or Bach’s great art, here in its original form from 1783. Mozart published it soon after in a four-part version for string quartet, adding a beautiful, freshly composed Adagio introduction. This, in turn,has been rescored in our edition for two pianos by the brilliant musician Franz Beyer, who also has completed a performable version of Mozart’s two-piano “Larghetto and Allegro” in E-flat major (a work not included in Köchel’s catalogue) from the surviving fragments. Two copies are required for performance of all the works in this volume.

SEK 420.00
1

Cesar Franck: Three Pieces for the Grand Organ

Cesar Franck: Three Pieces for the Grand Organ

When the ?Palais du Trocadéro? was built in 1878 on the occasion of the World Exhibition in Paris, the first large concert organ in France was given pride of place in the ?Salle des Fêtes?. Franck wrote his ?Trois pièces? (one of which is the famous ?Pièce héroïque?) for this instrument with its 66 stops. The autograph score contains detailed instructions for the use of the stops. When the work was published five years later, Franck was already organist at the Ste. Clotilde Church and so the indications in the first edition referred to much smaller organs. This Henle Urtext edition makes the most of the opportunity to give both the musical text for the first edition as well as the original registration for the Trocadéro organ. Thus, Franck?s ideas for the way this magnificent work was to sound is illuminated in two different ways.

SEK 425.00
1

Felix Mendelssohn: Works For Piano Four-Hands

Felix Mendelssohn: Works For Piano Four-Hands

Felix Mendelssohn Bartholdy knew that he could rely on his highly gifted sister Fanny as a partner in four-hand piano pieces. While he wrote only a few works of this sort, the two pieces presented here are superb examples of the genre. The Andante con variazioni, op. 83, presents a further development of his cycle of the same name for piano two-hands. The Duet Andante and Allegro assai vivace was formerly known as the Allegro brillant, op. 92. This latter, however, is only the first version of the work, from which the lovely slow introduction is still missing. Henle Verlag is now publishing Mendelssohn’s complete and revised final version for the first time, the earlyversion is also provided, in an Appendix, for purposes of comparison.

SEK 409.00
1

J.S.Bach: Six Suites For Cello (Study Score)

J.S.Bach: Six Suites For Cello (Study Score)

The most important source for Bach?s Cello Suites is a copy made by his wife Anna Magdalena because the autograph is no longer extant. As further copies show, the actual musical text is scarcely problematic. However, the slurs, which are particularly important for string instruments, are very inexact and compel the editor to make difficult decisions.Henle's practical edition, HN666, is in two parts. It not only offers the Urtext edition ? with preface and critical commentary ? but also a part for playing. The new study edition contains the Urtext part, but in addition offers a reproduction of Anna Magdalena?s copy. This means that both cellists and music lovers alike are able to form their own opinion about the much discussed problems.?

SEK 330.00
1

Johannes Brahms: Sonatas For Piano And Clarinet (Or Viola) Op.120, 1 and 2 (Version For Viola)

Johannes Brahms: Sonatas For Piano And Clarinet (Or Viola) Op.120, 1 and 2 (Version For Viola)

We owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the elderly Brahms so interested in his instrument. In the 1890s the composer wrote the Trio op. 114, the Quintet op. 115 and the Sonatas op. 120 three gems in the clarinet chamber music repertoire. Brahms also provided a part for viola as an alternative to the clarinet. The revision of our edition of the viola version of opus 120 is based on the musical text of the New Brahms Complete Edition and in many respects contains significant improvements: we were able to consult the autograph for the first time- the newly set piano score now contains the viola part- and viola players can benefit fromfingerings and bowings by Tabea Zimmermann in the solo part.

SEK 345.00
1

Ludwig Van Beethoven: Three Equali For Four Trombones WoO 30

Ludwig Van Beethoven: Three Equali For Four Trombones WoO 30

When Beethoven visited the director of music at the cathedral in Linz, Franz Xaver Glöggl, in autumn 1812, the latter asked his guest to "compose socalled Equali for 4 trombones for All Souls? Day [2 November]?. Beethoven readily complied ? and it was to be his own funeral music. For in 1827 the Equali were sung in an arrangement for male choir as a ?dirge for Beethoven?s funeral procession?. The original instrumental version is today a core work in the trombonist?s repertoire. Henle's Urtext edition is based on the musical text in the Beethoven Complete Edition and contains a score and single parts (both in the original C and in modern bass clef).

SEK 250.00
1

George Frideric Handel: Seven Sonatas For Violin And Basso Continuo

George Frideric Handel: Seven Sonatas For Violin And Basso Continuo

An authoritative Urtext edition of seven of Sonatas for Violin and Basso Continuo, written by Handel. Some of the finest baroque Violin Sonatas once more demonstrating Handel?s exquisite brilliance. This Henle Verlag Urtext edition is derived from Handel's original manuscripts, with full editorial details and a comprehensive discussion of the differing editions as they have existed over the years, thus, it is the definitive reference source for study and performance preparation. Separate performance parts are included for the solo Violin, additional Violin and the realisation of the figured Bass for Cello, alongside the full Piano/ Keyboard score. Edited by Stanley Sadie.

SEK 425.00
1

Max Reger: Suite e minor for Organ op. 16 - composer ́s transcription for Piano four-hands (First Edition)

Max Reger: Suite e minor for Organ op. 16 - composer ́s transcription for Piano four-hands (First Edition)

Max Reger ’s powerful Organ work is published for the first time in the previously unknown authentic version for Piano four hands. The manuscript only came into the possession of the Reger Institute in Karlsruhe a few years ago. The famous Piano Duo Tal & Groethuysen was so impressed with the quality of the arrangement and its effect on the audience that they not only undertook to record it for the first time but also persuaded us of the necessity of publishing it. Music journalists gave it an incredible reception: “of course one would hope that through this arrangement the music of the Organ suite would also be transported into the concert halls from the churches – yet, “one must, of course, already be able to play” [Piano News, 2000].

SEK 430.00
1

J.S. Bach: Concerto For Violin And Orchestra In E BWV 1042

J.S. Bach: Concerto For Violin And Orchestra In E BWV 1042

The Concerto For Violin And Orchestra In E (BWV 1042) was written in three movements: Allegro – Adagio – Allegro Assai . Its history is somewhat vague, as no autograph manuscript survives. Originally scored for Violin, Strings, and Continuo, it is presented here with a Piano reduction. Editorial suggestions for bowing and fingering have been provided, together with a “clean” copy for the violinist’s own use. J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organist and choirmaster, but was also employed as a composer a many different Royal Courts.

SEK 234.00
1

Ludwig van Beethoven: Works for Piano four-hands

Ludwig van Beethoven: Works for Piano four-hands

With the exception of the version of the “Grand Fugue” for piano four hands (HN 954), this volume contains all of Beethoven’s works for this scoring, to which he only rarely turned. It comprises the Sonata in D major op. 6, the “Three Marches” op. 45, the “Eight Variations on a theme of Count von Waldstein” WoO 67 and the “Six Variations on the Song Ich denke dein” WoO 74 all of these works are very well-suited to piano teaching. The musical text was revised to follow the recently published Critical Report of the Beethoven Complete Edition, and is now accompanied by new explanatory texts. The piano duo specialist Andreas Groethuysen has also provided fingerings for this work.

SEK 345.00
1