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Stan Getz: Omnibook For B-Flat Instruments

Pierre Bensusan - Guitar Collection : Transcriptions from the Azwan Album, Live Pieces & Insights

The Daily Ukulele - 365 Songs For Better Living

The Ultimate Ukulele Fake Book : Over 400 Songs to Strum & Sing

The Ultimate Ukulele Fake Book - Small Edition : Over 400 Songs to Strum & Sing (5-1/2 x 8-1/2)

The Daily Ukulele : Baritone Edition

Brian Elias: Concerto For Cello And Orchestra (Score)

Brian Elias: Concerto For Cello And Orchestra (Score)

The Cello Concerto is in four main sections that are played without a break. As with most of my work, the music throughout is generated from the ideas presented in the fi rst few bars, and these ideas and their variants appear freely in the different sections. Recurring material and references to earlier sections are used deliberately to create not only a sense of unity but also an impression of familiarity that aspires to induce a dream-like perception of the passing music, a kind of spiral. The piece opens with a slow introduction that gradually quickens into the first main section, an allegro. The form of the second section, which is in a lighter mood, is based on an early 13th century verse form, the Sestina, which consists of six stanzas of six lines each, followed by an envoi. The words that end each line in the first stanza are rotated in a strictly prescribed pattern* to give the line-endings of the remaining stanzas; in this adaptation, each “line” consists of four bars, and the repetitions ensue according to the plan. The intricate repetition inherent in this form can also be seen as a form of spiral. The third section is an extended slow movement interrupted by a quicker episode that refers to the fi rst section. Generally lighter and in a similar vein to the second section, the final section includes a reference to the slow movement before returning to the lighter music that ends the piece. This work is dedicated to Natalie Clein.

SEK 608.00
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Aspen Pittman: The Tube Amp Book

Guitar Tab White Pages Play-Along (Book/USB)

Carl Humphries: The Piano Handbook

Bill Evans Omnibook for Piano

Zoli Kocsis's Manuscript book : Facsimile edition with CD

Zoli Kocsis's Manuscript book : Facsimile edition with CD

The manuscript gives a glimpse into Kurtág's workshop from the viewpoint of both performers and musicologists. The former can understand more from Kurtág's handwriting about the composer's intentions than from the printed score. The musicologists, however, can study the historical origins of the works: some works can be found here in more than one version, others appear in a version different from the printed score. The publication is accompanied by a booklet and a CD supplement. The booklet contains Kocsis's own personal preface, as well as András Wilheim's essay providing information about the collection and the pieces contained therein. On the CD we hear 11 works performed by Kocsis, from a recording made in 1982 which has not previously been commercially issued. This edition has been published for György Kurtág's 90th birthday. (Tünde SzithaIn the autumn of 1974 György Kurtág began to copy selected pieces from the series Games into a music notebook for Zoltán Kocsis who had been his student in earlier years and who, even today, is one of its most authentic performers. Kocsis played from this notebook in the first public performance of Games in 1974. The gradually expanding series of piano pieces also appeared in print in the course of later decades: however, since then he has used this collection - expanded over 32 years since by Kurtág - whenever he plays pieces from Games in concert. Since the time of this 1974 concert, as he writes: 'I didn't know that the spiral notebook I received at the premiere would later become, as it were, my permanent companion. That I would take it with me from Japan to Canada, from Australia to Iceland, travelling to the world's most prominent concert halls, surviving fire damage, flood, transport catastrophes, theft attempts, forced landings and so on, and that - well beyond the intention of its being 'copied with love' - it would include works and sketches for which this notebook would become the principal source.'

SEK 781.00
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