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Individually Passed Down Instrumental Works - Händel, Georg Friedrich

complete edition, score, part(s), Urtext edition, Anthology Instr Indbundet udgave

SEK 3336.00

1

Luceafarul : The Evening Star

Luceafarul (The Evening Star) is based on an old Romanian legend about a princess who falls in love with the evening star. Eventually the star returns her love, and one night he climbs down in human form to her. However, their love failsbecause of his realisation that such a connection between heaven and earth is impossible. Thomas Doss has translated this romantic, touching love drama into an equally dramatic and emotional musical work. Deeply moving!

SEK 3061.00

1

Tales & Legends

This three-movement work by the Swiss composer Etienne Crausaz reflects three true stories and fascinating legends from the Middle Ages. The first movement tells the dramatic story of the ‘witch’ Catherine ‘Catillon’ Repond (1662–1731). She was the last woman ever to be executed for sorcery. In the second movement, the famous court jester Girard Chalamala occupies centre stage. This jester, the last one at the castle of Count Greyerz, could make everyone laugh. The third movement tells the story of Count Michael. He went down in history as a spendthrift bon-vivant. His burden of debt became so high that he did a moonlight flit and never came back!

SEK 2298.00

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Missa in g. Hasse-Werkausgabe IV/3

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor [1783], with the inserted movement "Ad te levavi," is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves.

SEK 2212.00

1

Ballet Music

This volume is the second of three planned volumes of ballet music composed between 1759 and 1769 in Vienna. They represent only a small portion of Viennese ballet music attributed to Gluck for which musical sources have been preserved. The volumes form a compendium that offers comprehensive editorial coverage of Gluck’s activities as “Compositore von der Music zu denen Balletten” (composer of the music to the ballets). The present volume contains compositions from the years 1759 and 1760 (and, accordingly, the 1759/60 and 1760/61 seasons).The ballets have been passed down only as sets of parts. They were commissioned by Count Joseph Adam Prince of Schwarzenberg andoriginated around the time of the premiere performances from the workshops of Viennese copyists. Today, they are housed in the State Regional Archive Ceský Krumlov (with the exception of the sinfonia for “Le Prix de la Danse”, which has also been handed down as a composition by Ignaz Holzbauer.)The ballet music works consist of a series of mostly short but occasionally lengthier movements that can be repeated or joined into larger musical units. “Les Corsaires” and “Le Prix de la Danse” were both premiered in December 1759 at the Kärntnertortheater in Vienna with choreographies by Charles Bernardi, while Gasparo Angioloni most likely created the choreographies for “Le Berger magicien”, “Les Miquelets espagnols”, and “Le Naufrage” (premiered in 1759 at the Burgtheater), as well as those for “Les Faunes” and “Les Trois Couleurs” (premiered in 1760 at the same venue).The two Bernardi ballets are the only examples for which scenic descriptions have been recorded in the chronicle of theatrical performances by court dancer and ballet master Philipp Gumpenhuber. However, telling titles and works with similar contents help to reconstruct the thematic orientation of the respective ballets.

SEK 3909.00

1

Samtliche Werke Studien Und Skizzen : Studien- und Skizzenbuch III

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety.Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documentedin some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which – having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions – will approach as closely as is possible the intention of theoriginals.The critical edition will form the basis of accurate performance material for Robert Schumann‘s work.

SEK 2599.00

1

Symphony No. 4 Op. 120 : score and critical commentary - complete edition

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which – having corrected scribal, copying and printing errors and eradicatedlater additions and other textual corruptions – will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann‘s work.

SEK 2764.00

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Responsoria et alia : ad Officium Hebdomadæ Sanctæ spectantia

Carlo Gesualdo‘s “Responsoria” were printed in 1611, the same year as the last two of his madrigal books. Despite having received little attention at the time and during the following centuries, this collection can be regarded as part of the composer’s spiritual heritage in many respects. It was to become a central part of his oeuvre.The edition contains 27 responsories, nine each for Maundy Thursday, Good Friday and Holy Saturday, divided into three nocturnes for each respective day: and two compositions for the Lauds of Holy Week, “Benedictus” and “Miserere” (Psalm 50). The Foreword discusses the editorial approach and offers a description as well as an evaluation of thepreserved partbooks. Based on detailed coverage of how the selected texts relate to the liturgy, as well as the six-part structure of the pieces and other musical principles, conclusions could be drawn regarding the nature and character of the assembled compositions.The Critical Commentary records all readings of handed down copies, elaborating particularly on the use of accidentals. Carlo Gesualdo‘s “Responsoria” were printed in 1611, the same year as the last two of his madrigal books. Despite having received little attention at the time and during the following centuries, this collection can be regarded as part of the composer’s spiritual heritage in many respects. It was to become a central part of his oeuvre.The edition contains 27 responsories, nine each for Maundy Thursday, Good Friday and Holy Saturday, divided into three nocturnes for each respective day: and two compositions for the Lauds of Holy Week, “Benedictus” and “Miserere” (Psalm 50). The Foreword discusses the editorial approach and offers a description as well as an evaluation of thepreserved partbooks. Based on detailed coverage of how the selected texts relate to the liturgy, as well as the six-part structure of the pieces and other musical principles, conclusions could be drawn regarding the nature and character of the assembled compositions.The Critical Commentary records all readings of handed down copies, elaborating particularly on the use of accidentals.

SEK 4259.00

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Mosaici Bizantini

Three Byzantine mosaics, to be seen in churches in Venice and Palermo inspired Franco Cesarini to compose this work. He took the musical motives from Gregorian chants. The mosaics concerned deptic the following extracts from "The Gospel According to St. Matthew". I. The NativityThe Magi from the East: "Where is the newborn King of the Jews? For we have seen his star in far-off eastern lands and we have come to worship Him." II. The Temple of JerusalemAnd look! The curtain secluding the Holiest Place in the Temple was split apart from top to bottom: and the earth shook and rocks broke, and tombs opened and many godly men and women who had died, come back to life again. III. Angelof the ResurrectionAn angel of the Lord come down from heaven drew near, rolled away the stone and sat upon it. His countenance was lightning and his attire white as snow.

SEK 3145.00

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SKB MalletKAT Express Case

This new injection molded Express case is a part of the i-Series of waterproof cases. i-Series injection molded waterproof cases are constructed of ultra high-strength polypropylene copolymer resin and feature a gasketed, waterproof and airtight, submersible design (IP67) that is resistant to corrosion and impact damage. Its continuous molded-in hinge, patented trigger release latch system, TSA accepted and approved locks, comfortable, snap-down rubber over-molded cushion grip handle, secure stacking, and automatic ambient pressure equalization valve (MIL-STD-648C) all contribute to its military grade design. It features a combination foam/cleat interior, which holds theinstrument securely during transport. Adhesive backed foam in the lid also secures your MalletKAT Express. This case features built-in wheels, offering tilt-and-go transport, and is water resistant making it excellent protection for your Express. Interior Length: 34 inch. Interior Width: 13.5 inch. Interior Depth: 4.5 inch. Exterior Length: 39 inch. Exterior Width: 17 inch. Exterior Depth: 7 inch. Product Weight: 16.75 lb.

SEK 3493.00

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SKB MalletKAT Pro Case

This new injection molded MalletKAT Pro case is a part of the i-Series of waterproof cases. i-Series injection molded waterproof cases are constructed of ultra high-strength polypropylene copolymer resin and feature a gasketed, waterproof and airtight, submersible design (IP67) that is resistant to corrosion and impact damage. Its continuous molded-in hinge, patented trigger release latch system, TSA accepted and approved locks, comfortable, snap-down rubber over-molded cushion grip handle, secure stacking, and automatic ambient pressure equalization valve (MIL-STD-648C) all contribute to its military grade design. It features a combination foam/cleat interior, which holds theinstrument securely during transport. Adhesive backed foam in the lid also secures your MalletKAT Pro. This case features built-in wheels, offering tilt-and-go transport, and is water resistant making it excellent protection for your Pro. Interior Length: 48 inch. Interior Width: 13.5 inch. Interior Depth: 4.5 inch. Product Weight: 18.85 inch.

SEK 4173.00

1

Festival of Faith

Festival of Faith is a celebration of the life and ministry of Christ. Through hymns, original anthems and scripture readings, we travel with Him down the dusty roads of Galilee and the ancient stone streets of Jerusalem. We climb the windswept hill of Calvary and enter the garden of resurrection. The orchestration creates a soundscape for this dramatic retelling and a full line of companion products are available to support your rehearsals and performance. This significant work is ideal for performances during Eastertide and will have a lasting impact on your community as they remember the life of the Savior. Songs include: Procession of Faith- And Can It Be That I Should Gain- ACall to Faith- Come to the Mountain- Prayer of Restoration- Festival of Palms- In the Breaking of the Bread- Shadow Garden- I Saw the Cross of Jesus- Easter People, Rise- A Call to Alleluia. Score and Parts for Full Orchestra (fl 1-2, ob/enghn, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) and Consort (fl, cl, tpt 1-2, tbn, perc, kybd) available as a Printed Edition and as a digital download.

SEK 4350.00

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La fille du régiment : Edizione critica a cura di Claudio Toscani (testi in italiano e inglese)

La fille du régiment, always one of Donizetti’s most popular stage works, was first performed at the Thé tre de l’Opéra-Comique in Paris on 11 February 1840. It was composed by Donizetti, to a libretto by Saint-Georges and Bayard, in 1839, for the French debut of soprano Juliette Bourgeois. Later on, Donizetti prepared an Italian version as well, using a libretto adaptation by Calisto Bassi, and making several alterations to the French version of the score (the premiere of the new version, entitled La figlia del reggimento, took place at La Scala Theatre in Milano on 3 October 1840). The opera enjoyed tremendous success at the Opéra-Comique alone, more than one thousandperformances were given between 1840 and 1917 , and was widely staged in the major European and American opera houses. Owing to the lack of available autograph music sources only a few score sketches and fragments survive, kept at the Bibliothèque Nationale de France , the principal source for this edition is the printed score prepared by the Parisian publisher Georges Schonenberger during the spring of 1840. Together with the full score, Schonenberger also engraved and printed the orchestral parts. Previously, the publishing house had printed the piano vocal score of several selected numbers from La fille du régiment, as well as the complete score reduction of the work. The Schonenberger edition constitutes, however, a problematical source. The engravers had to work under great pressure - the score was assembled in less than a month -, and the final product turned out to be of mediocre quality, abounding in imperfections, errors, and inconsistencies affecting both the literary and the musical texts. This critical edition has therefore been realized, first of all, through a careful reconstruction process: the text handed down by tradition was compared with a number of sources (including the manuscript scores of the Italian version) that have enabled the editor to address the multiple problems posed by the principal source. The spoken dialogues, missing in the printed music sources, are derived from the libretto used for the première. The critical edition of La fille du régiment reinstates Tonio’s romance «Pour me rapprocher de Marie» from Act Two, included

SEK 4627.00

1

Novation LAUNCHKEY-37-MK3 37 keys, 16 pads

Launchkey is our intuitive and fully integrated MIDI keyboard controller for making tracks in Ableton Live and with your external equipment. The Launchkey experience is designed for players of all types and abilities. With Launchkey, regardless of experience, you can create and play your music like never before. With its various musical creation features, all of which can be used standalone, Launchkey removes barriers to creativity, and expands the musical vocabulary of even the most talented keyboardists. Eight Scale modes guide you into new musical territory, by transposing keys played to notes in the scale selected. Simply choose your root note and your preferred scale, then play. Three Chord modes transform the keys and pads into an interactive surface of musical exploration, where every note played is tonally and harmonically linked. The arpeggiator lets you explore new melodies and find ideas quickly, while the mutate function reconstructs your patterns into exciting new forms. Custom Modes simplify the relationship between controller and software, with more power than ever in your hands. Programmable using the Novation Components browser-based tool, Custom Modes let you design the behaviour of your Launchkey, with control over control assignments, MIDI routing, pad colour and much more. Launchkey 37 [MK3] is equipped with a full-size five-pin MIDI DIN output, enabling simple connection to the universe of MIDI devices — new and old. Coupled with its immense standalone potential, Launchkey is now the centrepiece to your live or studio rig — computer or not. The Launchkey platform has always been about flexibility, and the MK3 revision carries this mantra at its core. Larger, improved velocity-sensitive pads provide greater control over dynamics, and eight fixed rotary knobs bring your software to life at your fingertips. The integration with Ableton Live is truly seamless, with a dedicated button for activating the Capture MIDI function, plus track arm, quantise, click and loop controls, for flying around your Session faster than ever. Not an Ableton Live user? No problem, Launchkey also has full integration with Logic and Reason, plus out of the box functionality with other DAWs including Studio One, Cubase and Pro Tools, via HUI. Whether starting out or locked in a groove, Launchkey is the controller keyboard to take you further on your musical journey. With a collection of software instruments, including Ableton Live 10 Lite, Serato Sample LE, Spitfire Audio LABS Expressive Strings, XLN Audio Addictive Keys, Klevgrand R0Verb and DAW Cassette, AAS Session Bundle, a two-month Splice Sounds membership and the Novation Sound Collective, Launchkey 37 equips you with an amazing bundle of sounds. - Aftertouch : Yes - Arpeggiator : Yes - Backlit pad : Yes - Category : Master keyboard - Compatibility : PC, Mac - Controller : Pitchbend, Modulation, Octave up/down, 8 encoders - Dimensions (mm) : 258 x 555 x 77 - Display : LCD - Inputs : USB, Sustain pedal - Key format : [Clavier] - Number of keys : 37 - Number of pads : 16 - Number of potentiometers : 8 - Outputs : USB, Midi, USB Type B - Power supply : USB - Provided software : Ableton Live Lite, Bundle AAS Session, Spitfire Audio LABS - Expressive Strings, Klevgrand R0verb & DAW Cassette, XLN Audio Addictive Keys - Touch : Semi-weighted - Transposition : Yes - Velocity sensitive : Yes - Velocity sensitivity of the pads : Yes - Weight (kg) : 2,18 kg

SEK 2499.00

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Novation LAUNCHKEY-61-MK3 61 keys, 16 pads

Launchkey is our intuitive and fully MIDI keyboard controller for making tracks in Ableton Live and with your external equipment. The Launchkey experience is designed for players of all types and abilities. With Launchkey, regardless of experience, you can create and play your music like never before. With its various musical creation features, all of which can be used standalone, Launchkey removes barriers to creativity, and expands the musical vocabulary of even the most talented keyboardists. Eight Scale modes guide you into new musical territory, by transposing keys played to notes in the scale selected. Simply choose your root note and your preferred scale, then play. Three Chord modes transform the keys and pads into an interactive surface of musical exploration, where every note played is tonally and harmonically linked. The arpeggiator lets you explore new melodies and find ideas quickly, while the mutate function reconstructs your patterns into exciting new forms. Custom Modes simplify the relationship between controller and software, with more power than ever in your hands. Programmable using the Novation Components browser-based tool, Custom Modes let you design the behaviour of your Launchkey, with control over control assignments, MIDI routing, pad colour and much more. Launchkey 61 [MK3] is equipped with a full-size five-pin MIDI DIN output, enabling simple connection to the universe of MIDI devices — new and old. Coupled with its immense standalone potential, Launchkey is now the centrepiece to your live or studio rig — computer or not. The Launchkey platform has always been about flexibility, and the MK3 revision carries this mantra at its core. Larger, improved velocity-sensitive pads provide greater control over dynamics, and eight fixed rotary knobs bring your software to life at your fingertips. The integration with Ableton Live is truly seamless, with a dedicated button for activating the Capture MIDI function, plus track arm, quantise, click and loop controls, for flying around your Session faster than ever. Not an Ableton Live user? No problem, Launchkey also has full integration with Logic and Reason, plus out of the box functionality with other DAWs including Studio One, Cubase and Pro Tool , via HUI. Whether starting out or locked in a groove, Launchkey is the controller keyboard to take you further on your musical journey. With a collection of software instruments, including Ableton Live 10 Lite, Serato Sample LE, Spitfire Audio LABS Expressive Strings, XLN Audio Addictive Keys, Klevgrand R0Verb and DAW Cassette, AAS Session Bundle, a two-month Splice Sounds membership and the Novation Sound Collective, Launchkey 61 equips you with an amazing bundle of sounds. - Aftertouch : Yes - Arpeggiator : Yes - Backlit pad : Yes - Category : Master keyboard - Compatibility : PC, Mac - Controller : Pitchbend, Modulation, Octave up/down, 8 encoders - Dimensions (mm) : 258 x 952 x 77 - Display : LCD - Inputs : USB, Sustain pedal - Key format : [Clavier] - Number of faders : 9 - Number of keys : 61 - Number of pads : 16 - Number of potentiometers : 8 - Number of switches : 8 - Outputs : USB, Midi, USB Type B - Power supply : USB - Provided software : Ableton Live Lite, Bundle AAS Session, Spitfire Audio LABS - Expressive Strings, Klevgrand R0verb & DAW Cassette, XLN Audio Addictive Keys - Touch : Semi-weighted - Transposition : Yes - Velocity sensitive : Yes - Velocity sensitivity of the pads : Yes - Weight (kg) : 3,40 kg

SEK 3528.00

1

Novation Launchkey 49 MK3 - 49 keys, 16 pads

Launchkey is our intuitive and fully integrated MIDI keyboard controller for making tracks in Ableton Live and with your external equipment. The Launchkey experience is designed for players of all types and abilities. With Launchkey, regardless of experience, you can create and play your music like never before. With its various musical creation features, all of which can be used standalone, Launchkey removes barriers to creativity, and expands the musical vocabulary of even the most talented keyboardists. Eight Scale modes guide you into new musical territory, by transposing keys played to notes in the scale selected. Simply choose your root note and your preferred scale, then play. Three Chord modes transform the keys and pads into an interactive surface of musical exploration, where every note played is tonally and harmonically linked. The arpeggiator lets you explore new melodies and find ideas quickly, while the mutate function reconstructs your patterns into exciting new forms. Custom Modes simplify the relationship between controller and software, with more power than ever in your hands. Programmable using the Novation Components browser-based tool, Custom Modes let you design the behaviour of your Launchkey, with control over control assignments, MIDI routing, pad colour and much more. Launchkey 49 [MK3] is equipped with a full-size five-pin MIDI DIN output, enabling simple connection to the universe of MIDI devices — new and old. Coupled with its immense standalone potential, Launchkey is now the centrepiece to your live or studio rig — computer or not. The Launchkey platform has always been about flexibility, and the MK3 revision carries this mantra at its core. Larger, improved velocity-sensitive pads provide greater control over dynamics, and eight fixed rotary knobs bring your software to life at your fingertips. The integration with Ableton Live is truly seamless, with a dedicated button for activating the Capture MIDI function, plus track arm, quantise, click and loop controls, for flying around your Session faster than ever. Not an Ableton Live user? No problem, Launchkey also has full integration with Logic and Reason, plus out of the box functionality with other DAWs including Studio One, Cubase and Pro Tools, via HUI. Whether starting out or locked in a groove, Launchkey is the controller keyboard to take you further on your musical journey. With a collection of software instruments, including Ableton Live 10 Lite, Serato Sample LE, Spitfire Audio LABS Expressive Strings, XLN Audio Addictive Keys, Klevgrand R0Verb and DAW Cassette, AAS Session Bundle, a two-month Splice Sounds membership and the Novation Sound Collective, Launchkey 49 equips you with an amazing bundle of sounds. - Aftertouch : Yes - Backlit pad : Yes - Category : Master keyboard - Compatibility : PC, Mac - Controller : Pitchbend, Modulation, Octave up/down, 8 encoders - Dimensions (mm) : 258 x 789 x 77 - Display : LCD - Inputs : USB, Sustain pedal - Key format : [Clavier] - Number of faders : 9 - Number of keys : 49 - Number of pads : 16 - Number of potentiometers : 8 - Number of switches : 8 - Outputs : USB, Midi, USB Type B - Power supply : USB - Provided software : Ableton Live Lite, Bundle AAS Session, Spitfire Audio LABS - Expressive Strings, Klevgrand R0verb & DAW Cassette, XLN Audio Addictive Keys - Touch : Semi-weighted - Transposition : Yes - Velocity sensitive : Yes - Velocity sensitivity of the pads : Yes - Weight (kg) : 3,03 kg

SEK 2431.00

1

Novation FLKEY-37 37 keys midi keyboard

Connect with your music FLkey is the ultimate MIDI keyboard for making music in FL Studio. With controls for FL Studio’s Step Sequencer, Channel Rack and Mixer, and creative Scale and Chord modes, FLkey lets you play freely so you can make more of your music. Stay in the groove Sequencer Mode maps FLkey’s pads to FL Studio’s step sequencer for sketching beats fast. Two Pad modes give your rhythms real human feel and get you off the grid: play straight into the Channel Rack or FPC, and trigger slices in SliceX. Need some crisp hi-hat rolls? Note Repeat makes it easy every single time. Mix, create and automate Bring FL Studio’s volume and pan controls off the screen and into your hands – use the eight pots to tweak your mix and record automation on the fly. Essential transport buttons give you access to DAW functions in an instant. Browse presets in your Image Line plug-ins to change up instruments and sounds fast, with no mouse needed. Make more of your music In Scale mode you always hit the right note, keeping the music flowing. Easy-to-use Chord modes on FLkey 37 expand your creative potential. Combine musical tools to immediately unlock new creative boundaries and find ideas you never knew you had. Included Software FLkey comes with a bundle of instruments and effects from our friends at AAS, Spitfire Audio, XLN Audio and Klevgrand – plus membership of Novation’s Sound Collective. Throw all this content into your existing FL Studio projects, or have a go with an included 6-month free trial of FL Studio Producer Edition. FL Studio Producer Edition (6 Month Trial) – FL Studio is the complete software music production environment, everything you need in one package to compose, arrange, record, edit, mix and master your best music. XLN Audio Addictive Keys – Bring authentic piano sounds to your pieces with a choice of Modern Upright, Studio Grand, Electric Grand, or Rhodes virtual instrument. Tweak real mix controls and blend mics to get the perfect keyboard sound for your track. AAS Session Bundle – Essential sounds for your tracks: Lounge Lizard’s authentic classic electric piano tones; Strum Session’s acoustic and electric guitar sounds; Ultra Analog Session’s easy-to-use, huge synth sounds. Spitfire Audio LABS Expressive Strings – Get immediately expressive and realistic strings sounds. Control release, delay and reverb or fade in experimental warped layers to add colour to your tracks and scores. Klevgrand R0Verb – A hybrid between a simple reverb and a very complex delay in an easy-to-use plug-in. Design your own reverbs and put your sounds in their own unique space. Klevgrand DAW Cassette – Bring your sound back to the golden age of cassette tapes, with an accurate recreation of saturation, distortion, noise and wobble. - Backlit pad : Yes - Category : Master keyboard - Compatibility : PC, Mac - Controller : [8_potentiometres], Pitchbend, Modulation, Directional buttons, Sustain, Octave up/down - Dimensions (mm) : 258 x 555 x 77 - Display : LCD - Inputs : Sustain pedal - Key format : [Clavier] - Number of keys : 37 - Number of pads : 16 - Number of potentiometers : 8 - Outputs : Midi, USB Type B - Power supply : USB - Provided software : Bundle AAS Session, Spitfire Audio LABS - Expressive Strings, Klevgrand R0verb & DAW Cassette, [FL_Studio_Producer_6_mois_essai], XLN Audio Addictive Keys - Touch : Semi-weighted - Transposition : Yes - Velocity sensitive : Yes - Velocity sensitivity of the pads : Yes - Weight (kg) : 2,18 kg

SEK 2823.00

1

Goldberg 2012

The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmøre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

SEK 5011.00

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iLoud: Micro Monitor Speakers - white (set of 2 speakers)

Package includes 2 x iLoud Micro Monitor speakers Power supply unit Power supply cable 4-pin speakers connection cable (1.5m/59.1") TRS 1/8" stereo to 2 x RCA cable (1.5m/59.1") High-end sound without the high-end price Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. And if you work in a home or small studio you have even greater challenges, from the lack of space on your desk to the “less than ideal” position of your audio workstation, typically placed against a wall. Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration, and does so in every listening environment, especially in home and project studios. Sound too good to be true? Read on… iLoud Micro Monitor is two extremely portable, high-performance bi-amped speakers that delivers a combined 50W RMS of power for solid bass, plenty of headroom and a stunningly defined stereo image. Whether you’re recording, editing, mixing or mastering audio, editing video, sound designing or gaming, iLoud Micro Monitor ensures your production will translate well to the huge variety of consumer devices — headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems. High power, smallest footprint When the original iLoud speaker was released, it set a new standard for portable power and sonic accuracy in an ultra-small, portable form factor. iLoud Micro Monitor is a natural evolution of that design concept, and just like popular predecessor, offer a completely new and unmatched sonic experience. iLoud Micro Monitors are specifically designed for small makeshift working spaces — bedroom studios, small project studios, on the tour bus or in a hotel room, and they are perfect as an additional reference monitor system for super nearfield listening. Each tweeter and woofer is powered by ultra-efficient class D power amplifiers that push a total of 50W RMS with amazing low-end response down to 55Hz (-3dB) — the best bass response in its category. Each monitor sports a 3/4” silk dome tweeter, a 3” high-rigidity custom composite material woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it’s able to deliver smooth and extended high frequencies, an exceptionally open, focused midrange and a solid, controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it’s nearly inconceivable for a speaker system of this size and at this price point. iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitors as well as also controlling the dynamic range so that the drivers are always under control and operating efficiently. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves. Ideal for small studios Most home studios offer less than ideal space when working on audio and often resemble just a desk with a computer and speakers beside it placed against a wall. Most speakers are not designed for these small environments and sound boomy and undefined, but iLoud Micro Monitors have been designed to be the best possible reference monitor in these challenging “small room” situations. iLoud Micro Monitor’s small footprint saves space on your desktop and ensures closer placement to your ears thus minimizing room reflections. Plus, its internal DSP offers various EQ settings for optimizing bass and treble response as well as position compensation — this lets you switch between a “free field” and “desktop” setup effortlessly. You can also position iLoud Micro Monitor at two angles of inclination thanks to the integrated isolation base that guarantees further mechanical de-coupling and purer sound. With these features you can optimize your listening experience to suit the characteristics of the room you’re working in, therefore always ensuring that you’re working in the audio the sweet spot. Free-field positioning iLoud Micro Monitors also feature an integrated mic stand thread (UNC 3/8”-16) so you can easily place them on any regular pair of mic stands giving you the best possible monitoring conditions in the smallest places without adding expensive accessories. Hi-end features without the high-end price When it comes to small monitors, you’re traditionally limited to two choices — cheap, “budget” monitors that can be better described as a couple of “wooden” boxes with “some kind of” speakers usually costing in the $100-$200 (per pair) range, or high ...

SEK 3714.00

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IRig: iLoud: Micro Monitor Speakers - svart (2 speakers)

Package includes 2 x iLoud Micro Monitor speakers Power supply unit Power supply cable 4-pin speakers connection cable (1.5m/59.1") TRS 1/8" stereo to 2 x RCA cable (1.5m/59.1") High-end sound without the high-end price Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. And if you work in a home or small studio you have even greater challenges, from the lack of space on your desk to the “less than ideal” position of your audio workstation, typically placed against a wall. Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration, and does so in every listening environment, especially in home and project studios. Sound too good to be true? Read on… iLoud Micro Monitor is two extremely portable, high-performance bi-amped speakers that delivers a combined 50W RMS of power for solid bass, plenty of headroom and a stunningly defined stereo image. Whether you’re recording, editing, mixing or mastering audio, editing video, sound designing or gaming, iLoud Micro Monitor ensures your production will translate well to the huge variety of consumer devices — headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems. High power, smallest footprint When the original iLoud speaker was released, it set a new standard for portable power and sonic accuracy in an ultra-small, portable form factor. iLoud Micro Monitor is a natural evolution of that design concept, and just like popular predecessor, offer a completely new and unmatched sonic experience. iLoud Micro Monitors are specifically designed for small makeshift working spaces — bedroom studios, small project studios, on the tour bus or in a hotel room, and they are perfect as an additional reference monitor system for super nearfield listening. Each tweeter and woofer is powered by ultra-efficient class D power amplifiers that push a total of 50W RMS with amazing low-end response down to 55Hz (-3dB) — the best bass response in its category. Each monitor sports a 3/4” silk dome tweeter, a 3” high-rigidity custom composite material woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it’s able to deliver smooth and extended high frequencies, an exceptionally open, focused midrange and a solid, controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it’s nearly inconceivable for a speaker system of this size and at this price point. iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitors as well as also controlling the dynamic range so that the drivers are always under control and operating efficiently. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves. Ideal for small studios Most home studios offer less than ideal space when working on audio and often resemble just a desk with a computer and speakers beside it placed against a wall. Most speakers are not designed for these small environments and sound boomy and undefined, but iLoud Micro Monitors have been designed to be the best possible reference monitor in these challenging “small room” situations. iLoud Micro Monitor’s small footprint saves space on your desktop and ensures closer placement to your ears thus minimizing room reflections. Plus, its internal DSP offers various EQ settings for optimizing bass and treble response as well as position compensation — this lets you switch between a “free field” and “desktop” setup effortlessly. You can also position iLoud Micro Monitor at two angles of inclination thanks to the integrated isolation base that guarantees further mechanical de-coupling and purer sound. With these features you can optimize your listening experience to suit the characteristics of the room you’re working in, therefore always ensuring that you’re working in the audio the sweet spot. Free-field positioning iLoud Micro Monitors also feature an integrated mic stand thread (UNC 3/8”-16) so you can easily place them on any regular pair of mic stands giving you the best possible monitoring conditions in the smallest places without adding expensive accessories. Hi-end features without the high-end price When it comes to small monitors, you’re traditionally limited to two choices — cheap, “budget” monitors that can be better described as a couple of “wooden” boxes with “some kind of” speakers usually costing in the $100-$200 (per pair) range, or high ...