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STRAUSS JOHANN THUNDER AND LIGHTNING POLKA PIANO DUET (ARR. GEEHL)

STRAUSS JOHANN THUNDER AND LIGHTNING POLKA PIANO DUET (ARR. GEEHL)

The North Face

Painting a musical portrait of a great mountain peak and its many moods and vistas, Jay Bocook has skillfully adapted his popular work for full band for the flex-band format. Lots of variety and a film-scoring flavor.

The North Face

Magnus Lindberg: Songs From North And South

Songs From North And South by Magnus Lindberg. 5 songs for upper voices unaccompanied.

George Nicholson: Volte-face (Parts)

For Soprano, Flute, Oboe, and Violin.duration: 3'30"Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination. When the complete set is played, the following order of performance is recommended:Embers ? Shailing and wambling ? Volte-face ? Groundswell ? Catch ? Idyll ? For Tess ? Along uponThe duration of Wessex Heights is about an hour.Parts.

George Nicholson: Volte-face (Score)

For Soprano, Flute, Oboe, and Violin.Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination. When the complete set is played, the following order of performance is recommended:Embers ? Shailing and wambling ? Volte-face ? Groundswell ? Catch ? Idyll ? For Tess ? Along uponThe duration of Wessex Heights is about an hour.

Wilfred Josephs: In The North Op.158 (Full Score)

In The North was commissioned by the Helsinki Philharmonic Orchestra as a 'Hommage To Sibelius' to celebrate the 125th anniversary of the great compopser's birth.

The First Time Ever I Saw Your Face

The hit single The First Time Ever I Saw Your Face arranged for piano and voice, complete with lyrics and guitar chord boxes.

Philip Hensher: Powder Her Face (Libretto)

The Libretto of Powder Her Face, an opera by Thomas Ades. The work was commissioned by Almeida Opera and premiered in the Everyman Theatre, Cheltenham in July 1995, as part of the Cheltenham Festival. The libretto is by Phillip Hensher.

John Tavener: The Hidden Face

The Hidden Face is a prayer, for solo counter-tenor, oboe, and a distant group of muted violins and violas. It tries to hold within it a whole tradition with nothing personal or idiosyncratic, as in ikon painting, though this is a severe challenge for a composer working at the end of the 20th Century.

Milow: North and South - Songbook

This songbook includes all songs from the album North and South, plus the two hits Ayo Technology and You Do not Know arranged for piano, vocal and guitar. Ayo Technology, a cover version of the original 50 Cent feat. Justin Timberlake and Timbaland . Some songs are included twice: once in the original version, and once in an easier singing key. There are also photos of Milow.

Cant Feel My Face Renegades & More Hot Singles Easy Gtr Tab Bk

Contains five simple and easy to read charts of today's most popular downloads. Songs include Can't Feel My Face, Renegades, Shut Up And Dance Tear In My Heart, and Uma Thurman.

Helen Grime: Harp of the North

For Solo Piano. Harp of the North was commissioned by Warren Mailley-Smith in November 2004. First performed at the Stratford-upon-Avon Music Festival, October 2005.A lyrical melody is central to the texture in the opening section, often interrupted or partially shaded by surrounding filigree material. Two passionate and more agitated interjections punctuate the course of the piece, with the lowest of the bass notes, which are sparingly used, occuring at the main climax. A tender and melancholy reminder of the opening material leads the work to a gentle close.

Thea Musgrave: Going North (Parts)

Going North was commissioned by the Young People?s Chorus of New York for ?Transient Glory, the Voices of Children?, Francisco J. Nunez, artistic director. First performed at the Transient Glory Concert on 29th April 2006 at the Ethical Culture Society, New York City. The composer writes of her composition, 'It is challenging to find a way to compose that hopefully will be interesting and fun for young people and yet not too difficult. A major concern of course is to find the right text: something that will be appreciated by urban young people. I thought that this 'nonsense' poem of John Keats would be highly suitable. It is set for young voices, soprano and alto and accompanied by two clarinets.' Set of parts.

Arc In The Sky From North Country Concerto : for Cello and Orchestra Full Score

The third movement of NORTH COUNTRY CONCERTO for cello, this music is influenced by rough-hewn folk music. The patterns of bowing across the strings suggest a crossing, or 'arcing' motion rising at the end into an image of An Arc in the Sky.

Thea Musgrave: Going North (Vocal Score)

Going North was commissioned by the Young People?s Chorus of New York for ?Transient Glory, the Voices of Children?, Francisco J. Nunez, artistic director. First performed at the Transient Glory Concert on 29th April 2006 at the Ethical Culture Society, New York City. The composer writes of her composition, 'It is challenging to find a way to compose that hopefully will be interesting and fun for young people and yet not too difficult. A major concern of course is to find the right text: something that will be appreciated by urban young people. I thought that this 'nonsense' poem of John Keats would be highly suitable. It is set for young voices, soprano and alto and accompanied by two clarinets.'

Arctic Fire : 1st Movement of Portraits of the North

The cinematic approach to the music of Arctic Fire portrays many different images of the north - the crimson sunlight glinting off the icebergs, the radiance of the Northern Lights, the blaze of the Red Twig Dogwood, the scarlet red sunsets, and the fiery spirit of the people who live there. The piece opens and closes with a series of dramatic musical snapshots. In between, the music evolves and transforms through a wide range of stylistic textures and moods. A brilliantly scored and effective setting for winds. Dur: 5:15

The King's Singers Choral Series: Bob Chilcott – North American Folksongs

Bob Chilcott joined the King's Singers in 1987 and sang tenor in the group for 12 years while also serving as their primary arranger. This collection includes 8 favorite North American folksongs, now available for the first time in a single volume. Includes: Black Is the Color of My True Love's Hair, Feller from Fortune, The Gift to Be Simple, The Golden Vanity, I Bought Me a Cat, L'habitant de Saint-Barbe, The Lazy Man, She's Like the Swallow . The pieces in this collection are for SATB divisi a cappella.

Due North

Running North

E.J. Moeran: The North Sea Ground

This edition of The North Sea Ground is dedicated to the memory of Gordon Cumming, the former secretary of the Oxford and Cambridge Musical Club, whose interest in Moeran prompted the intervention that rescued the manuscript from possible destruction and ensured its preservation.Editorial NotesThe text written by Moeran in his manuscript shows some differences when compared with the poem as it was published in Punch magazine. Most of these are minor alterations in punctuation and word capitalization. In each case, the Punch source has been used for the performing edition.The main textual variation is Moeran?s omission of the fifth verse of the poem. There is no way to change this in the musical setting so, for completion, the verse is included in brackets in the poem text. There is one difference in the set words: the third line of verse 6 (fifth set verse) has the word sweep in the original where Moeran?s manuscript has keep. This edition replaces Moeran?s word with sweep as this is both poetically consistent and true to the original verse.Throughout the original poem many words are apostrophized: for example, lyin? for lying, an? for and, goin? for going. This usage is consistent throughout the poem with the exception of the last line of the final verse, where the word lying evokes a heightened poignancy. Moeran?s text is inconsistent and apparently random. Again, the usage in the poem has been followed for this performing edition.The musical transcription is true to Moeran?s manuscript with the exception of the addition of a number of rests that were (presumably accidentally) omitted. Some of the more extreme range notes have also been rendered more readable by the use of octave-shift notation. The ties in the piano in bars 31 and the end of 59 are editorial.AcknowledgementsI am indebted to John Talbot, former Chairman of the British Music Society, for assistance in the preparation of this performing edition and I would like to express my grateful thanks to him. I would also like to thank Professor Jeremy Dibble of Durham University for invaluable advice regarding the historical context of the manuscript.        Ian Maxwell, Music Department, University of Durham

Volbeat Logo Face Covering

Akst Baby Face Pv

Text: Benny Davis Danish text: Knud Pheiffer Vers.for orch/ens available: MM11010B

The Right Human Face