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Karen Tanaka: Always In My Heart

Karen Tanaka: Always In My Heart

For Clarinet and Piano.Quoting Karen Tanaka: Always in My Heart was commissioned by the Japanese clarinetist, Yuji Murai. He told me he liked my piece for harpsichord, Jardin des herbes. In that piece I tried to create the fragrance of aromatic herbs with sound. Murai asked me to write something sweet and similar to Jardin des herbes for his clarinet. Always in My Heart comprises of three pieces: Letter to you, Tears in the rain and Always in my heart. It was first performed in Tokyo on 26 October 26 1999.

SEK 236.00
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Karen Tanaka: The Song Of Songs For Cello And Electronics (CD-Rom)

Karen Tanaka: The Song Of Songs For Cello And Electronics (CD-Rom)

This work was commissioned by Yutaka Fujishima and the Xebec Hall. It was first performed by Ryoichi Fujimori in Mito, Japan on 10th November 1996. Duration: 8 minutes 10 seconds. Quoting Karen Tanaka: The title comes from the Song of Solomon of the Old Testament, which is a beautiful song of love.I have attempted to project this sensual song of love onto the sound of cello and computer. My intention was to weave color and scent into the sound while blending the ancient story and today's technology. The sound of cello is consistently gentle and tender.

SEK 207.00
1

Karen Tanaka: Metal Strings (Parts)

Karen Tanaka: Metal Strings (Parts)

Scored For String Quartet. Commissioned by the New Arts String Quartet, first performed in Tokyo November 1996.Quoting Tanaka: The title Metal Strings suggests speed metal rock music which I have been listening to a lot in recent years. I find an explosive energy in its music that people of today thirst for. Previously I have explored solid, speedy and metallic sound in pieces such as 'Wave Mechanics' (1994), 'Wave Mechanics II' (1994) and 'Metalic Crystal' (1994-95). This idea has been extended and developed in my string quartet, Metal Strings.

SEK 246.00
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Karen Tanaka: Metal Strings (Score)

Karen Tanaka: Metal Strings (Score)

Scored For String Quartet. Commissioned by the New Arts String Quartet, first performed in Tokyo November 1996.Quoting Tanaka: The title Metal Strings suggests speed metal rock music which I have been listening to a lot in recent years. I find an explosive energy in its music that people of today thirst for. Previously I have explored solid, speedy and metallic sound in pieces such as 'Wave Mechanics' (1994), 'Wave Mechanics II' (1994) and 'Metalic Crystal' (1994-95). This idea has been extended and developed in my string quartet, Metal Strings.Score only edition, separate parts are also available on sale.

SEK 276.00
1

Karen Tanaka: Techno Etudes For Piano

Karen Tanaka: Techno Etudes For Piano

Composer's NoteIn January 1999, I was asked by Tomoko Mukaiyama to write a new Piano piece for her. Originally she requested that the piece should synchronize with techno music chosen by her which would be pre-recorded on a tape. As we discussed the piece over the following months, we realized that a solo Piano work without a tape part would be more substantial. However, the idea of techno remained constantly between us. Finally I wrote a set of three pieces, entitled Techno Etudes. The idea of the whole piece can be summarized with the three key words; techno, rhythm and speed.Karen Tanaka

SEK 276.00
1

Karen Mueller: Celtic Autoharp (Book/Online Audio)

Karen Mueller: Celtic Autoharp (Book/Online Audio)

This collection of 35 Celtic tunes represents ten different performance styles from Ireland, Scotland, Wales and Brittany. The majority of these pieces are dance tunes such as the jigs and reels popular at Irish sessions, the informal gatherings of musicians in pubs, community halls, and homes. Although relatively new to the session ensemble, the Autoharp bears a distinct resemblance to the Irish Folk Harp. Fittingly, this collection includes Harp tunes by famed Irish harpist Turlough O'Carolan as well as other slow airs. All of the pieces in this book have been arranged to be played on any standard 15 or 21-bar chromatic Autoharp in either melodic or rhythmic (backup) style. A melody line with suggested chord accompaniment is included so other instrumentalists can easily join in. The book's companion online audio includes performances of all 35 selections, ably illustrating the rhythmic and stylistic nuances of this engaging music. In notation and tablature.

SEK 301.00
1

Karen Harrington: Tic-Tac-Toe Music Games

Karen Harrington: Tic-Tac-Toe Music Games

This reproducible book features six fun activities for kids. Games include: Tic-Tac-Symbols, Tic-Tac-Notes, Tic-Tac-Rhythm, Tic-Tac-Intervals, Tic-Tac-Keys and Tic-Tac-Tempos. Each Tic-Tac-Game may be played by any number of students by reproducing the desired number of game cards. Each individual game includes the master sheet, calling card sheet and ten different game cards. Suggestions for playing the games and additional activities are included. As an added bonus, the book includes the activity, Circle of Keys along with a wide variety of suggestions for use. Designed for classroom use as well as for small group instruction.

SEK 410.00
1

Per Nørgård: Pastorale 1988 (Score)

Per Nørgård: Pastorale 1988 (Score)

version for string orchestra(the original version from 1997 is for string trio)Duration: ca. 6 min.Parts are for hire: hire@ewh.dkPreface l Programme N o teMy PASTORALE is melodicallyutterly simple, almost "ear-catching". The simplicity stems frommy hymn-tune JERUSALEM, the theme ofwhich permeates my ineideutal music for Oscarwinningfilm (Best F oreign Film.1987), BABETTE' S FEAST, by Danish director GabrielAxeLThe film is based on a shortstory by another reknown Dane, Karen Blixen; i t is the story o f twosisters who aremernhers o f a very Puritan congregation, but deeide to have a hig feast of earthly(gastronomic) delights; the PASTORALE is heard during the sumptuous meal.Bel o w the song-like surface of my PASTORALE the metrical implications arerather ambiguous;the changes between marked and un-marked beats forces the ear to perceive a phrase to beo nthe beat at one moment, and offthe beat at the next moment. In this w a y, the simple lines o flyrical pastoral serenity conjure the listener to be lulled into an artificial Paradise, which is exactlythe mood ofthe guests at the banquet, the feast, in the central scene ofthe movie.The original PASTORALE is scored for string trio; the present version for string orchestra camealong in 1988 and was premieredin New York City that year.Per Nørgård, 1999

SEK 353.00
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