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Trevor Wishart: Vox 1, 2, 3, 4, 6 (All In One Volume)

Vox 1, 2, 3, 4, 6 (all in one volume)

Elisabeth Lutyens: One And The Same Op.97

Scena for Soprano, speaker (actress), 2 female mimes (one preferably a dancer), 1 male mime, and ensemble: Flute (+Piccolo, Alto Flute), Clarinet (+Bass Clarinet), Piano (+Celeste), 2 Percussion, Violin(+Viola), CelloPublished 1973Libretto: E. Lutyens.First performance: Jane Manning, Freda Dowie, Vesuvius Ensemble, Alexander Ray, London Ballet Theatre, York Festival, 21st June 1976.

Matthew Roddie: Six-One-Two

For Horn, Trumpet, Trombone and Percussion.First published in 1998.First performance by University of York New Music Group conducted by James Williams in June 1999.Score.

One and a Half Preludes

Anthony Gilbert: Tulip Tree

15'; for bass, treble, possibly sopranino recorders (one player)Published 200260th birthday present for John Turner.Score.

Luís Tinoco: Short Cuts (D) - Parts

Short Cuts  was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos, one tenor and one baritone. This new version, however, asks for a different scoring of three Bb Clarinets, one bass Clarinet, and one Percussionist (Vibraphone and Marimba).  The work’s main purpose is to play with two possible meanings for " Short Cuts ". That is, both with the idea of sharp and cutting musical gestures and the idea of taking a different, shorter, path to reach a specific destination. But, most of all, it was written thinking of the wonderful sonority and the rare qualities of the ASQ, to whom the work was dedicated.

Luís Tinoco: Short Cuts (D) - Score

Short Cuts  was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos, one tenor and one baritone. This new version, however, asks for a different scoring of three Bb Clarinets, one bass Clarinet, and one Percussionist (Vibraphone and Marimba).  The work’s main purpose is to play with two possible meanings for " Short Cuts ". That is, both with the idea of sharp and cutting musical gestures and the idea of taking a different, shorter, path to reach a specific destination. But, most of all, it was written thinking of the wonderful sonority and the rare qualities of the ASQ, to whom the work was dedicated.

James Weeks: MURAL

MURAL has been composed by James Weeks for one or more SATB quartets. This work also has two covers, one for the preliminary page booklet (marked 'Performance Notes'), and a second to engulf a shrink-wrapped bundle of 61 loose-leaf, single-sided A4 portrait score pages.

Luis Tinoco: Short Cuts (G) - Parts

Short Cuts  was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos, one tenor and one baritone. This new version, however, asks for a different scoring of two Soprano Saxophones, one Tenor Saxophone, one Baritone Saxophone and Percussion (Vibraphone and Marimba).  The work’s main purpose is to play with two possible meanings for " Short Cuts ". That is, both with the idea of sharp and cutting musical gestures and the idea of taking a different, shorter, path to reach a specific destination. But, most of all, it was written thinking of the wonderful sonority and the rare qualities of the ASQ, to whom the work was dedicated.

Luís Tinoco: Short Cuts (E) - Score

Short Cuts   was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos, one tenor and one baritone. This new version, however, asks for a different scoring of three Bb Clarinets and one bass Clarinet. The work’s main purpose is to play with two possible meanings for "short cuts". That is, both with the idea of sharp and cutting musical gestures and the idea of taking a different, shorter, path to reach a specific destination. But, most of all, it was written thinking of the wonderful sonority and the rare qualities of the ASQ, to whom the work was dedicated.

Luís Tinoco: Short Cuts (E) - Parts

Short Cuts   was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos, one tenor and one baritone. This new version, however, asks for a different scoring of three Bb Clarinets and one bass Clarinet. The work’s main purpose is to play with two possible meanings for "short cuts". That is, both with the idea of sharp and cutting musical gestures and the idea of taking a different, shorter, path to reach a specific destination. But, most of all, it was written thinking of the wonderful sonority and the rare qualities of the ASQ, to whom the work was dedicated.

James Weeks: Low Country (Study Score)

James Weeks ' Low Country for String Quartet. Study score. This is one movement from Schilderkonst, which was composed 2003-4 and is dedicated to Michael Finnissy.

James Weeks: Low Country (Set Of 4 Performing Scores)

James Weeks ' Low Country for String Quartet. Set of four performing scores. This is one movement from Schilderkonst, which was composed 2003-4 and is dedicated to Michael Finnissy.

James Weeks: Three Trios (Study Score)

Three Trios was expertly composed by James Weeks, for Piano Violin and Cello.James Weeks is said to be ?one of the most inventive young composers and conductors out there? The Guardian.

James Weeks: Saerendam (Parts)

James Weeks ' Saerendam for Chamber Ensemble (2 Alto Flutes, Oboe d'amore, 2 Clarinets (in A), Vibraphone, Guitar, Organ accompaniment). Parts. This is one movement from Schilderkonst, which was composed 2003-4 and is dedicated to Michael Finnissy.

Jo Kondo: Three Sappho Fragments

For mixed choir, Flute and Tom TomPublished 2003. Tom tom may be played by one of the choir members. First performance: Yotsuya-kumin Hall, Tokyo, 10th August 2003 Nobuaki Tanaka (Cond), Yukihiko Nishizawa (Fl), 'Tsukuru-kai' Choir.

James Weeks: Saerendam (Score)

James Weeks ' Saerendam for Chamber Ensemble (2 Alto Flutes, Oboe d'amore, 2 Clarinets (in A), Vibraphone, Guitar, Organ accompaniment). Score. This is one movement from Schilderkonst, which was composed 2003-4 and is dedicated to Michael Finnissy.

Hilda Paredes: Reencuentro

Reencuentro has been beautifully composed by Hilda Paredes.Hilda Paredes has received many prestigious awards for her work and is one of Mexico's leading contemporary composers.Reencuentro was written to celebrate the 70th birthday of Mexican writer and composer Mario Lavista.

Ben Gaunt: Seven Shrinking Machines

Seven Shrinking Machines by Ben Gaunt was written for Icasrus Ensemble as part of the European Composers? Professional Development Programme 2012.Seven Shrinking Machines had its world première at Spazio Icarus, Reggio Emilia, Italy on the 19th November 2012. and later received its UK première at Bates Mill, Huddersfield, UK on the 21st November 2012.Seven Shrinking Machines is a study in proportion and memory. Seven distinct musical sections are presented, each with their own identity and set of rules; each with their own ?DNA?. As the piece is played out a section is taken away one at a time until only one remains.

Ed Hughes: When the Flame Dies (Score)

For Soprano, Mezzo, Countertenor, Tenor, Baritone, Ensemble and Electronics.Singers:Eurydice (Soprano)Princess (Mezzo)Loved One (Countertenor)Orpheus (Tenor)Poet (Baritone)Ensemble:Flute (doubling Piccolo/Alto Flute)Clarinet (doubling Bass Clarinet)HornTrumpetPercussion (1 player: Timpani, Bass Drum, 4 x Toms, Glockenspiel, Vibraphone)Typewriter (to be performed by a member of the ensemble)HarpPianoViolin 1Violin 2ViolaCelloDouble BassElectronics

Christopher Leedham: Möbius Sticks

Möbius Sticks for Clarinet, Percussion and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 5 minutes. Named after German mathematician August Ferdinand Möbius, a Möbius strip has only one surface and one boundary. Inspired by this phenomenon, Möbius Sticks is built around a constantly twisting but ultimately singular melodic line set in motion by the Percussion. The other instruments weave melodic strands and try to impose some sense of direction on proceedings, but all they can do is merely shed a slightly differing light on the infinitely repeating strip that runs through the centre of the piece. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester.

Christopher Leedham: Möbius Sticks

Möbius Sticks for Clarinet, Percussion and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 5 minutes. Named after German mathematician August Ferdinand Möbius, a Möbius strip has only one surface and one boundary. Inspired by this phenomenon, Möbius Sticks is built around a constantly twisting but ultimately singular melodic line set in motion by the Percussion. The other instruments weave melodic strands and try to impose some sense of direction on proceedings, but all they can do is merely shed a slightly differing light on the infinitely repeating strip that runs through the centre of the piece. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester.

Hilda Paredes: Eihei-Ji

Eihei-Ji was expertly composed by Hilda Paredes for Soprano Recorder, Tenor Recorder, Bass Recorder and Electronics.Hilda Paredes is one of the leading Mexican composers of her generation. Her music is now performed widely around the world. Paredes has been commissioned by soloists, ensembles and orchestras around the world.Hilda's music has been performed by internationally renowned ensembles such as Lontano, London Sinfonietta, Ensemble Modern and many more.

Sarah Dacey: Cruel Brother

Sarah Dacey 's Cruel Brother for three voices (SSA). Duration: 4 minutes Composed: 2011 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. The only two recordings I found of this ballad were very different from one another and as I wasn’t really sure I liked either of them, I decided to compose my own version and amend the lyrics.