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SCHIFRIN LALO BERKLE PRESS MUSIC COMPOSITION FOR FILM AND TV BK

SCHIFRIN LALO BERKLE PRESS MUSIC COMPOSITION FOR FILM AND TV BK

Philip Glass: Symphony No.9

A3 Score for Symphony No.9 by Philip Glass.

Complete Guide to Film Scoring - 3rd Edition : The Art and Business of Writing Music for Movies and TV

Learn the business, process, and procedures of writing music for film, television, and other forms of media. This book goes step-by-step through the Berklee approach to the art of film scoring. In tracing the evolution of film music from its early silent film origins to today's contemporary practices, you will understand the conventions of the medium and gain a solid grounding for how to approach creating your own evocative scores. Read insights from many of today's film music professionals: composers, orchestrators, music editors, and others - providing an up-to-date account of the art and business of including music in film. Now in its third edition, this comprehensive guide has long been core to Berklee's world-renowned Screen Scoring Department curriculum, whose graduates are scoring films in Hollywood and for film studios worldwide. You will learn to: · Understand the processes and practices of how music fits into the post-production stage of a film's development. · Trace the history of film music, with its evolving technology and conventions, and see how age-old practices continue to influence today's scores. · Identify the major roles in the filmmaking process: the director, producer, music supervisor, music editor, and others. · See how music can serve diverse dramatic functions through the use of instrumental underscore and songs. · Recognize the similarities and differences in scoring for diverse genres such as animation and documentary films. · Navigate the business side of film scoring, understanding its most common compensation models and how they can play out in the long term.

Philip Glass: Glassworks

Glassworks was originally written as a commission for CBS Records in 1981. Philip Glass' music is frequently described as minimalist, though he prefers the term theatre music. He is considered one of the most influential composers of the 20th century.Glassworks is presented here in full score.

Philip Glass: The Windcatcher (Set Of Parts)

The Windcatcher was originally written for Flute and Piano intended for an uncompleted short film project, and was later transcribed as this Saxophone Sextet arrangement. The score is available (Catalogue No.DU10604).

Philip Glass: String Quartet No. 3 (Mishima) Parts

An excellent contemporary string quartet by the innovative Philip Glass.

Philip Glass: String Quartet No.5 (Parts)

The fifth string quartet by the innovative Philip Glass was originally commissioned by David and Evelyne Lennette for the Kronos Quartet, and was first performed on February 15, 1992.

Philip Glass: Symphony No. 10

Symphony No. 10 is a piece composed in 2012 by innovative minimalist composer Philip Glass , commissioned by the Orchestre Francais Des Jeunes for world premiere the same year. Symphony No. 10 is one of Glass 's most recent works, continuing a run of commissions that have been widely acclaimed by critics and audiences alike. The world premiere of this composition in five movements was performed on August 9th 2012, under the direction of Dennis Russell Davies. 

Philip Glass: Spiritwalking (Score/Parts)

Spiritwalking is a work for String Quartet by  Philip Glass , commissioned by Nederlands Dans Theater and the Norwegian National Opera and Ballet for the world premiere of the ballet 'Spiritwalking' by Lightfoot León on 7th June 2014 at Market Hall in Amsterdam. This is the Score and Parts .

Sea Glass

Worn by the waves and recycled by the ocean, sea glass is a product of both nature and man. Bottles and jars carelessly discarded are tumbled by sea and sand, magically creating colorful and smoothly polished gems. This lovely descriptive work uses shimmering effects in piano and percussion combined with beautiful melodies and lush harmonies. With effective emotional peaks and a nice variety in textures, this is a rewarding work for band. Dur: 3:45

Philip Glass: The Trial (Vocal Score)

The Trial is an opera by renowned composer Philip Glass , featuring a libretto by Christopher Hampton. The opera is based on Franz Kafka's classic surreal tale of a man arrested by an unknown authority for an unspecific crime. The entire opera lasts around 120 minutes. The Trial  is the second opera by Philip Glass  based on Franz Kafka's writings, the first being 'In The Penal Colony'. This opera was commissioned by and dedicated to Music Theatre Wales, in honour of their 25th anniversary. The vocal parts in the opera are Soprano, Mezzo-Soprano, 2 Tenors, 2 Baritones, Bass-Baritone and Bass.  Glass 's operas have received worldwide acclaim, adding to the extensive list of musical forms to which he has lent his incomparable compositional talents.

Richard Davis: Complete Guide to Film Scoring - 2nd Edition

Essential for anyone interested in the business, process and procedures of writing music for film or television, this book teaches the Berklee approach to the art, covering topics such as: preparing and recording a score, contracts and fees, publishing, royalties, copyrights and much more.Features interviews with 21 top film-scoring professionals, including Michael Kamen, Alf Clausen, Alan Silvestri, Marc Shaiman, Mark Snow, Harry Gregson-Williams and Elmer Bernstein. Now updated with info on today's latest technology, and invaluable insights into finding work in the industry.

100 Of The Greatest Film Songs Ever

A generous bumper collection of the greatest songs ever to grace the silver screen, all arranged for Piano, Voice and Guitar.It is impossible to imagine Goldfinger without the huge, rich voice of Shirley Bassey, Midnight Cowboy without Nilsson's lilting country whisper, Alfie without the Pop/Jazz of Cilla Black and Sonny Rollins, and Easy Rider just would not be the same without Steppenwolf. The greatest film songs are synonymous with the movies they embellish, capable of lifting a scene from the screen and into our hearts and minds. These songs will forever evoke memories of our favourite characters and situations, long after the film has ended.Learn to play 100 of the greatest film songs ever written with this great-value songbook, packed to the limits with all the laughs, tears, memories and surprises of the movies - a guaranteed hit no matter what the occasion!

Philip Glass: Concerto For Cello And Orchestra

Written for cello solo and orchestra.

Through The Looking Glass : John Cage and Avant-Garde Film (Paperback)

Journey To The Past : from the animated musical film ANASTASIA

Step into an enchanting world of nostalgia with the compelling sounds of Journey To The Past, a wonderful little gem by Stephen Flaherty, magically arranged for brass band by Christopher Bond. This song, originally composed for the popular animated film Anastasia, tells a story of hope, discovery and finding one’s true self. The warm brass band sounds add a new dimension, infusing each note with emotion and passion.

Andy Hill: Scoring The Screen - The Secret Language Of Film Music

Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like  Vertigo ,  To Kill a Mockingbird ,  Patton ,  The Untouchables , or  The Matrix  in the detail provided by  Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark,  Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view  from the inside  of the actual process of scoring-to-picture. The core thesis of  Scoring the Screen  is that music for motion pictures is indeed a  language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey  meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): “If you have  any  interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Philip Glass: Concerto Fantasy For Two Timpanists And Orchestra

Written for orchestra.

Carol for Another Christmas

Henry Mancini's lovely carol is yet another memorable melody from his rich library of film music. The song was featured in a 1964 film of the same name, a re-telling of Dickens' A Christmas Carol. This simple, elegant songis sure to please audiences and your players with this well-crafted arrangement for string ensemble.

Shadow Music : for Five Percussionists and Harp Score and Part

Portions of this work were originally written for the film Evolution of a Shadow, directed by Ken Johnson.

Grover's Corners : from 'Our Town'

Taken from his own concert suite (dedicated to Leonard Bernstein) of his film score, Copland's own words best describe the musical approach to “Grover's Corners”. He explained, “For the film version, they were counting on the music to translate the transcendental aspects of the story. I tried for clean and clear sounds and in general used straight-forward harmonies and rhythms that would project the serenity and sense of security of the story.”

A Time for us (Love Theme)

A timeless song from the Oscar÷-winning film Romeo and Juliet (and also recorded by the legendary Henry Mancini), A Time for Us adapts beautifully for string orchestra. A classic song for your performance library.

John Corigliano: 3 Hallucinations For Orchestra (Study Score)

This work is based on the Film Score Altered States.

The Red Pony : Film-Suite for Band

Set of parts available: 48006521

John Williams: Three Themes for Strings

Three memorable themes from renowned film composer John Williams are included in this sensitive musical montage. John Moss has captured the emotion and musical drama of these award-winning film scores with his arrangement thatincludes: Schindler's List, Angela's Ashes, and Hymn to the Fallen (from Saving Private Ryan).