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Sant Guitars AC-84 BK western-guitar sort

Sant AC-84 är vår mest populära och bästsäljande westerngitarr i full storlek med stålsträngar (41''). Sant Guitars AC-84 är en rejäl gitarr med ett fint och stort ljud, som samtidigt är mycket prisvärd med ett exceptionellt bra förhållande mellan pris och kvalitet. Gitarren är väldigt komplett, och har fina bindningar runt kroppen och halsen, samt bra stämskruvar, så den är enkel och okomplicerad att stämma. Täcke: gran Rygg och sidor: Lindträ Gripbräda: Svart valnöt Bro: Svart valnöt Stränglängd: 64,8 cm Gitarren kommer försedd med stålsträngar Full storlek västerländsk gitarr (41 tum) Gedigen gitarr med ett fint och stort ljud Färdig gitarr med fina bindningar runt kropp och hals, samt bra mekanik Rekommenderas för nybörjare Väska, hackor och rem ingår Inkluderade varor Gigbag, Picks, rem Antal strängar 6 Skriv Dreadnought Cutaway Nr Topp Gran Solid topp Nr Sidor Lime tree Solida sidor nr Tillbaka lind Solid rygg nr Gripbräda Svart valnöt Bro (bro) Svart valnöt Finish Högblank Skala 648 mm (25,50") Rosett Ja Pickguard nr Stämhuvuden Die Cast Inbyggd förförstärkare nr Tuner nr Fodral Gigbag

SEK 1470.00

Toccata e Fantasia

Toccata e Fantasia was inspired by the composers’ love of Anton Bruckner’s fantastic wind instrument scoring in his symphonies. Within Toccata e Fantasia Thomas Doss has used several of Bruckner’s motifs. In addition to these obvious references you will also find hints of Eastern music with the small motifs being repeated again and again in a sort of Indian guru’s mantra, and an improvised blues section with a Big Band feel! A unique concert work that will thrill your audience.

K&M Orchestra Music Stand med svart skrivbord i trä - 118/4

Dessa orkester stativer från K&M i professionell kvalitet är klippfasta tacket vara den støbte basen och foldbare ben. Et prismatisk »V-blok«-stik fastgør den aftagelige pult til stativet. Pultene fås i en rad premium träsorter och andra material. Tilslutningsstativ/plade: prismatisk »V-blok«-stik EAN: 4016842107209 Höjd: från 740 till 1,635 mm Benkonstruktion: fatning med foldbare ben Material: stålstativ, träpult Musikbords mål: 550 x 355 mm Produktkategori: Överlinje Stangkombination: 3-delt vikdesign Särskilda egenskaber: extra hög Typ: krom stativ, sort pult i træ. Vikt: 4,5 kg

45's Bluetooth Headphones - Black

Something cool, different and exciting. Encapsulating the spirit of Soho itself, the 45’s are the number 1 headphone for touch and swipe control and have amazing hybrid noise cancellation. Also, the outer shell of the 45’s has incorporated a record deck look from the future. Look at the specification, if you like that sort of thing, and compare it to other brands, it just sounds good. Gesture controls Up to 60-hour battery life Exceptional Noise cancelling Comfortable memory foam earcups USB-C type Charging cable included

I Vespri Siciliani : Ouverture

In 1854, Verdi was in Paris to compose I vespri siciliani (1855), a commission from the Theatre of the Opera. The composer soon became intolerant to the requests of the French “Grand Opéra” as he considered them too restrictive and cunning. “I’ll be very happy when I have finished I vespri siciliani. An opera at the Opéra is as tiring as killing a bull. Five hours of music?…Hauf!” Verdi declared. Following the first performance, the French composer Hector Berlioz wrote in the “Journal des Débats” an article that read “We have to admit that in I vespri siciliani, the penetrating intensity of the melodic expression, the sumptuous variety of theinstrumentation, the fullness, the poetical sonority of the whole, the warm vivacity that shines everywhere and the passionate strength, although slow in disclosing (a characteristic feature of Verdi’s talent), give the entire work a mark of greatness, a sort of majestic sovereignty more underlined than in Verdi’s previous theatre productions.”

From the Highlands

Enjoying his travels in Scotland, Marco Pütz decided to compose a piece for wind band, based on Scottish folk songs. While in the airport at Glasgow, shortly before boarding his plane, Pütz bought a collection of folk melodies from all over Scotland that had been arranged for flute. At first he harmonized several melodies in his own style, then he began to alter the resulting pieces (especially rhythmically). Eventually Pütz added passages here and there and orchestrated the piece for wind band. Pütz’s resulting composition is an educational work that is both enjoyable and appealing to players of all ages, although it was written with young bands in mind. From theHighlands is part of a project to increase the repertoire available to youth and school bands, both in quantity and quality; an important personal and musical goal for the composer. This is Pütz’s third contribution of this sort to be added to the De Haske catalogue, following his successful Arrows of Lightning and Four Sketches for Band.

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