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Horn Concerto in E-flat major No. 3 : KV 447

Concert D Op.77

Concert D Op.77

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 287.00
1

Concert D Op.77

Concert D Op.77

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 250.00
1

Concerto

Concerto

Johannes Brahms' Violin Concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work hasever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score, solo part and autograph Piano reduction but alsohis personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the workingrelationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing editionand includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir, H.Heermann, L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standardwork Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph JoachimValuable cadenza brochure with cadenzas by Joachim, Halir, Heermann, Auer and Busoni Full score, critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) availablefor sale

SEK 281.00
1

Violin Concerto No.5 In A K.219 : for Violin and Orchestra

Violin Concerto No.4 in D major K.218 : Piano Reduction

Violin Concerto No.4 in D major K.218 : Piano Reduction

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart’s D major violin concerto is easierto play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part isalso included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments.This collection offers players aspectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273)available for sale

SEK 245.00
1

Violin Concerto No.4 in D major K.218

Violin Concerto No.4 in D major K.218

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart’s D major violin concerto is easierto play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part isalso included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments.This collection offers players aspectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273)available for sale

SEK 271.00
1

Violin Concerto No.3 In G K.216

Violin Concerto No.3 In G K.216

Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart’s G Major ViolinConcerto is easier to play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tuttipassages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow forthe transition to the solo section.A prepared performance part is also included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, ”Eingänge”and fermata embellishments by Eugène Ysaÿe, Leopold Auer, Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New MozartEditionFull score and parts (BA4865), Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.

SEK 239.00
1

Violin Concerto No.3 In G K.216

Violin Concerto No.3 In G K.216

Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post ofconcertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimentingwithall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart’s G Major ViolinConcerto is easier to play, uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tuttipassages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow forthe transition to the solo section.A prepared performance part is also included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, ”Eingänge”and fermata embellishments by Eugène Ysaÿe, Leopold Auer, Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New MozartEditionFull score and parts (BA4865), Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.

SEK 308.00
1

Livet Skal Jo Leves - John Mogensen-Sangbogen

Livet Skal Jo Leves - John Mogensen-Sangbogen

Livet Skal Jo Leves - John Mogensen-Sangbogen af Henrik Smith-Sivertsen og Jakob Faurholt. Sangeren, komponisten og Danmarks dansktop-rebel, John Mogensen (1928-1977), skrev sig direkte ind i den danske folkesjæl med tekster og melodier, som stadig hænger i ører og danseben. På forunderlig vis beherskede han både det livsfilosofiske og det umiddelbare, glade udtryk, som gjorde ham til en ener i dansk populærmusik. Vi kan synge med på rigtig mange af John Mogensens ikoniske sange, og det er ikke tilfældigt - John kunne sit håndværk, og han sled for sagen, endda i dobbelt forstand: spillejobs og indspilninger dag og aften - og hjem og skrive sange i nattens stille timer. I løbet af en professionel karriere, der strakte sig over 25 år, nåede han at være en del af de populære vokalkvartetter Blue Boys og Four Jacks for derefter i 1970erne at blive til solisten John Mogensen, som lagde landet ned med sine medrivende og vedkommende sange, der stadig sætter ord på tanker og følelser, som de fleste kan nikke genkendende til. I denne bog kan du opleve John i alle sammenhænge: tant, fjas, nedtur, optur, kærlighed og politik - og uanset sammenhængen som nærværende og ærlig. Musikformidler og -forsker Henrik Smith-Sivertsen sætter John Mogensen i perspektiv i en længere introduktion samt forsyner de enkelte sange med fyldige noter. Jakob Faurholt har tilrettelagt noderne og desuden transskriberet de sange, som ikke tidligere har været udgivet på tryk. Sangene er gengivet som becifret melodilinje med underlagt tekst og ledsages af fotografier fra hele John Mogensens karriere.  

SEK 233.00
1