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Trinity Carol

Trinity Carol

This original Christmas offering is centered in the mystery of the Trinity. Somewhat unique for a seasonal selection, the music is traditional in style and filled with expressive hymnlike harmonies. A supportive accompaniment andan easy-to-ring handbell part build texture and depth before giving way to a stunning a cappella treatment. The anthem has an old soul that would be fully at home in a cathedral or a candlelight chapel. Graceful writing andgrace-filled message!

SEK 65.00
1

Eight Responsories For Trinity Sunday

Eight Responsories For Trinity Sunday

This is the individual Organ part for Antonio Juanas' 'Eight Responsories For Trinity Sunday'.Antonio Juanas (ca. 1762/63 - 1816) worked as "maestro de capilla" at the Cathedral in Mexico City. At the turn of the 18th to 19th centuries his music combined a pronounced Baroque character in the string parts (with Basso Continuo) with vocal parts in the stile antico. The short, partly Double-Choir movements of his Ocho Responsorios in Latin belong liturgically to Trinity Sunday, but can also be performed as individual works. They are available for the first time in Urtext editions. The works are terrific for musicians with an interest in early music, and because of theirscoring for small forces they can be performed by ensembles of different sizes and resources.

SEK 182.00
1

Eight Responsories For Trinity Sunday

Eight Responsories For Trinity Sunday

This is the individual Cello part for Antonio Juanas' 'Eight Responsories For Trinity Sunday'.Antonio Juanas (ca. 1762/63 - 1816) worked as "maestro de capilla" at the Cathedral in Mexico City. At the turn of the 18th to 19th centuries his music combined a pronounced Baroque character in the string parts (with Basso Continuo) with vocal parts in the stile antico. The short, partly Double-Choir movements of his Ocho Responsorios in Latin belong liturgically to Trinity Sunday, but can also be performed as individual works. They are available for the first time in Urtext editions. The works are terrific for musicians with an interest in early music, and because of theirscoring for small forces they can be performed by ensembles of different sizes and resources.

SEK 120.00
1

Eight Responsories For Trinity Sunday

Eight Responsories For Trinity Sunday

This is the individual part for Violin 1 for Antonio Juanas' 'Eight Responsories For Trinity Sunday'.Antonio Juanas (ca. 1762/63 - 1816) worked as "maestro de capilla" at the Cathedral in Mexico City. At the turn of the 18th to 19th centuries his music combined a pronounced Baroque character in the string parts (with Basso Continuo) with vocal parts in the stile antico. The short, partly Double-Choir movements of his Ocho Responsorios in Latin belong liturgically to Trinity Sunday, but can also be performed as individual works. They are available for the first time in Urtext editions. The works are terrific for musicians with an interest in early music, and because oftheir scoring for small forces they can be performed by ensembles of different sizes and resources.

SEK 129.00
1

Eight Responsories For Trinity Sunday

Eight Responsories For Trinity Sunday

This is the set of complete Orchestral parts for Antonio Juanas' 'Eight Responsories For Trinity Sunday'.Antonio Juanas (ca. 1762/63 - 1816) worked as "maestro de capilla" at the Cathedral in Mexico City. At the turn of the 18th to 19th centuries his music combined a pronounced Baroque character in the string parts (with Basso Continuo) with vocal parts in the stile antico. The short, partly Double-Choir movements of his Ocho Responsorios in Latin belong liturgically to Trinity Sunday, but can also be performed as individual works. They are available for the first time in Urtext editions. The works are terrific for musicians with an interest in early music, andbecause of their scoring for small forces they can be performed by ensembles of different sizes and resources.

SEK 611.00
1

Eight Responsories For Trinity Sunday

Eight Responsories For Trinity Sunday

This is the individual part for Violin 2 for Antonio Juanas' 'Eight Responsories For Trinity Sunday'.Antonio Juanas (ca. 1762/63 - 1816) worked as "maestro de capilla" at the Cathedral in Mexico City. At the turn of the 18th to 19th centuries his music combined a pronounced Baroque character in the string parts (with Basso Continuo) with vocal parts in the stile antico. The short, partly Double-Choir movements of his Ocho Responsorios in Latin belong liturgically to Trinity Sunday, but can also be performed as individual works. They are available for the first time in Urtext editions. The works are terrific for musicians with an interest in early music, and because oftheir scoring for small forces they can be performed by ensembles of different sizes and resources.

SEK 129.00
1

Cantata BWV 176 : Cantata for Trinity Sunday

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

SEK 96.00
1

Cantata BWV 176 : Cantata for Trinity Sunday

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

SEK 96.00
1

Cantata BWV 176 : Cantata for Trinity Sunday

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

SEK 107.00
1

Cantata BWV 176 : Cantata for Trinity Sunday

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

SEK 96.00
1

Cantata BWV 176 : Cantata for Trinity Sunday

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

SEK 96.00
1

Cantata BWV 176 : Cantata for Trinity Sunday

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

SEK 96.00
1

Cantata BWV 176 : Cantata for Trinity Sunday

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

SEK 96.00
1

Cantata BWV 176 : Cantata for Trinity Sunday

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

SEK 181.00
1

Cantata BWV 176 : Cantata for Trinity Sunday

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

SEK 207.00
1

Missa in C major K.167 : Trinity Sunday Mass

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.

SEK 250.00
1

Missa in C major K.167 : Trinity Sunday Mass

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.

SEK 117.00
1

Missa in C major K.167 : Trinity Sunday Mass

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.

SEK 313.00
1

Missa in C major K.167 : Trinity Sunday Mass

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.

SEK 117.00
1