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From Ancient Times : 5 Original Pieces for Brass Quartet

A composition in five movements that sound as if from a former age. They are in fact newly composed pieces but, stylistically speaking, are ‘historically accurate’. They can be performed separately or one after the other. The important thing is that the lead part at any point is given enough ‘space’ in terms of dynamics and overall balance. Old music, newly composed, at times cheerful and at others solemn, which create the very special charm of this composition.

From Ancient Times - for Saxophone Quartet : 5 Original Pieces

From Ancient Times - for Clarinet Quartet : 5 Original Pieces

From Ancient Times : 5 Original Pieces for Clarinet Quartet

A composition in five movements that sound as if from a former age. They are in fact newly composed pieces but, stylistically speaking, are ‘historically accurate’. They can be performed separately or one after the other. The important thing is that the lead part at any point is given enough ‘space’ in terms of dynamics and overall balance. Old music, newly composed, at times cheerful and at others solemn, which create the very special charm of this composition.

From Ancient Times - for Brass Quintet : 5 Original Pieces

From Ancient Times : 5 Original Pieces for Saxophone Quartet

A composition in five movements that sound as if from a former age. They are in fact newly composed pieces but, stylistically speaking, are ‘historically accurate’. They can be performed separately or one after the other. The important thing is that the lead part at any point is given enough ‘space’ in terms of dynamics and overall balance. Old music, newly composed, at times cheerful and at others solemn, which create the very special charm of this composition.

Glenn Van Looy presents 5 Concert Pieces : for Euphonium & Piano

E-Mail from Santa : 5 Christmas pieces for Brass Quintet

Glenn Van Looy presents 5 Concert Pieces : for Horn & Piano

Glenn Van Looy presents 5 Concert Pieces : for Bb Cornet & Piano

Crossover Suite No. 1 : for Saxophone Quartet

Crossover Suite No. 1 comprises five stylistically very diverse movements. 1. INTRODUCTION: A brisk opening leads to a bass groove on baritone saxophone. Various animated stylistic elements such as finger snaps are contrasted with ‘straighter’ elements familiar from march music. 2. VIENNESE WALTZ: A waltz in a minor key, with the characteristic and unmistakable accompaniment in the Viennese style. 3. ROUNDABOUT: Roundabout is a rondo with recurring motifs and a point of rest in the adagio. 4. STOMPS AND CLAPS: As the name suggests, the work is performed with the help of hands and feet. Body percussion alternates with technically demanding passages. 5. FINALE: A rapid final movement with a dolce middle part leads to a furious closing section with changes of meter and some dynamic surprises. Each movement can also stand on its own, but when performed as a complete suite this composition shows off the full breadth and capability of a saxophone quartet.