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With High Delight : Organ Music for Easter

The title of this collection says it all. These seven settings are imbued with a sense of fun and vitality. The pieces are three to five pages in length. The vibrant, active nature of them precludes sight reading them in public (who does that?) but they are not daunting to learn. Contents: Awake, My Heart, with Gladness Christ Is Alive! Let Christians Sing Come, You Faithful, Raise the Strain I Know That My Redeemer Lives Now the Green Blade Rises This Joyful Eastertide With High Delight

Ding Dong! Merrily on High

Here the traditional text is set to a new melody marked "Jolly and quick," and it certainly is. The dance-like organ accompaniment and fun refrains in parallel thirds make this an engaging new Christmas anthem for your choir.

Angels We Have Heard on High : Five Carol Accompaniments for Brass and Organ

Lift High the Cross

Three Trumpet Tunes for Organ

Appropriate for weddings, installations, or festive services.

Angels We Have Heard On High

Ding Dong! Merrily on High : Piano Accompaniment

Partita on At the Lamb's High Feast

Hymnography : 10 Hymn Preludes for Treble Instrument and Piano

Ten creative and interesting hymn preludes. To acknowledge how many people are asking for worship materials for those who must lead from the piano, these preludes use piano and a treble instrument.

On Christmas Night : Five Preludes For Organ

The composer has written a set of sparkly preludes of varying lengths which are perfect for use on Christmas Eve and throughout the Christmas season. The exception is 'Veni Emmanuel', which is meditative and quiet. All are full of creative energy yet completely approachable for the player and the listener.Contents:O Come, O Come, EmmanuelO Little Town of BethlehemOn Christmas NightOnce Again My Heart RejoicesOnce He Came in Blessing

So I Sent Them

John 17:17–18, from the High Priestly Prayer of Jesus, is the communion antiphon for Episcopal ordinations and a fitting text for other ordinations, installations, or commissioning. Composer Julian Revie has a flair for sensitivity to the text, and begins this prayer with hushed homophonic writing, gently supported by organ and French horn. The piece builds slowly but persistently, breaking into polyphonic, imitative writing, and reaches a dramatic fortissimo before tapering to the end.John 17:17–18, from the High Priestly Prayer of Jesus, is the communion antiphon for Episcopal ordinations and a fitting text for other ordinations, installations, or commissioning. Composer Julian Revie has a flair for sensitivity to the text, and begins this prayer with hushed homophonic writing, gently supported by organ and French horn. The piece builds slowly but persistently, breaking into polyphonic, imitative writing, and reaches a dramatic fortissimo before tapering to the end.

Paths of Truth and Grace : 11 Hymn Settings for Piano

This collection is for the accomplished pianist looking for a fresh and fun approach. While the difficulty level varies, each tune takes some attention before it's ready for performance. Contents: Amazing Grace Breathe on Me, Breath of God How Can I Keep from Singing Immortal, Invisible, God Only Wise Joyful, Joyful, We Adore Thee Lo, How a Rose E’er Blooming Lord, I Want to Be a Christian My Shepherd Will Supply My Need O Come, O Come, Emmanuel What Wondrous Love Is This When We Are Living (Pues si vivimos)

Hymns Of Promise : Three Settings For Organ

We are always being asked for settings of more recent hymn tunes, from the late twentieth century to more current ones. Jeremy Bankson has provided uplifting organ arrangements of John Bell's 'Kelvingrove', Natalie Sleeth's 'Hymn Of Promise', and Marty Haugen's 'Healer Of Our Every Ill'. Congregations everywhere sing these tried-and-true tunes, and organ versions are in short supply!

Two Pieces for Organ : Prelude in D and Exultation

Prelude in D, written for organist David Ball, is set in a languid 3/4 with a lyrical motif in the melody which passes through several harmonic developments but is consistently soothing and satisfying. Registration suggestions might be for a large instrument, but the elegance of the writing insures success on a smaller instrument as well. Duration: 3:30 Exultation was commissioned by Choir and Organ magazine for the dedication of the Miller-Scott Organ at Saint Thomas Church Fifth Avenue. It is a short, fiery postlude or recital piece. Of the two pieces, the difficulty level we've selected definitely comes from this final one. If you want to start or finish with a bang,consider Exultation. Duration: 1:30 Contents: Prelude in D Major Exultation Part of the Cathedral Series.

5 Hymn Accompaniments for Brass Quartet and Organ : Set 6

Michael Burkhardt brings his energetic style to these accompaniments for congregational hymns. While not difficult for either brass players or organist, these arrangements are effective and inspiring. Contents: Blessing and Honor Come, Worship God Built on the Rock God of Grace and God of Glory Guide Me, O Thou Great Jehovah My Hope Is Built on Nothing Less O Sons and Daughters, Let Us Sing

In dulci jubilo: Nine Accessible Hymn Preludes : for Advent and Christmas

Each hymn averages two pages of music requiring minimal rehearsal time. Great for preludes or reflections during Advent and Christmas.

Come By Here

Yes, it's KUM BA YAH! But this sensitive and sweet setting for SATB and Piano is not to be missed. In one spot it is suggested that the piano plays a guided improvisation over the choir singing neutral syllables. In another there is the option to sing unaccompanied. There is a quote of the hymn tune NICAEA (Holy, Holy, Holy) in the accompaniment. An emotional high point occurs when the sections each sing out their situations, "longing, falling, hiding, rising, aching, laughing, praising, finding, breathing, dying." Then answer together, "You are here." This work hits every high mark in terms of vocal writing, a skillful accompaniment, and a beautiful effect.

For Everyone Born

A stirring text by Shirley Erena Murray speaks to God's inclusive spirit and our need to be creators of justice. This unison setting is effective and includes a flowing piano accompaniment and cello part. A stirring text by Shirley Erena Murray speaks to God's inclusive spirit and our need to be creators of justice. This unison setting is effective and includes a flowing piano accompaniment and cello part.

For I Know

For I Know

Fairest Lord Jesus : Piano Music for Worship

A welcome addition to the repertoire of piano music for worship from Michael Larkin, this collection combines 6 hymn-based compositions with 2 original modal pieces. The writing is approachable and contains just the right amount of "spice" to make it interesting. Use as preludes, introductions, interludes, communion pieces, or postludes. Contents: Aeolian Hymn Come, O Long-Expected Jesus Fairest Lord Jesus Mixolydian March My Lord, What a Morning O God Beyond All Praising O Little Town of Bethlehem / All Beautiful the March of Days Praise to the Lord

Resounding Joy : Seven Festive Hymn Settings for Eastertide

A handy volume for Easter Vigil through the entire Easter season, this compilation includes some of our favorite-but-neglected gems from our back catalog as well as new music. Contents: Carillon on "We Walk by Faith" (Biery) Christ Is Risen! Shout Hosanna! (Callahan) The Day of Resurrection (Travis) Fantasia on Christ ist erstanden (Uppercue) Good Christian Friends, Rejoice and Sing! (Burkhardt) The Head That Once Was Crowned (Hobby) O Songs and Daughters, Let Us Sing (Trapp)

Two Carols for Organ

Gospel Acclamation for Lent

Third Sonata for Organ