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W.A. Mozart: Piano Sonata E Flat Major KV 282

W.A. Mozart: Piano Sonata E Flat Major KV 282

Mozart’s only piano sonata in E-flat major was probably written during his stay in Munich in early 1775. Its first movement an Adagio, unconventionally is one of those pieces by the young genius that are immediately and profoundly touching. Two minuets follow, inspired by the timbre of woodwinds, and a quick finale in 2/4 with a striking opening motive concludes this masterwork of medium difficulty. Mozart’s clean manuscript copy is the only editorially relevant source, all the early print editions having proved flawed.

SEK 128.00
1

Antonín Dvorák: Rondo Fur Violoncello Und Klavier Op. 94

Antonín Dvorák: Rondo Fur Violoncello Und Klavier Op. 94

Though only a minor pendant to the great Cello Concerto, Antonín Dvorák ‘s Rondo Op. 94 is an effective and entertaining piece that belongs in the standard repertoire of every cellist. Dvorák composed it in December 1891, shortly before leaving for America, and he gave the work its première performance on 3 January 1892 with his friend, the cellist Hanus Wihan, during his farewell concert tour. To produce this urtext edition Milan Pospísil consulted the autograph score and first edition not only for the Piano version, but also for the orchestral version of October 1893.

SEK 224.00
1

Ludwig van Beethoven: Piano Quartets

Ludwig van Beethoven: Piano Quartets

One can only regret that Beethoven left only four piano quartets, as these four works rank among the most popular of this genre. Three of them, the Quartets WoO 36, had been penned in Bonn, which makes them one of the master’s most successful juvenilia of all. Yet even if they exhale Mozart’s spirit, they are already and unmistakably typical Beethoven. Further evidence of his regard for the pieces can be found in his re-use of the third quartet’s slow movement in his first Piano Sonata op. 2 no. 1. The fourth quartet represents another version of the Wind Quintet op. 16.

SEK 701.00
1

Dvorak: Humoresque In G Flat Op 101 No 7 Piano

Dvorak: Humoresque In G Flat Op 101 No 7 Piano

Many a pianist will be surprised to learn that Dvořák’s famous Humoresque no. 7 was originally a piano piece, since this irresistible melody – undoubtedly one of Dvořák’s happiest inspirations – has circulated throughout the musical world in innumerable arrangements for every conceivable combination. The composer himself, however, wrote only this piano solo version. The complete cycle of eight Humoresques is available in another Henle Urtext edition (HN 1044), while this “lollipop” of the eight is now available in a stand-alone edition. Not least because of its only moderate difficulty, it is a must for piano fans of all ages!

SEK 102.00
1

Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

We do not know very much about Handel ’s compositions on poems by Barthold Heinrich Brockes. We can only date their composition to approximately 1724–1727. The autograph does not shed any light on the titles nor the sequence of the works. It does not even give the instrumentation. Thus there are several alternatives for the solo instrument that imitates the vocal part – although Violin, Flute or Oboe are the most likely. Henle's practical edition not only contains additional parts for the solo instrument and the Bass but also a realization of the figured Bass in the score by the editor Ullrich Scheideler .

SEK 271.00
1

W.A.Mozart: Piano Sonata In G KV 283 (Henle Urtext Edition)

W.A.Mozart: Piano Sonata In G KV 283 (Henle Urtext Edition)

Curiously enough, only one of Mozart’s eighteen piano sonatas (and also only one of his 23 piano concerti) is in the pianistically rewarding key of G major: the sonata K. 283. It numbers among those six sonatas K. 279 284 that were probably written in Munich at the beginning of 1775, and is one of the favorites from this first set of sonatas among teachers and students alike. Played at the correct tempo, this sonata, although technically not too challenging, rarely fails to have its desired effect. That is especially true for its extended Presto (!) finale.

SEK 128.00
1

Mily Alexeyevich Balakirev: Islamey - Fantaisie Orientale

Mily Alexeyevich Balakirev: Islamey - Fantaisie Orientale

“A wonderful piece, but very difficult – only a few will be able to master it …”. Since this pronouncement by Nicolai Rubinstein, who nonetheless premièred it with bravura, the work has unjustly been stuck with the label of “unplayable”. The wild, almost demonic character of this “oriental fantasy” has certainly contributed to this reputation: through the use of Caucasian and Armenian folk idioms Balakirev calls forth a Keyboard firework that aroused the admiration even of the Titan, Liszt. Our edition provides today’s pianists with a musical text that is not only reliable and accurate, but also clear and well-organised.

SEK 271.00
1

Franz Schubert: String Quartet In G Major Op. post. 161 D 887 - Study Score

Franz Schubert: String Quartet In G Major Op. post. 161 D 887 - Study Score

Schubert only took ten days to write his String Quartet in G major, one of his truly monumental chamber music works. With its almost symphonic dimensions, this late quartet is reminiscent of his great String Quintet in C major. As divulged in a letter, Schubert actually wanted to "pave the way for the large symphony" with this quartet and several other chamber music works that he composed around the same time. Written in 1826, the quartet was not performed in public during the composer?s lifetime; and it was only published long after his death. This Urtext edition with its accompanying study edition is therefore based on the surviving autograph.

SEK 165.00
1

Franz Schubert: String Quartet In G Op. post. 161 D 887 - Henle Urtext

Franz Schubert: String Quartet In G Op. post. 161 D 887 - Henle Urtext

Schubert only took ten days to write his String Quartet in G major, one of his truly monumental chamber music works. With its almost symphonic dimensions, this late quartet is reminiscent of his great String Quintet in C major. As divulged in a letter, Schubert actually wanted to "pave the way for the large symphony" with this quartet and several other chamber music works that he composed around the same time. Written in 1826, the quartet was not performed in public during the composer?s lifetime; and it was only published long after his death. This Urtext edition with its accompanying study edition is therefore based on the surviving autograph.

SEK 308.00
1

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires. Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.

SEK 457.00
1

Robert Schumann: Allegro In B Minor Op.8

Robert Schumann: Allegro In B Minor Op.8

“Everywhere only confused combinations of figures, dissonances, passages – in short, for us torture” – Schumann certainly did not deserve this contemporary slating. He only published the opening movement “Allegro di bravura” of what was originally meant to be a sonata – the other parts were apparently destroyed. Clara, who was otherwise rather reserved as far as Schumann ’s early works were concerned, soon incorporated this piece into her repertoire. Ernestine von Fricken, the dedicatee and with whom Schumann was still engaged at its time of composition, often played it after their separation, even if “with quite curious expression”. Our edition is the result of a thorough revision to incorporate the latest scholarly findings.

SEK 202.00
1

Johannes Brahms: 51 Exercises For Piano

Johannes Brahms: 51 Exercises For Piano

Teaching the Piano was an important source of income for Brahms, as it was for many nineteenth-century composers. This gave rise to collections of exercises which at first he only occasionally wrote down, but later shared with other pianists (e. g. Clara Schumann). It was only after he had largely given up this educational and pianistic activity that he considered publishing them. In order to reflect their level, he suggested "all kinds of instruments of torture, from the thumb screw to the iron maiden" for the title page. We are now publishing this collection, which is essential for Romantic Piano playing, as an Urtext edition, following the musical text of the New Brahms Complete Edition.

SEK 340.00
1

Wagner/Liszt: Overture To Tannhauser Piano Solo

Wagner/Liszt: Overture To Tannhauser Piano Solo

Looking back in 1876, Liszt admitted candidly to the publisher Breitkopf & Härtel that his “Wagner transcriptions” had “only served as modest propaganda for Wagner’s noble genius, using the meagre possibilities of the piano”. In fact, in around 1850, Wagner’s operas Der fliegende Holländer, Tannhäuser and Lohengrin – which would later be so successful – were only being performed at the Weimar Court Theatre under Liszt’s baton. Liszt was inspired to compose his Tannhäuser Paraphrase by performances in Weimar of the overture in 1848 and of the whole opera in February 1849. Liszt’s piano arrangement of the overture is a technically brilliant piece of the highest order. It is a further milestone in Henle Publishers’ series of Liszt’s Wagner arrangements.

SEK 218.00
1

Robert Schumann: Five Pieces In Folk Style Op.102 - Cello Version

Robert Schumann: Five Pieces In Folk Style Op.102 - Cello Version

Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived as original works for the cello. Clara was delighted with them: "These are pieces in folk style with such a freshness and originality that I was enchanted". The "Neue Zeitschrift für Musik" wrote: "These pieces are less apt for a virtuoso player than a well versed one who can speak on his instrument with tone and meaning." This edition, in the best Urtext quality, is particularly to be recommended for teaching purposes and for making music at home.

SEK 250.00
1

W.A. Mozart: Klarinettenquintett KV.581 Fragment KV.Anh.91

W.A. Mozart: Klarinettenquintett KV.581 Fragment KV.Anh.91

Ever since Mozart encountered the Clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orchestra in Vienna, prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets”, which was written two years before his death. Like almost all his works for the Clarinet, this Quintet was probably intended originally for the Basset Clarinet. However, it survives only in two posthumous prints, both of which call for a standard Clarinet. These prints form the basis of our edition. As an added bonus, the appendix contains a fragmentary Allegro in Bb major for the same combination of instruments.

SEK 261.00
1

Muzio Clementi: Piano Sonata In G Op.37 No.2

Muzio Clementi: Piano Sonata In G Op.37 No.2

Clementi not only dedicated himself to the piano as a virtuoso and composer but also as a teacher, music publisher and instrument maker ? so it is no wonder that he was referred to as the ?Father of the Piano Forte? at the time. Alongside basic educational works he also wrote a great many instructive sonatas and sonatinas that form the basis of piano tuition even today. The Sonata in G major ? from his opus 37 that was published in 1798 ? is a must for all budding pianists. This is reason enough for us to publish this work of medium level of difficulty in a reasonably priced single edition. It was previously only available in a collected edition (HN 330).

SEK 139.00
1