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Musgrave: Black Tambourine

Poems by Hart Crane from White Buildings, set by Thea Musgrave for womens' voices, piano and percussion.Black Tambourine was commissioned by the Musart Singers, who gave the first performance at the Gallery Theatre, Los Angeles, on 31 May 1986.Duration c. 17 minutes.

George Dyson: Variations On Old Psalm Tunes for Organ Book 1

In the Variations on Old Psalm-Tunes for Organ, Dyson fully explores the composer’s chosen sources: Orlando Gibbons’s ‘Forth in Thy name, O Lord, I go’, Pry’s Psalter (1621) ‘O Lord, turn not away Thy face’, Thomas Campion’s ‘By the waters of Babylon’, and ‘God moves in a mysterious way’ from the Scottish Psalter (1635). These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that, due to their unfashionably accessible, late Romantic style, were allowed to languish and are now in the process of reassessment and renewed performance. However, Dyson’s works for unison Voice and church music – in particular his two settings of the Magnificat and Nunc Dimittis – have remained active in the Anglican repertoire.

Thea Musgrave: On The Underground Set 1 'On Gratitude, Love And Madness

The six poems set here are all to be found in '100 Poems on the Underground'. For SATB (divisi) A Cappella.

Pops On High - Songs On The Lighter Side For Upper-Voice Choirs

Pops on High includes thirteen superb arrangements of classic popular songs for upper-voice choirs.Songs by Paul Simon, Jule Styne, Sting, Leonard Cohen, Jerome Kern, Andrew Lloyd Webber have been arranged by leading choral experts. The selection covers a wide range of styles and moods ? choirs will be sure to find the right piece to provide a light section in a concert programme, or simply for an encore! Specially selected to suit all ages and abilities, Pops on High provides a rich and varied musical resource for upper-voice choirs from schools, youth and community music programmes, as well as older and longer-established choral groups.

Bill Withers: Lean On Me - SSA/Piano

Lean On Me is a classic soul song written by Bill Withers. Complete with finger clicks and a 'Doo-Wop' feel, this heart-warming ballad is the perfect sing-a-long for your audience. Recently adapted for the hit Television series 'Glee', this hit is proven as a favourite for young and old alike.Lean On Me has here been arranged by Christopher Hussey for SSA with Piano accompaniment and finger clicks. Lean On Me by musicroom

Kenneth Leighton: Fantasy On A Chorale Op.80

Fantasy on the Chorale 'Es ist genug' for Violin and Organ.

Stuart Nicholson: Ding Dong! Merrily On High

Ding Dong! Merrily On High has been expertly arranged by Stuart Nicholson, for SSA and Organ accompaniment.This brilliant Christmas favorite is sure to get any audience in the festive mood.

George Thalben-Ball: 113 Variations On Hymn Tunes For Organ

113 Variations On Hymn Tunes arranged for Organ.

Eric H. Thiman: The Spacious Firmament On High

Vocal score for Eric H. Thiman's The Spacious Firmament On High  for Unison voice and Organ accompaniment, with words by Joseph Addison.

DICKINSON PETER VARIATIONS ON A FRENCH FOLK TUNE HARPSICHORD BOOK

DICKINSON PETER VARIATIONS ON A FRENCH FOLK TUNE HARPSICHORD BOOK

John Joubert: Reflection On Plainchant Antiphon - In Odorem

John Joubert's Reflection On Plainchant Antiphon - In Odorem  for SATB. Commissioned by ORA100 for Suzi Digby OBE and the singers of ORA. Duration: 3 minutes

Coleridge-Taylor: 'Now Late On The Sabbath Day' SATB

Coleridge-Taylor 'Now Late On The Sabbath Day' arranged for mixed voice choir SATB with organ accompaniment.

Malcolm Sargent: Little David, Play On Yo' Harp

Little David, Play On Yo' Harp is a negro spiritual song arranged for unaccompanied SATB chorus by Malcolm Sargent. A piano part is provided for rehearsal purpose only.

Granville Bantock: Go Down, Moses (No.1 From 'Ten Negro Spirtuals')

Kenneth Leighton: Fantasy On An American Hymn Tune Op.70

Leighton 'Fantasy On An American Hymn Tune' Op 70. For Clarinet, Cello and Piano. Includes score and parts.

Thiman: Improvisation On Crimond for Organ

The composer’s craftsmanship is evident in this sarabande-like arrangement of Crimond , the tune the Anglican church often uses for ‘The Lord’s My Shepherd’. Eric H. Thiman was a 20th century composer, teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works, and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator, he was a professor at the Royal Academy of Music, and he wrote many books on harmony, counterpoint and musical form.

Richard Rodney Bennett: Reflections On A 16th Century Tune (Score)

Work for Double Woodwind Quintet, based on the sixteenth century French popular song A l?ombre d?un buissonet, first printed in La Couronne et Fleur (1536).

Rowley: Fantasy On Veni Emmanuel for Organ

Fantastia on ‘Veni Emmanuel’ – ‘O Come, O Come, Emmanuel’ – is an inventive exploration of this familiar Advent and Christmas carol with unexpected harmonisations. The final allargando, when the tune is made explicit, is a magnificent, uplifting finale.Twentieth century British composer Alec Rowley was also an Organist, pianist and dedicated teacher. Many of his compositions are miniatures and works appropriate for amateur musicians, though he also gained renown through his large-scale works performed at the Promenade Concerts and elsewhere.

Eric Thiman: Postlude On Adeste Fideles (Organ)

Eric Thiman was a 20th century composer, teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works, and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator, he was a professor at the Royal Academy of Music, and he wrote many books on harmony, counterpoint and musical form.

George Thalben-Ball: Variations On A Theme By Paganini For Organ Pedals

Sir George Thalben-Ball was organists of the Temple Church in London for over sixty years. Also a music advisor to the BBC, his compositions include Elegy, Tune In E In The Style Of John Stanley, Variations On Psalm And Hymn Tunes and Variations On A Theme By Paganini For Organ Pedals.

Richard Rodney Bennett: Reflections On A 16th Century Tune (Score/Parts)

Work for Double Woodwind Quintet, based on the sixteenth century French popular song A l?ombre d?un buissonet, first printed in La Couronne et Fleur (1536).

Lefanu: On The Wind (Choral Leaflet)

Robert Walker: Sun On The Celandines

For SATBarB Choir A Cappella.

Hamish MacCunn: On A Faded Violet

For Upper Voices (SSA) and Piano. Text: Percy Bysshe Shelley.

Hugh Blair: Fantasy On Christmas Carols

Work for Organ Solo.