Vores kunder ligger øverst på Google

Debbie Campbell: Big Momma (Melody Line - Pack of 10)

A moving story for unison voices and piano imagining the thoughts of a baby elephant separated from its family and transported from the wilds of Africa to a zoo a long way from home. The catchy melodies and inventive lyrics bring home to children the horror of ivory hunting and some disadvantages of zoo captivity. A splendid piece for end-of-term performance that also provides an excellent basis for classroom activity. 25 mins. This pack includes 10 copies of the melody line vocal part.Published in association with the World Wide Fund for Nature: performances of this work will benefit the WWF.You will require a license to perform this work at your school/youth theatre; please click here for more information and our application form.

Sallinen: Red Line (Libretto)

Palmer: Three Hymn Tunes In Modern Style For Unison Voice And Organ

Three hymn tunes bought in line with modern sensibilities and arranged for unison voice and organ.

John Eccard: Presentation Of Christ In The Temple (SSATBB)

Alternatively titled by first line 'When to the temple Mary went'. Translated from the German by the Rev J. Troutbeck.

Aulis Sallinen: Red Line Op. 46 (Vocal Score)

This was composed in 1978 and the fisrt UK performance was at the Wigmore Hall, London on 17 January 1979.

Debbie Campbell: The Emerald Crown - Melody Line (Pack of 10)

Debbie Campbell. Witty verses and catchy songs stimulate children to think about the vital preservation process which is needed to save the rainforests. The jungle animals, led by the ?rapper? Toucan and the ?Amazon Aristocrat? Jaguar, head the resistance against greedy developers who are intent on exploiting the lush rainforest for their own gain. The wide variety of tropical animals enables everybody in the school to be involved. Overture and 90 songs for unison voices and piano. An excellent resource for classroom activity as well as performance.Published in association with the World Wide Fund for Nature: performances of this work will benefit the WWF.

Paul Mealor: Sleep On- In B Flat

Sleep On takes pride of place on Hayley Westenra's album, Hushabye (Decca cat no: 4810351), written by Paul Mealor and dedicated to the Royal Baby.This Vocal Score for Sleep On includes the Soprano Vocal line and Piano accompaniment.

Paul Mealor: Sleep On- In C

Sleep On takes pride of place on Hayley Westenra's album, Hushabye (Decca cat no: 4810351), written by Paul Mealor and dedicated to the Royal Baby.This Vocal Score for Sleep On includes the Soprano Vocal line and Piano accompaniment.

Paul Mealor: Sleep On- In B Flat Full Score

Sleep On takes pride of place on Hayley Westenra's album, Hushabye (Decca cat no: 4810351), written by Paul Mealor and dedicated to the Royal Baby.This Vocal Score for Sleep On includes the Soprano Vocal line and Piano accompaniment.

Paul Mealor: Sleep On (Vocal Score)

Sleep On takes pride of place on Hayley Westenra's album, Hushabye (Decca cat no: 4810351), written by Paul Mealor and dedicated to the Royal Baby.The Vocal Score for Sleep On includes the Soprano vocal line and Piano accompaniment.

John McCabe: Erinnerung For Two Oboes And Cor Anglais

Erinnerung ("Remembering", or "A Remembrance") was commissioned with the aid of funds provided by the RVW Trust for the Evelyn Barbirolli Memorial Concert at the Bridgewater Hall, Manchester, on 6th June 2009. The score is written with the Cor anglais line transposed.

Eric Clapton: Wonderful Tonight (SSA/Piano)

Wonderful Tonight is the tender and memorable love song classic by Eric Clapton. This arrangement for SSA choir with Piano accompaniment captures the sweet and heartfelt feel of the piece with lush harmonies and a re-imagining of Clapton's unforgettable Guitar lead line on the Piano.

Peter Warlock: The Curlew

The Curlew was composed by Peter Warlock for Tenor and Piano Accompaniment.The Curlew The present new Hungarian translation was made in 2004 for a London concert. The prosody of the Hungarian language required many rhythmical changes in the vocal line, which had to be treatedwith a certain degree of freedom.

Richard Allain: Scandalize' My Name

For SSATTB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. "The Spirituals represent an extraordinary religious, social and musical legacy. They are among the most enduring examples of all vernacular art, and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality." - Richard Allain

Naresh Sohal: Shades IV (Solo Viola)

Shades IV , by Naresh Sohal , makes use of harmonies generated by the open strings of the Viola, which are heard pizzicato at the opening of the work accompanying a bowed melodic line. This passage recurs later, after a climax which sends the player to the highest reaches of the instrument, and the work ends with all four open strings plucked simultaneously.

Richard Allain: Walk Together, Children

For Soprano solo and SATB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. "The Spirituals represent an extraordinary religious, social and musical legacy. They are among the most enduring examples of all vernacular art, and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality." - Richard Allain

Richard Allain: Were You There?

For Soprano solo and SATB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. "The Spirituals represent an extraordinary religious, social and musical legacy. They are among the most enduring examples of all vernacular art, and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality." - Richard Allain

Richard Allain: Go Down In De Lonesome Valley

For Soprano solo and SATB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. "The Spirituals represent an extraordinary religious, social and musical legacy. They are among the most enduring examples of all vernacular art, and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality." - Richard Allain

Richard Allain: Give Me Jesus

For Soprano solo and SATB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. "The Spirituals represent an extraordinary religious, social and musical legacy. They are among the most enduring examples of all vernacular art, and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality." - Richard Allain

Richard Allain: Steal Away

For SSATB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. "The Spirituals represent an extraordinary religious, social and musical legacy. They are among the most enduring examples of all vernacular art, and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality." - Richard Allain

Philip Herbert: Silent Aria (Abridged Version)

Philip Herbert is a British composer based in Leicester. This delightful and wistful piece started life as a dance project with choreographer Henry Oguike, and was first performed in its entirety in 2013 in Leicester as part of Black History Month. This, slightly abridged version, gives the Oboe a singing line of great beauty. Herbert himself notes that he combines 'hypnotic and expressive melismas in the melodic line supported by the accompaniment supplied by the Piano, which draws on the influence of minimalism and chordal figuration that is to be found in some of the keyboard preludes of J.S. Bach'. The E flat section in the middle provides some contrast, and the delicately ornamented ending brings the piece to a calm conclusion. The metronome mark should be carefully noted so that the piece floats and flows nicely without getting stuck and indulgent.

G.F. Handel: Rejoice Greatly, O Daughter Of Zion (12/8)

A popular aria for Soprano from Handel's celebrated Messiah, edited by Watkins Shaw. This particular edition is presented in 12/8 time, rather than the more familiar 4/4 version, but with the Continuo line provided in the original simple time. The piece features the intimate arrangement of two Violins and Continuo with the Soprano soloist, and the music is brimming with Handel's delightful imitative melodic writing, creating an energetic dialogue between the soloist and the strings.

Richard Allain: Gonna Set Down An' Rest Awhile

A beautiful spiritual work arranged by Richard Allain for Soprano Solo and SSATB chorus (unaccompanied), with additional words by the arranger. Includes a Keyboard/Piano line for rehearsal purposes only."The Spirituals represent an extraordinary religious, social and musical legacy. They are among the most enduring examples of all vernacular art, and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality." - Richard Allain

Handel Lord Put Trust (Cranmer) Fs

The Full Score for George Frideric Handel 's 'Chandos Anthem' (No.2), In The Lord Put I My Trust , expertly edited by Damien Cranmer. Arranged for Tenor Soloist, SATB Chorus and Orchestra. This version replaces Handel 's original STB Chorus with an SATB Chorus, dividing the original tenor line between the alto and tenor, and expanding the chorus as a whole by using music from the instrumental parts, where possible.  You can purchase the  Parts separately here.

G.F. Handel: Rejoice Greatly, O Daughter Of Zion (12/8) - Accompaniment Parts

The accompaniment parts for this popular aria for Soprano from Handel's celebrated Messiah, edited by Watkins Shaw. This particular edition is presented in 12/8 time, rather than the more familiar 4/4 version, but with the Continuo line provided in the original simple time. The piece features the intimate arrangement of two Violins and Continuo with the Soprano soloist, and the music is brimming with Handel's delightful imitative melodic writing, creating an energetic dialogue between the soloist and the strings.