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Malcolm Arnold: A Grand, Grand Festival Overture Op.57 (Study Score)

The first published edition of Malcolm Arnold's playful 1956 overture written for the Gerald Hoffnung Festival. The orchestral score includes parts for three vacuum cleaners, an electric polisher and four rifles.

Beethoven Grand March In D Organ

Alfred Hollins: Grand Choeur No.1 For Organ

Work for Organ dating from 1895.

French Songs And Choruses For Mixed-Voice Choir

This collection of French Songs & Choruses includes a wealth of original choral music by French composers, as well as many wonderful arrangements of some of the greatest French songs ever composed. Suitable for Mixed-Voice Choirs of all sizes and abilities, this is the perfect collection for finding new performance pieces, but would work equally well as a complete concert programme. The selections in this songbook are second-to-none, with some of the most beautiful and affecting French choral music compiled into one volume. Many original works are included here, with these choral compositions by giants of French classical music often being regarded as some of their finest work. Pieces like Madrigal by Gabriel Fauré, a new edition of Maurice Ravel's incredible Trois Chansons , Camille Saint-Saëns's Calme Des Nuits and Trinquons  as well as Reynaldo Hahn's three Rondels , originally written for SATB choir.  French Songs And Choruses also features a great many arrangements of works that have been enjoyed by choirs and singers for many years. The harmonies of songs like Chanson D'Amour  by Gabriel Fauré convey just how stunning a song this is to hear as well as to sing, while others like Debussy's Beau Soir  offer a similarly beautiful take on a different theme. With all of these songs, the joy will be in careful selection, fantastic practice and the thrill of performance for you and your audience. Such a grand selection of Songs And Choruses For Mixed-Voice Choirs  is sure to enhance or invigorate your choir's repertoire, giving you an enjoyable introduction to the finest choral music that France has to offer. The delightful arrangements of the carefully-selected French Songs And Choruses  included in this collection will make a perfectly French-flavoured addition to your general repertoire, or simply a complete concert in itself. The clear and accurate engravings make this book a pleasure to dip in and out of in your search for the perfect song, and with so many great compositions included, we're sure you'll find it!  Please note that most of the lyrics are in French, but translations are included that also serve the purpose of enhancing your understanding of such poetic music.

The New Novello Book Of Short & Easy Anthems For Upper Voices

The New Novello Book Of Short & Easy Anthems For Upper Voices is a wonderful collection and an invaluable resource for Upper Voice choirs who have the desire to sing a variety of beautiful anthems, but who have an unfortunately limited amount of rehearsal time. Selected and edited by David Hill , this collection includes anthems that are easy to learn, enjoyable to sing but also sound simply fantastic. Some works included in this collection are universally-loved, pieces like Ave Maria  by Marcel Dupré, The Lord's Prayer by John Tavener and James Whitbourn's wonderful A Prayer Of Desmond Tutu . Despite the title of Short And Easy , these pieces are anything but mundane or tired, they are all exciting, versatile and enjoyable, making this collection perfect for any choir. The collection is an antidote to the fact that many choirs have to rehearse on a limited time, with limited resources. Learning from this collection is quick and efficient, but the songs don't compromise in beauty. With a range of styles, and settings for Eucharist and Evensong, this collection offers a carefully-chosen diversity for Upper Voice Choirs large and small. With James Davy's Sun Of My Soul, Philip Moore's Listen To The Song Of The Children and Elizabeth Poston's The Dormouse's Carol , the selection here is brilliant, including pieces for all occasions and events throughout the year. This makes Short And Easy Anthems  indispensable for Upper Voice Choirs and directors who will instantly be able to draw from a wealth of songs that can be learnt quickly. The works here include simple unison settings, while most of them can be performed with some flexible scoring, allowing the music to be opened up to wider choirs. Featuring a vast number of anthems that can be learnt and sung quickly, The New Novello Book Of Short & Easy Anthems  gives Upper Voice choirs a grand selection of songs that will prevent a reliance on the same ones. Whether your choir is large or small, the music contained within this collection is perfect for beautifully versatile melodies that can be learned very easily.

Josef Rheinberger: Sonatas 19 And 20 For Organ

Josef Rheinberger (b. 1839, d. 1901) was a prolific composer in almost every field, but he found in the Organ the medium best fitted to his genius and temperament. This seems to be proved by the fact that his reputation as an Organ composer has grown and is now firmly established, whereas his position in other branches has declined. His twenty sonatas and his numerous shorter pieces (about a hundred) make up one of the most important contributions to the Organ repertory. It may indeed be claimed that, in the maintenance of a high level of quality and interest throughout a long series of works of both large and small scale, his position as an Organ composer is second only to that of Bach. Sonata No. 19: The G minor Sonata is one of a small proportion of the twenty - No. 15 in D is another - concerning whose merits players are divided. It does not meet one half-way. It is the longest of the twenty: some monotony inevitably results from the use of the key of G for all its movements : its difficulties are of the ungrateful type : and the vigour of its first movement is often rough-even harsh. Yet it appears to be among the favourites of those who know it well; the late Dr. G. J. Bennett (a pupil of Rheinberger 's, and a devotee of the Sonatas) placed it among the best of the later numbers. Sonata No. 20: In spite of some inequalities, No. 20 makes a worthy end to a fine series. Rheinberger 's failing health at the time of its composition is no doubt responsible for a few moments of indecision, especially in the Finale. The invention shows little, if any, falling off. In all the sonatas there are few better themes of the broad diatonic type than that which opens the first movement ; and the pleasant tunes of the Intermezzo and Pastoral, and the swinging subject of the Finale are in the true Rheinberger vein. But the lack of a substantial fugal section is felt: it might well have come as a central portion of the Finale, which would then have been a capital example of the Grand Chreur type so well managed by Guilmant and other French composers.