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Sahib Shihab: Sentiments

NHØP/Mulgrew Miller: The Duo - Live!

NHØP/Mulgrew Miller: The Duo - Live!

Exclusive to Storyville Records, a previously unreleased live concert with jazz stars Niels-Henning Ørsted Pedersen (Bass) and Mulgrew Miller (Piano) is now finally available for everyone to enjoy. For a short but magnificent time, the two played together, and Storyville's revival of their visit to the North Sea Jazz Festival in Holland in 2000 testifies to their musical brightness and beauty. In 1999-2000, Niels-Henning Ørsted Pedersen was given the chance to make a studio recording on the occasion of Duke Ellington’s 100th birthday. For this duo session, NHØP chose Mulgrew Miller , whom he had heard, but never played with. Both were at the height of their careers, giants in their own right, and with totally different backgrounds. NHØP was born into the Danish folk high-school milieu that promoted freedom of thought and had a prolific song tradition. Growing up as the child of plantation workers in Greenwood, Mississippi, Mulgrew had his roots in gospel music and the racially divided USA of the 1960s. A Duke Ellington connoisseur, he had played with the Ellington Orchestra under direction of Mercer Ellington. Still, from the moment NHØP and Miller met and played together, the two had an affinity as human beings and musicians. They chose a repertoire based on the historic 1941 Duke Ellington—Jimmy Blanton duets. Mik Neumann, NHØP ’s long-time producer, says about their collaboration: “What was special was how their music assimilated the divergent influences of their younger days. Remarkable, too, was the degree of profundity in their interplay – a talent that demands years of experience for a musician to deliver, and possibly also for an audience to understand. At the same time, thanks to their ability to swing, and their inbred musicality, the music was also immediately accessible.” In many ways, Piano-and-Bass was the ultimate constellation for  NHØP and Miller . Here, NHØP had the necessary room to display the same creative brilliance that revolutionized modern contrabass playing. In 2000, NHØP and Mulgrew Miller embarked on a world tour celebrating Duke Elington’s 100th birthday. Mik Neumann recalls the special connection between the two musicians: “Not once during the tour did they sit down and discuss what they were going to play – it materialized on stage, in the moment.” Recorded live, all the tracks on this never before released concert remain in the same order as the two masters chose that evening at the North Sea Jazz Festival. They are at the peak of their abilities, combining new version of the Ellington songs they had previously recorded together with jazz standards. NHØP and Miller  have sadly passed away, but are remembered as intelligent and insightful musicians on and off stage, but also as unconditionally generous mentors and influences for generations of musicians after themselves.

SEK 296.00
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Art Pepper: Live In USA

Art Pepper: Live In USA

Art Pepper was a teenager in the late 1940s, when he began his professional career with Gus Arnheim's band, an esteemed relic from a bygone era. He also had another brush with the past, playing with Benny Carter, a man whose music remained forever fresh. With that background, young Pepper went out on his own, becoming a familiar face along Los Angeles' bustling Central Avenue. There he played alongside some of the great up-and-coming post-war jazz men, musicians who, like himself, would become the new faces of jazz. When the military called upon Pepper to serve, he did so between stints with the blossoming Stan Kenton Orchestra, but the discipline learned from both those gigs went by the wayside as he got caught up in the chaotic swirl of hedonism, jazz and drugs that characterized and ruined the life of many musicians back then. The inherent criminality of that life eventually landed Pepper a series of prison terms, but he managed to get back on track and, with the help of Laurie, his extraordinary wife and biographer, resume his career.This set comprises two live California sessions produced by Laurie Pepper in 1975 and 1977, respectively. The music is an often deeply emotional, lingering reflection of an exceedingly hard life that was slowly receding. At this point, Pepper had spent three years in rehab at Synanon and firmly established himself as one of the most important alto player of the post-bop period. He is in fine form, surrounded by young players whose skills he respected.1.Foothill Blues2.I'll Remember April3.Here's That Rainy Day4.Cherokee1.Mr. Yohe2.The Golden Gate Bridge3.The Trip4.Lost Life5.A Night In Tunisia

SEK 296.00
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