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Go Tell It on the Mountain

On Christmas Night

Do many of your singers go out of town on Christmas Eve? This setting of SUSSEX CAROL was transcribed from a live recording at Mount Olive Lutheran Church with Paul Manz playing on Christmas Eve. The melody is sung in unison throughout, with the organ part doing all the work providing sparkle and variety. Worth having in your choral library. Duration 2:30 Part of the National Lutheran Choir Series. Do many of your singers go out of town on Christmas Eve? This setting of SUSSEX CAROL was transcribed from a live recording at Mount Olive Lutheran Church with Paul Manz playing on Christmas Eve. The melody is sung in unison throughout, with the organ part doing all the work providing sparkle and variety. Worth having in your choral library. Duration 2:30 Part of the National Lutheran Choir Series.

Go to Dark Gethsemane

Go to the World

O Love That Wilt Not Let Me Go

This well-known text is set to an original melody which has the lilting simplicity of a folk song. The first stanza is a solo (or in unison). The second stanza has the melody in the tenor with the choir accompanying on a neutral syllable. The third and fourth stanzas have SATB settings which differ slightly. The accompaniment provides attractive support and short flowing interludes between stanzas. Easy and lyrical. Duration: 3:00

Voluntary on Thaxted

A majestic fanfare gives way to the melody played on the solo Great. A flowing interlude follows in a minor key on the Swell strings, building to a restatement of the opening material, a full maestoso setting of the melody with big crashing chords, and again, the fanfare material to close the voluntary. Duration 4:00

O Love That Will Not Let Me Go

Variations On Hyfrydol

This creative and well-constructed music would be useful for a recital or a worship service. Sometimes the melody is stated straight out, sometimes it's charmingly disguised or altered. Duration 7:00.Contents:I. Intrada - fanfare-like, with trumpet stopsII. Andante - solo elaborated melody against stringsIII. Presto - manuals only until the last note, based on the melody in relative minorIV. Toccata - real melody in canon with minor melody from mvt. III between upper voice and pedal. Seven measures of double pedaling.

Eucharistic Acclamations on Diademata

Matthew Koraus has crafted a sturdy and very singable set of acclamations for the Eucharistic Prayer based on the hymn tune Diademata, ideal for the long season of Easter as well as Christ the King and other festive times. His adaptation of Elvey's hymn tune includes unexpected touches such as passing tones, rhythmic variations, and inventive harmonies, enabling the acclamations to remain fresh over time. Holy, Holy, Holy, all 3 Memorial Acclamations, and Amen are arranged for Assembly, Choir (in unison or with Descant), and Organ, with optional Two Trumpets or Brass Quartet. Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for TromboneI), Trombones I and II

On Christmas Night : Five Preludes For Organ

The composer has written a set of sparkly preludes of varying lengths which are perfect for use on Christmas Eve and throughout the Christmas season. The exception is 'Veni Emmanuel', which is meditative and quiet. All are full of creative energy yet completely approachable for the player and the listener.Contents:O Come, O Come, EmmanuelO Little Town of BethlehemOn Christmas NightOnce Again My Heart RejoicesOnce He Came in Blessing

Variations on Aurelia

Partita on Foundation

Partita on Truro

Come, Labor On

Eucharistic Acclamations on Diademata

Carillon on Forest Green

Eucharistic Acclamations on Diademata

On Wings of Song

Carillon on Forest Green

Variations and Fugue On A Christmas Carol

This score is based on the old British Carol "I saw three ships." There are seven variations preceding the fugue. After the theme has been stated, the first two variations extend the theme: the third variation introduces the pedals. The next three variations are in the style of Baroque genres: the fourth variation is a noël written as an homage to Daquin: the fifth variation is a figured chorale, in which the chorale Von Himmel hoch, da komm ich her makes its first appearance: and the sixth is a Handelian rigaudon. The seventh variation is a “carillion” in which Von Himmel hoch reappears. After a dramatic, dissonant chord, the score concludes with a chorale fugue during whichVon Himmel hoch appears in the pedal. Composed for and dedicated to David Higgs, in celebration of his twenty-five years of teaching at the Eastman School of Music. Duration: 6:45.

Let Us Go Rejoicing : Fanfare, Introit, and Procession for the Dedication of a Church

Let Us Go Rejoicing : Fanfare, Introit, and Procession for the Dedication of a Church

Let Us Go Rejoicing : Fanfare, Introit, and Procession for the Dedication of a Church

Peter Latona's setting of the Entrance Antiphon for the Dedication of a Church is a perfect balance of solemnity and festivity. It opens with a brass and organ fanfare (echoed later by organ alone) and a chant-like choral section. Then the antiphon unfolds—easily sung by the assembly, while the verses offer some "meat" for SATB choir. Brass Quintet is used well throughout, supporting the antiphons and decorating the verses. Appropriate also for church anniversaries, the Feast of the Dedication of St. John Lateran, Christ the King C, or other festive liturgies. Duration: 8:00 Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F, Trombone I and II, Timpani Part of the Cathedral Series.

Ding Dong! Merrily on High

Here the traditional text is set to a new melody marked "Jolly and quick," and it certainly is. The dance-like organ accompaniment and fun refrains in parallel thirds make this an engaging new Christmas anthem for your choir.

Variations on "O du fröhliche"