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Jo Kondo: Motet Under the Rose

For 12 voices, SATB.

SEK 107.00

1

Jo Kondo: Under The Umbrella (Parts)

Published 1976. First performance: Tokyo (Music Today Festival), 1976, Nexus.

SEK 383.00

1

Jo Kondo: Under The Umbrella (Score)

Published 1976. First performance: Tokyo (Music Today Festival), 1976, Nexus.

SEK 327.00

1

Sadie Harrison: ...Under The Circle Of The Moon...

First performance: Peter Sheppard Skaerved and Phillipa Mo, Leighton House, London, May 2004.

SEK 161.00

1

Evis Sammoutis: '??? - Nyx' (Score)

??? ? Nyx was expertly composed by Evis Sammoutis for Bassoon and Piano. The piece was completed in 2013 and performed at the 62 Internationaler Musikwettbewerb der ARD München.The Cypriote born composer, Sammoutis, Evis, has worked with some of the worlds leading composers including, among many others, Brian Ferneyhough, Georges Aperghis, George Benjamin, as well as studying under Thomas Simaku for his Phd in Musical Composition.Sammoutis? works have been commissioned by festivals and organisations such as Venice Biennale, Klangspuren, Royaumont and ARD, and performed at leading festivals and contemporary music series in more than 40 countries across the globe.Sammoutis has been awarded over 35 compositional awards including, among many others, the Royal Philharmonic Society Award and the Irino Prize.

SEK 175.00

1

Evis Sammoutis: '??? - Nyx' (Score And Parts)

??? ? Nyx was expertly composed by Evis Sammoutis for Bassoon and Piano. The piece was completed in 2013 and performed at the 62 Internationaler Musikwettbewerb der ARD München.The Cypriote born composer has worked with some of the worlds leading composers including, among many others, Brian Ferneyhough, Georges Aperghis, George Benjamin, as well as studying under Thomas Simaku for his Phd in Musical Composition.Sammoutis? works have been commissioned by festivals and organisations such as Venice Biennale, Klangspuren, Royaumont and ARD, and performed at leading festivals and contemporary music series in more than 40 countries across the globe.Sammoutis has been awarded over 35 compositional awards including, among many others, the Royal Philharmonic Society Award and the Irino Prize.

SEK 258.00

1

Luís Tinoco: Before Spring (A3 Conductor's Score)

A3 conductor's score for Luís Tinoco 's Before Spring for Symphony Orchestra. Originally composed in 2010, this new Orchestral version was premièred by the Portuguese Symphony Orchestra, under the baton of Joana Carneiro, at the S. Carlos Theatre in Lisbon on the 18th of January 2014. 'Before Spring' was originally scored for 16 players, following a commission from the OrchestrUtopica to be performed as a tribute piece to Stravinky?s 'The Rite of Spring'. It was premièred on the 29th of May 2010 by the OrchestrUtopica, conducted by Cesário Costa, at the CCB ? Centro Cultural de Belém, in Lisbon. Following a commission from OPART / Teatro Nacional de São Carlos, 'Before Spring' was later revised and scored for Symphony Orchestra. - Luís Tinoco .

SEK 382.00

1

Luís Tinoco: Before Spring (Study Score)

Study score for Luís Tinoco 's Before Spring for Symphony Orchestra. Originally composed in 2010, this new Orchestral version was premièred by the Portuguese Symphony Orchestra, under the baton of Joana Carneiro, at the S. Carlos Theatre in Lisbon on the 18th of January 2014. 'Before Spring' was originally scored for 16 players, following a commission from the OrchestrUtopica to be performed as a tribute piece to Stravinky?s 'The Rite of Spring'. It was premièred on the 29th of May 2010 by the OrchestrUtopica, conducted by Cesário Costa, at the CCB ? Centro Cultural de Belém, in Lisbon. Following a commission from OPART / Teatro Nacional de São Carlos, 'Before Spring' was later revised and scored for Symphony Orchestra. - Luís Tinoco .

SEK 286.00

1

Ed Hughes: Flint (Conductor's Score)

Ed Hughes ' Flint for Orchestra. A3 conductor's score. ' This orchestral piece is in three continuous sections, lasting approximately fifteen minutes. It evokes landscape through music. The particular landscape I have in mind is the Sussex Downs, which is scarred by pockets of white and black (chalk and flint). For me, landscape is peculiarly connected with time - both in the historical sense of a landscape that would have been recognisable to past generations, and in the immediate sense of a walk or journey through it, which might resemble the psychological and cultural experience of a mind 'walk' - through a piece of music. The material consists of lyrical lines which conjure the mesmerising quality of the landscape with its long flowing lines and smooth geometries. Against this, there are jagged and eruptive musical elements which perhaps correspond to the cuts in the landscape caused by such things as quarries and natural erosion. The chalk and the flint are here revealed and exposed to the often brutal elements. The quarries also represent visible human interventions in the landscape (the Downs, as Prof. Matthew Cragoe has remarked, for all their wildness, are invisibly shaped by millennia of human habitation). The work was written between 2011 when the South Downs National Park came into being, and 2014 when the area directly around Sussex University, where I work, (essentially from Shoreham through to Lewes and a little beyond) was recognised as a Biosphere Reserve under UNESCO's Man and the Biosphere programme. ' - Ed Hughes

SEK 370.00

1

Ed Hughes: Flint (Study Score)

Ed Hughes ' Flint for Orchestra. A4 study score. ' This orchestral piece is in three continuous sections, lasting approximately fifteen minutes. It evokes landscape through music. The particular landscape I have in mind is the Sussex Downs, which is scarred by pockets of white and black (chalk and flint). For me, landscape is peculiarly connected with time - both in the historical sense of a landscape that would have been recognisable to past generations, and in the immediate sense of a walk or journey through it, which might resemble the psychological and cultural experience of a mind 'walk' - through a piece of music. The material consists of lyrical lines which conjure the mesmerising quality of the landscape with its long flowing lines and smooth geometries. Against this, there are jagged and eruptive musical elements which perhaps correspond to the cuts in the landscape caused by such things as quarries and natural erosion. The chalk and the flint are here revealed and exposed to the often brutal elements. The quarries also represent visible human interventions in the landscape (the Downs, as Prof. Matthew Cragoe has remarked, for all their wildness, are invisibly shaped by millennia of human habitation). The work was written between 2011 when the South Downs National Park came into being, and 2014 when the area directly around Sussex University, where I work, (essentially from Shoreham through to Lewes and a little beyond) was recognised as a Biosphere Reserve under UNESCO's Man and the Biosphere programme. ' - Ed Hughes

SEK 360.00

1

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