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Peter Almqvist Trio W Horace P

Peter Almqvist (b.1957) is a superior cool-toned Swedish guitarist, who has been described as the “safe hands” for the future of Jazz Guitar. His playing is both fluid and tasteful. Having formed his own Trio in 1988, since then he has toured extensively - often alongside the late, great Art Farmer . In 1996 the Trio came together with the legendary Blue Note pianist Horace Parlan . The resulting CD, Peter Almqvist Trio With Horace Parlan features many satisfying solos by both artists, and is easily recommended for any jazz collector.

Buddy Tate: The Texas Tenor

Buddy Tate was born in Texas, February 22, 1915 and had his first gig in 1927. He worked with various bands including Count Basie?s Orchestra from 1939 ? 1949 and had his own band in 1953. From the early 70s he toured many times in Europe and Japan. This 2CD features recordings at Antibes, France July 23, 1975 with Doc Cheatham (tp) Vic Dickenson (tb & vo) Johnny Guarnieri (p) George Duvivier (b) and Oliver Jackson (dr) and in Copenhagen Live at La Fontane September 24, 1975 with Tete Montoliu (p) Finn Zigler (vl) Bo Stief (b) Svend Erik Nørregaard (dr). Buddy Tate is one of the saxophonists that represent the Texas Tenor sound together with Illinois Jacquet, Arnett Cobb, Jimmy Guiffre and King Curtis.

Ralph Sutton Quartet Feat. Bob Wilber Vol 4

When we lost Ralph Sutton in December 2001, - he was within a couple of month of his 80th birthday. His Music lives on through the legacy of his recordings, to which these previously unissued 1969 live performances make a most welcome addition. One of the greatest jazz pianists around, who in his stride playing in particular, mastered the great standards set by the Harlem Giants of the 1920?s: James P. Johnson, Fats Waller, Luckey Roberts and Willie ?The Lion? Smith.

Ralph Sutton: In Copenhagen

Ralph Sutton visited Copenhagen a number of times and played with the local musicians. On this CD he plays solo, duo, quartet, sextet and septet with the best Danish musicians. Ralph Sutton is a brilliant stride piano player who played timeless jazz. He was influenced by James P. Johnson and Fats Waller.On the sextet and septet session his fellow American Wild Bill Davison plays trumpet. His piano solo is Bix Beiderbecke?s famous composition In The Dark.This is a CD for fans that like timeless jazz played by very good musicians.

Thad Jones: The Danish Radio Big Band & Eclipse

The Thad Jones/Mel Lewis Big Band visited Scandinavia a couple of times and was a sensation. Later when Mel Lewis and Thad Jones had some difficulties Thad got an offer from the Danish Radio Big Band where his first season was (1977-78). Thad Jones wanted to play his own music and played as many as ten radio broadcasts per year at the Montmartre Club. At the same time he also started up his own big band, Eclipse, with his own repertoire, based at Jazzhus Slukefter in the Tivoli Garden. On this double CD you can hear both orchestras. There are many American musicians in the bands: Idrees Sulieman (tp) and Richard Boone (tb & vo) Tim Hagans (tp) Horace Parlan (p) Ed Thigpen (dr) Sahib Shihab (saxes) Emmanuel Rahim (congas) all living in Copenhagen at the time.

Stan Getz: Stan Getz At Large

Stan Getz began his career with Jack Teagarden?s band when he was 16 years old. Then with Stan Kenton, Jimmy Dorsey, Benny Goodman and Woody Herman. Stan Getz rose to prominence with Woody Herman?s recording of ?Early Autumn.? In 1958 he settled in Copenhagen and stayed for 3 years. He played at the Café Montmartre with Jan Johansson (p) Dan Jordan (b) and William Schiøpffe (dr). They recorded these two CDs in the Kildevang Church in Copenhagen, the 14th & 15th of January 1960. The recording took place in the daytime and they recorded the same tunes they played in the evening at the Montmartre. They recorded 17 tunes whereas 7 was composed by musicians like Oscar Pettiford?s ?Café Montmartre Blues". Oscar Pettiford also lived in Copenhagen. Other tunes that were very popular at the Montmartre was ?Younger Than Springtime", "The Thrill Is Gone? and ?I Like To Recognize the Tune.?

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