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Let Us Go Rejoicing : Fanfare, Introit, and Procession for the Dedication of a Church

Peter Latona's setting of the Entrance Antiphon for the Dedication of a Church is a perfect balance of solemnity and festivity. It opens with a brass and organ fanfare (echoed later by organ alone) and a chant-like choral section. Then the antiphon unfolds—easily sung by the assembly, while the verses offer some "meat" for SATB choir. Brass Quintet is used well throughout, supporting the antiphons and decorating the verses. Appropriate also for church anniversaries, the Feast of the Dedication of St. John Lateran, Christ the King C, or other festive liturgies. Duration: 8:00 Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F, Trombone I and II, Timpani Part of the Cathedral Series.

Go to Dark Gethsemane

Go to the World

O Love That Wilt Not Let Me Go

This well-known text is set to an original melody which has the lilting simplicity of a folk song. The first stanza is a solo (or in unison). The second stanza has the melody in the tenor with the choir accompanying on a neutral syllable. The third and fourth stanzas have SATB settings which differ slightly. The accompaniment provides attractive support and short flowing interludes between stanzas. Easy and lyrical. Duration: 3:00

Go Tell It on the Mountain

Let Us Go Rejoicing : Fanfare, Introit, and Procession for the Dedication of a Church

Let Us Go Rejoicing : Fanfare, Introit, and Procession for the Dedication of a Church

O Love That Will Not Let Me Go

Suite

The Organist Emeritus at the Mormon Tabernacle has written this original suite with the following movements:1. Tribute (a sort of trumpet tune)2. Fugue (playful, flute stops)3. A Mother's Lullaby (strings and flutes)4. Scherzetto (trumpet against bright flutes)5. Exaltation (begins in a warm dignified manner, registration brightens as sixteenth notes appear - including in the pedal - building to a dramatic close)Excellent in a recital, suitable for worship despite the fact that it is not hymn-based. Duration 15:00.

Amazing Grace

Flute, oboe, and hand drum introduce and accompany this anthem, which uses the traditional text but the tune GREENVILLE, an early-American melody in a flowing 6/8 meter. The vocal parts are often spare and elegant to go with the lineage of the tune; the middle verse has the tenor/bass section functioning as a drone/ostinato. A key change leads to the final, almost rollicking verse "When we've been there ten thousand years." Fun and different.

Angels and Shepherds

Based on two carols, one Polish, one French and conceived for use with children. There is a lesson plan included which suggests things to isolate, comment on, and practice. But the piece would be appropriate and enjoyable for any level 2 three octave group. (A few outside bells out of a five octave set are used as well.)

Magnificat and Nunc dimittis

Written for the Houston Children's Chorus, this spirited Mag and Nunc are thematically related despite their varying moods (Resolute, Comforting, Energetic). The difficulty level comes from the contemporary but tonal harmonic language, florid lines, and precise rhythms. The organ punctuates and supports throughout. Largely in unison, with some two-part passages and a final chord in three parts.

On Christmas Night

Do many of your singers go out of town on Christmas Eve? This setting of SUSSEX CAROL was transcribed from a live recording at Mount Olive Lutheran Church with Paul Manz playing on Christmas Eve. The melody is sung in unison throughout, with the organ part doing all the work providing sparkle and variety. Worth having in your choral library. Duration 2:30 Part of the National Lutheran Choir Series. Do many of your singers go out of town on Christmas Eve? This setting of SUSSEX CAROL was transcribed from a live recording at Mount Olive Lutheran Church with Paul Manz playing on Christmas Eve. The melody is sung in unison throughout, with the organ part doing all the work providing sparkle and variety. Worth having in your choral library. Duration 2:30 Part of the National Lutheran Choir Series.

Hark, Ten Thousand Harps and Voices

Part of our Presbyterian Association of Musicians Series, this hymn-anthem is based on a new tune of the composer's own devising. The 1806 text is given a lyrical treatment rather than the usual rollicking one, and the result is expressive and effective. The first stanza is in unison, the second split between TB and SA alternating. The third stanza is set for SATB voices. The fourth and final stanza has lower voices in unison and sopranos descanting. Duration: 4:10Part of our Presbyterian Association of Musicians Series, this hymn-anthem is based on a new tune of the composer's own devising. The 1806 text is given a lyrical treatment rather than the usual rollicking one, and the result is expressive and effective. The first stanza is in unison, the second split between TB and SA alternating. The third stanza is set for SATB voices. The fourth and final stanza has lower voices in unison and sopranos descanting. Duration: 4:10

Rejoice and Be Merry : Traditional English Carols

For flute and piano (or organ), this collection contains seven carols. Most are quite familiar, a very few perhaps less so. Easy to put together and enjoyable for the listener, these settings are useful for any service or occasion during the Christmas season.Contents:The Cherry Tree CarolA Child This Day Is BornThe Holly and the IvyI Saw Three Ships Come Sailing InNow the Holly Bears a BerryRejoice and Be MerryTruth Sent from Above

Theme and Variations on Noël Nouvelet

Burkhardt's sense of good spirits and humor abound in this theme and four variation set, suitable for a recital or worship service. Specific registration suggestions are given for the player to use as a guide.The well-known Christmas tune is set in the following movements:Theme1. Canon2. Dance3. Pastorale (briefly quoting "Greensleeves")4. Rondo (reminiscent of "Noel Suisse")

All Things Bright and Beautiful

A joyful and rhythmic setting of a favorite text. The original melody captures all of the buoyancy inherent in the lyrics. This is a new voicing of the very popular SATB version that has been in our catalog since 2016. Duration 3:00 A joyful and rhythmic setting of a favorite text. The original melody captures all of the buoyancy inherent in the lyrics. This is a new voicing of the very popular SATB version that has been in our catalog since 2016. Duration 3:00

All Things Bright and Beautiful

A joyful and rhythmic setting of a favorite text. The original melody captures all of the buoyancy inherent in the lyrics. This is a new voicing of the very popular SATB version that has been in our catalog since 2016. Duration 3:00 A joyful and rhythmic setting of a favorite text. The original melody captures all of the buoyancy inherent in the lyrics. This is a new voicing of the very popular SATB version that has been in our catalog since 2016. Duration 3:00

May the Lord Bless You and Keep You

This original setting of the classic benediction text has the flute, piano, and choir interweaving through motifs in a lovely interplay. Mostly chordal and homophonic until the beautiful many-fold Amen, your choir will love to sing this.

Hymnography : 10 Hymn Preludes for Treble Instrument and Piano

Ten creative and interesting hymn preludes. To acknowledge how many people are asking for worship materials for those who must lead from the piano, these preludes use piano and a treble instrument.

Meditations : Accessible Hymn Settings for Solo Instrument and Organ

A varied and useful collection containing the tunes BLOTT EN DAG, FINLANDIA, GIVE ME JESUS , RUTHERFORD, and TRYGGARE KAN INGEN VARA (Children of the Heavenly Father). Easy instrumental parts for C instrument (Flute, Oboe), B-flat instrument (Clarinet, Soprano Saxophone), and downloadable Violin and Viola parts as well. The accompaniments are not quite as easy, but very manageable. Contents: Be Still My Soul Children of the Heavenly Father Day by Day Give Me Jesus The Sands of Time Are Sinking

5 Hymn Accompaniments for Brass Quartet and Organ : Set 6

Michael Burkhardt brings his energetic style to these accompaniments for congregational hymns. While not difficult for either brass players or organist, these arrangements are effective and inspiring. Contents: Blessing and Honor Come, Worship God Built on the Rock God of Grace and God of Glory Guide Me, O Thou Great Jehovah My Hope Is Built on Nothing Less O Sons and Daughters, Let Us Sing

Michael John Trotta: Be Still And Know (SATB)

Be Still And Know by Michael John Trotta for SATB choir with Keyboard, Piano or Organ accompaniment.

Take My Life and Let It Be

At workshops and conventions we get many requests for good pieces for the smaller choir. This original SAB setting of a very familiar text is exactly that. The supportive keyboard part could really be piano or organ, and the choral parts are easy to sing. Simple but effective, the melody is so engaging that even a larger choir will enjoy singing it. Duration: 3:00

In dulci jubilo: Nine Accessible Hymn Preludes : for Advent and Christmas

Each hymn averages two pages of music requiring minimal rehearsal time. Great for preludes or reflections during Advent and Christmas.